Kirjahaku

Mike Gane provides an introduction to Baudrillard's cultural theory: the conception of modernity and the complex process of simulation. He examines Baudrillard's literary essays: his confrontation with Calvino, Styron, Ballard and Borges. Gane offers a coherent account of Baudrillard's theory of cultural ambience, and the culture of consumer society. And it provides an introduction to Baudrillard's fiction theory, and the analysis of transpolitical figures. The book also includes an interesting and provocative comparison of Baudrillard's powerful essay against the modernist Pompidou Centre in Paris and Frederic Jameson's analysis of the Bonaventure Hotel in Los Angeles. An interpretation of this encounter leads to the presentation of a very different Baudrillard from that which figures in contemporary debates on postmodernism.

This book examines the interconnections of gender theory and lived gender relationships of some of the key social theorists of the classical period (1789 - 1920): Wollstonecraft, Godwin, Enfantin, Comte, Marx, Engels, Mill, Nietzsche, Durkheim and Weber. By recounting the confrontations of these theorists with the spectre of the new woman, and women's emancipation, it opens up new questions for the way we percaive the questions of 'the new man' today.

Auguste Comte is widely acknowledged as the founder of the science of sociology and the 'Religion of Humanity'. In this fascinating study, the first major reassessment of Comte’s sociology for many years, Mike Gane draws on recent scholarship and presents a new reading of this remarkable figure. Comte’s contributions to the history and philosophy of science have decisively influenced positive methodologies. He coined the term ‘sociology’ and gave it its first content, and he is renowned for having introduced the sociology of gender and emotion into sociology. What is less well known however, is that Comte contributed to ethics, and indeed coined the word ‘altruism’. In this important work Gane examines Comte's sociological vision and shows that, because he thought sociology could and should be reflexive, encyclopaedic and utopian, he considered topics such as fetishism, polytheism, fate, love, and the relations between sociology, science, theology and culture.This fascinating account of the birth of sociology is an unprecedented introductory text on Comte. Gane’s work is an essential read for all sociologists and students of the discipline.

Auguste Comte is widely acknowledged as the founder of the science of sociology and the 'Religion of Humanity'. In this fascinating study, the first major reassessment of Comte’s sociology for many years, Mike Gane draws on recent scholarship and presents a new reading of this remarkable figure. Comte’s contributions to the history and philosophy of science have decisively influenced positive methodologies. He coined the term ‘sociology’ and gave it its first content, and he is renowned for having introduced the sociology of gender and emotion into sociology. What is less well known however, is that Comte contributed to ethics, and indeed coined the word ‘altruism’. In this important work Gane examines Comte's sociological vision and shows that, because he thought sociology could and should be reflexive, encyclopaedic and utopian, he considered topics such as fetishism, polytheism, fate, love, and the relations between sociology, science, theology and culture.This fascinating account of the birth of sociology is an unprecedented introductory text on Comte. Gane’s work is an essential read for all sociologists and students of the discipline.

This radical appraisal of Durkheim's method, first published in 1988, argues that fundamental errors have been made in interpreting Durkheim. Mike Gane argues that to understand The Rules it is necessary also to understand the context of the French society in which the book was written. He explores the cultural and philosophical debates which raged in France during the period when Durkheim prepared the book and establishes the real and unsuspected complexity of Durkheim's position: its formal complexity, its epistemological complexity, and its historical complexity.

This radical appraisal of Durkheim's method, first published in 1988, argues that fundamental errors have been made in interpreting Durkheim. Mike Gane argues that to understand The Rules it is necessary also to understand the context of the French society in which the book was written. He explores the cultural and philosophical debates which raged in France during the period when Durkheim prepared the book and establishes the real and unsuspected complexity of Durkheim's position: its formal complexity, its epistemological complexity, and its historical complexity.

This book examines the interconnections of gender theory and lived gender relationships of some of the key social theorists of the classical period (1789 - 1920): Wollstonecraft, Godwin, Enfantin, Comte, Marx, Engels, Mill, Nietzsche, Durkheim and Weber. By recounting the confrontations of these theorists with the spectre of the new woman, and women's emancipation, it opens up new questions for the way we percaive the questions of 'the new man' today.

Mike Gane provides an introduction to recent developments in French theorist Jean Baudrillard's thinking. This volume reflects Baudrillard's new concern with radical uncertainty and the way in which he has reconfigured his earlier thinking in the light of more recent ideas and theories. The author disputes the notion that Baudrillard has now become an increasingly extreme theorist, remote from the realities of the world - and argues instead that new developments in Baudrillard's work are a more appropriate reflection on a world of extremes. This book explicitly challenges the conservative response to Baudrillard's work, and underlines the significance of what Baudrillard himself terms the 'fourth order of simulation', in a major contribution to new debates on the significance of recent developments in Western culture and society.

Mike Gane provides an introduction to recent developments in French theorist Jean Baudrillard's thinking. This volume reflects Baudrillard's new concern with radical uncertainty and the way in which he has reconfigured his earlier thinking in the light of more recent ideas and theories.The author disputes the notion that Baudrillard has now become an increasingly extreme theorist, remote from the realities of the world - and argues instead that new developments in Baudrillard's work are a more appropriate reflection on a world of extremes. This book explicitly challenges the conservative response to Baudrillard's work, and underlines the significance of what Baudrillard himself terms the 'fourth order of simulation', in a major contribution to new debates on the significance of recent developments in Western culture and society.

