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24 kirjaa tekijältä Mike Ashley
This reference represents the most complete and detailed examination of Blackwood to date. Preceding the bibliography is a foreword by Ramsey Campbell, an introduction, a user's guide, and a short but detailed biography revealing much new material about Blackwood's life, and a chronology of dates. The bibliography is divided into four parts: works by Blackwood, adaptations of his work by others, works about Blackwood, and source indices. The listing of Blackwood's works begins with books, and then goes on to short and serial fiction, nonfiction (essays and sketches, and book reviews), poetry and songs, plays and dramas, radio manuscripts, and untraced items.
Join Mike Ashley on a characterful tour of the most ingenious and often forgotten books from the rich history of classic British science fiction. From the enrapturing tales of H. G. Wells to the punishing dystopian visions of 1984 and beyond, the evolution of science fiction from the 1890s to the 1960s is a fascinating journey into the hopes and fears of those years. Establishing this period as what we can now appreciate as the 'classic' age of the genre, which for most of this time had no name, Mike Ashley takes us on a tour of the stars, utopian and post-apocalyptic futures, worlds of AI and techno-thriller masterpieces asking piercing questions of the present. Though not seeking to be exhaustive, this book offers an accessible view of the impressive spectrum of imaginative writing which the genre's classic period has to offer. Towering science fiction greats such as Ballard and Aldiss run alongside the, perhaps unexpected, likes of G. K. Chesterton and J. B. Priestley and celebrate a side of science fiction beyond the stereotypes of space opera and bug-eyed monsters; the side of science fiction which proves why it must continue to be written and read, so long as any of us remain in uncertain times.
This is the second of three volumes which chart the history of the science fiction magazine from the earliest days to the present. The first volume Time Machines traced the development of the sf magazine from its earliest days and the creation of the first specialist magazine, Amazing Stories. Transformations takes up the story to reveal a turbulent period that was to witness the extraordinary rise and fall and rise again of science. Britain’s foremost sf historian, Mike Ashley charts the sf boom years in the wake of the nuclear age that was to see the ‘The Golden Age’ of Science Fiction with the emergence of magazines such as Galaxy, Startling Stories and Fantastic, as well as authors like Isaac Asimov, Philip K. Dick and Frank Herbert . He then goes on to explore the bust years of 1954-1960 followed by the renaissance in the 1960s led by the new wave of British authors like Michael Moorcock and J.G. Ballard and the rise in interest of fantasy fiction, encouraged by Lord of the Rings and the Conan books of Robert E. Howard. Transformations concludes with an examination of the new found interest in sf magazines during the late 1960s and the incredibly influential roles Star Treck , the film 2001: A Space Odyssey and, above all, the first manned Moon landing played in transforming the sf magazine.
Originally conceived as a trilogy, this is the first of five volumes that chart the history of the science fiction magazine from the earliest days to the present. This first volume looks at the exuberant years of the pulp magazines. It traces the growth and development of the science fiction magazines from when Hugo Gernsback launched the very first, Amazing Stories, in 1926 through to the birth of the atomic age and the death of the pulps in the early 1950s. These were the days of the youth of science fiction, when it was brash, raw and exciting: the days of the first great space operas by Edward Elmer Smith and Edmond Hamilton, through the cosmic thought variants by Murray Leinster, Jack Williamson and others to the early 1940s when John W. Campbell at Astounding did his best to nurture the infant genre into adulthood. Under him such major names as Robert A. Heinlein, Isaac Asimov, A. E. van Vogt and Theodore Sturgeon emerged who, along with other such new talents as Ray Bradbury and Arthur C. Clarke, helped create modern science fiction. For over forty years magazines were at the heart of science fiction and this book considers how the magazines, and their publishers, editors and authors influenced the growth and perception of this fascinating genre.
Originally conceived as a trilogy, this is the first of five volumes that chart the history of the science fiction magazine from the earliest days to the present. This first volume looks at the exuberant years of the pulp magazines. It traces the growth and development of the science fiction magazines from when Hugo Gernsback launched the very first, Amazing Stories, in 1926 through to the birth of the atomic age and the death of the pulps in the early 1950s. These were the days of the youth of science fiction, when it was brash, raw and exciting: the days of the first great space operas by Edward Elmer Smith and Edmond Hamilton, through the cosmic thought variants by Murray Leinster, Jack Williamson and others to the early 1940s when John W. Campbell at Astounding did his best to nurture the infant genre into adulthood. Under him such major names as Robert A. Heinlein, Isaac Asimov, A. E. van Vogt and Theodore Sturgeon emerged who, along with other such new talents as Ray Bradbury and Arthur C. Clarke, helped create modern science fiction. For over forty years magazines were at the heart of science fiction and this book considers how the magazines, and their publishers, editors and authors influenced the growth and perception of this fascinating genre.
A thought-provoking collection of Time Travel SF that not only takes us into the past and the future, but also explores what might happen if we attempt to manipulate time to our own advantage.
Twenty-three spellbinding tales of the neverending battle between good and evil, of dark lords and children born to a magical destiny.
Science-Fiction Rebels: The Story of the Science-Fiction Magazines from 1981 to 1990
Mike Ashley
Liverpool University Press
2016
sidottu
Mike Ashley's acclaimed history of science-fiction magazines comes to the 1980s with Science Fiction Rebels: The Story of the Science-Fiction Magazines from 1981 to 1990. This volume charts a significant revolution throughout science fiction, much of which was driven by the alternative press, and by new editors at the leading magazines. The period saw the emergence of the cyberpunk movement, and the drive for what David Hartwell called 'The Hard SF Renaissance', which was driven from within Britain. Ashley plots the rise of many new authors in both strands: William Gibson, John Shirley, Bruce Sterling, John Kessel, Pat Cadigan and Rudy Rucker in cyberpunk, and Stephen Baxter, Alistair Reynolds, Peter Hamilton, Neal Asher and Robert Reed in hard sf. He also shows how the alternative magazines looked to support each other through alliances, which allowed them to share and develop ideas as science fiction evolved.
Science-Fiction Rebels: The Story of the Science-Fiction Magazines from 1981 to 1990
Mike Ashley
Liverpool University Press
2020
nidottu
Mike Ashley's acclaimed history of science-fiction magazines comes to the 1980s with Science Fiction Rebels: The Story of the Science-Fiction Magazines from 1981 to 1990. This volume charts a significant revolution throughout science fiction, much of which was driven by the alternative press, and by new editors at the leading magazines. The period saw the emergence of the cyberpunk movement, and the drive for what David Hartwell called 'The Hard SF Renaissance', which was driven from within Britain. Ashley plots the rise of many new authors in both strands: William Gibson, John Shirley, Bruce Sterling, John Kessel, Pat Cadigan and Rudy Rucker in cyberpunk, and Stephen Baxter, Alistair Reynolds, Peter Hamilton, Neal Asher and Robert Reed in hard sf. He also shows how the alternative magazines looked to support each other through alliances, which allowed them to share and develop ideas as science fiction evolved.
The Rise of the Cyberzines: The Story of the Science-Fiction Magazines from 1991 to 2020
Mike Ashley
LIVERPOOL UNIVERSITY PRESS
2022
sidottu
Shortlisted for the Locus Science Fiction Foundation Non-Fiction Award 2023 The Rise of the Cyberzines concludes Mike Ashley's five-volume series, which has tracked the evolution of the science-fiction magazine from its earliest days in the 1920s to its current explosion via the internet. This series has traced the ways in which the science-fiction magazine has reacted to the times and often led the way in breaking down barriers, for example in encouraging a greater contribution by women writers and stimulating science fiction globally. Magazines have continued to build upon past revolutions such as the 'new wave' and 'cyberpunk', producing a blend of high-tech science fiction and expansive speculative fiction that has broadened the understanding of science and its impact on society. This final volume, which covers the years 1991-2020, shows how the online magazine has superseded the print magazine and has continued to break down barriers, especially for the LGBTQ community and for writers of colour.
The Rise of the Cyberzines: The Story of the Science-Fiction Magazines from 1991 to 2020
Mike Ashley
LIVERPOOL UNIVERSITY PRESS
2024
nidottu
Shortlisted for the Locus Science Fiction Foundation Non-Fiction Award 2023 The Rise of the Cyberzines concludes Mike Ashley's five-volume series, which has tracked the evolution of the science-fiction magazine from its earliest days in the 1920s to its current explosion via the internet. This series has traced the ways in which the science-fiction magazine has reacted to the times and often led the way in breaking down barriers, for example in encouraging a greater contribution by women writers and stimulating science fiction globally. Magazines have continued to build upon past revolutions such as the 'new wave' and 'cyberpunk', producing a blend of high-tech science fiction and expansive speculative fiction that has broadened the understanding of science and its impact on society. This final volume, which covers the years 1991-2020, shows how the online magazine has superseded the print magazine and has continued to break down barriers, especially for the LGBTQ community and for writers of colour.
With stories from modern writers, and the founding fathers of horror fiction, weird or cosmic horror combines the dark brooding shadows of the night with the presence of elder gods at the edges of our world. Algernon Blackwood, M.R. James, H.P. Lovecraft and Ramsey Campbell sit alongside new tales by new writers from open submissions. New, contemporary and notable writers featured are: Ramsey Campbell, Daniel Carpenter, Micah Castle, Kevin M. Folliard, Anastasia Garcia, Timothy Granville, Steve Hanson, Maria Haskins, Nyx Kain, Shona Kinsella, Lena Ng, Reggie Oliver, Jason Parent, Bonnie Quinn, Eric Reitan, Cody Schroeder, Lucy A. Snyder, Richard Thomas, Chris Wheatley, and Maria Wolfe. These appear alongside classic stories by Louisa May Alcott, Robert Bloch, William Hope Hodgson, Fritz Leiber, Clark Ashton Smith and more. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.
Here is the whole of recorded British royal history, from the legendary King Alfred the Great onwards, including the monarchies of England, Scotland, Wales and the United Kingdom for over a thousand years. Fascinating portraits are expertly woven into a history of division and eventual union of the British Isles - even royals we think most familiar are revealed in a new and sometimes surprising light. This revised and shortened edition of The Mammoth Book of British Kings & Queens includes biographies of the royals of recorded British history, plus an overview of the semi-legendary figures of pre-history and the Dark Ages - an accessible source for students and general readers.
Here are 25 stories of science fiction that push the envelope, by the biggest names in an emerging new crop of high-tech futuristic SF - including Charles Stross, Robert Reed, Alastair Reynolds, Peter Hamilton and Neal Asher. High-tech SF has made a significant comeback in the last decade, as bestselling authors successfully blend the super-science of 'hard science fiction' with real characters in an understandable scenario. It is perhaps a reflection of how technologically controlled our world is that readers increasingly look for science fiction that considers the fates of mankind as a result of increasing scientific domination. This anthology brings together the most extreme examples of the new high-tech, far-future science fiction, pushing the limits way beyond normal boundaries. The stories include: "A Perpetual War Fought Within a Cosmic String", "A Weapon That Could Destroy the Universe", "A Machine That Detects Alternate Worlds and Creates a Choice of Christs", "An Immortal Dead Man Sent To The End of the Universe", "Murder in Virtual Reality", "A Spaceship So Large That There is An Entire Planetary System Within It", and "An Analytical Engine At The End of Time", and "Encountering the Untouchable."
For that rare but thrilling sense of wonder - 25 awesome SF stories.
The biggest collection of new Sherlock Holmes stories since Sir Arthur Conan Doyle laid down his pen - nearly 200,000 words of superb fiction featuring the Great Detective by masters of historical crime, including Stephen Baxter, H. R. F. Keating, Michael Moorcock and Amy Myers. Almost all the stories here are specially written; the cases presented in the order in which Holmes solved them. The result is a new life of Sherlock Holmes, with a continuous narrative alongside the stories that identifies the 'gaps' in the canon and places the new and hitherto unrecorded cases in sequence. Plus an invaluable complete Holmes chronology.
This third volume in Mike Ashley’s four-volume study of the science-fiction magazines focuses on the turbulent years of the 1970s, when the United States emerged from the Vietnam War into an economic crisis. It saw the end of the Apollo moon programme and the start of the ecology movement. This proved to be one of the most complicated periods for the science-fiction magazines. Not only were they struggling to survive within the economic climate, they also had to cope with the death of the father of modern science fiction, John W. Campbell, Jr., while facing new and potentially threatening opposition. The market for science fiction diversified as never before, with the growth in new anthologies, the emergence of semi-professional magazines, the explosion of science fiction in college, the start of role-playing gaming magazines, underground and adult comics and, with the success of Star Wars, media magazines. This volume explores how the traditional science-fiction magazines coped with this, from the death of Campbell to the start of the major popular science magazine Omni and the first dreams of the Internet.
A superb collection of stories of magic and adventure from the golden age of Arthurian legend by bestselling writers. Enter into the darker realms of the age of the Knights of the Round Table, when magic held sway and Merlin vied with Arthur's heroic new world. Included are: Jane Yolen on Merlin's youth and coming of age; Marion Zimmer Bradley on Nimuë, Merlin's lover and doom; Charles de Lint on Merlin's influence through the centuries; Darrell Schweitzer on the legends of Merlin's birth; plus stories by Tanith Lee, Peter Tremayne, Phyllis Ann Karr, Jennifer Roberson, and many others. There is also a detailed introduction by Mike Ashley on the mystery and magic of Merlin and his world.
Revelatory account of the man and the legend