No national tradition of social theory has been more seductive to Anglo-American readers than the French.There has been a long-standing fascination with French ideas and debates. This extraordinarily accomplished book, written by one of Britain's leading commentators on social theory, provides a peerless account of the French tradition.The book: provides a systematic account of French social theory from the aftermath of the French Revolution (St Simon, Bazard and Comte) to the contemporary scene dominated by Kristeva, Deleuze, Bourdieu and Baudrillard; divides French social theory into three logically coherent cycles: 1800-80 (positivist); 1880-1940 (anthropological); 1940-2000 (Marxist); provides a detailed guide to the three phases of postwar French social theory - existential, structural and post-structural; and situates the discussions of individuals and schools in the relevant social and political contexts. The book is a masterpiece of erudition and scholarship but is written throughout in an engaging and informative style. It will be required reading for anyone interested in social theory and sociology.

No national tradition of social theory has been more seductive to Anglo-American readers than the French.There has been a long-standing fascination with French ideas and debates. This extraordinarily accomplished book, written by one of Britain's leading commentators on social theory, provides a peerless account of the French tradition.The book: provides a systematic account of French social theory from the aftermath of the French Revolution (St Simon, Bazard and Comte) to the contemporary scene dominated by Kristeva, Deleuze, Bourdieu and Baudrillard; divides French social theory into three logically coherent cycles: 1800-80 (positivist); 1880-1940 (anthropological); 1940-2000 (Marxist); provides a detailed guide to the three phases of postwar French social theory - existential, structural and post-structural; and situates the discussions of individuals and schools in the relevant social and political contexts. The book is a masterpiece of erudition and scholarship but is written throughout in an engaging and informative style. It will be required reading for anyone interested in social theory and sociology.

Baudrillard is widely recognised as a powerful new force in cultural and social criticism, and is often referred to as the ‘High Priest of Postmodernism’. This study presents a detached assessment of his social thought and his reputation, challenging the way his work has been received in postmodernism and proposing a new reading of his contribution to social theory. Using many sources currently available only in French, Mike Gane provides the keys to understanding Baudrillard’s project and reveals the extent and scope of Baudrillard’s challenge to modern social theory and cultural criticism. He looks at the sources of Baudrillard’s ideas, analysing how Baudrillard has turned these sources against themselves. He describes Baudrillard’s dramatic encounter with critical Marxist theory and psychoanalysis, showing how Baudrillard’s post-Marxist writings define, through the exploration of fatal theory, a new episode in cultural history: a period of cultural implosion. This balanced account of Baudrillard’s social theory emphasises the originality of his work and argues that his significance can only be understood by grasping the paradoxes of his project – Baudrillard’s work is poetic, yet, at the same time, critical and fatal.

This collection reflects the French influence on literary and representational theory which has been predominant in recent years. It contains stimulating essays on the fiction of Perault, Borges, James, Eco and Tournier. These are complemented by theoretical essays on power and representation which provide powerful critiques of Barthes, Derrida, Deleuze and Marin, writers central to the contemporary debate. Finally, two perceptive essays reflect upon and attempt to redirect current theory, drawing on and confronting the writings of Michel Foucault.

This collection reflects the French influence on literary and representational theory which has been predominant in recent years. It contains stimulating essays on the fiction of Perault, Borges, James, Eco and Tournier. These are complemented by theoretical essays on power and representation which provide powerful critiques of Barthes, Derrida, Deleuze and Marin, writers central to the contemporary debate. Finally, two perceptive essays reflect upon and attempt to redirect current theory, drawing on and confronting the writings of Michel Foucault.

Baudrillard is widely recognised as a powerful new force in cultural and social criticism, and is often referred to as the ‘High Priest of Postmodernism’. This study presents a detached assessment of his social thought and his reputation, challenging the way his work has been received in postmodernism and proposing a new reading of his contribution to social theory. Using many sources currently available only in French, Mike Gane provides the keys to understanding Baudrillard’s project and reveals the extent and scope of Baudrillard’s challenge to modern social theory and cultural criticism. He looks at the sources of Baudrillard’s ideas, analysing how Baudrillard has turned these sources against themselves. He describes Baudrillard’s dramatic encounter with critical Marxist theory and psychoanalysis, showing how Baudrillard’s post-Marxist writings define, through the exploration of fatal theory, a new episode in cultural history: a period of cultural implosion. This balanced account of Baudrillard’s social theory emphasises the originality of his work and argues that his significance can only be understood by grasping the paradoxes of his project – Baudrillard’s work is poetic, yet, at the same time, critical and fatal.

Having taken over the leadership of the French school of sociology after the death of his uncle, Emile Durkheim, in 1917, Mauss, celebrated author of The Gift, re-launched the flagship journal, the Année sociologique. Here are two of Mauss's most significant statements on the social sciences. The first, written with Fauconnet, outlines the methodological orientations of the school. The second examines the internal organization of sociology as a division of intellectual labor. The essays are of interest to anthropologists as well as sociologists for Mauss, like Durkheim, did not distinguish in detail the two disciplines.

Having taken over the leadership of the French school of sociology after the death of his uncle, Emile Durkheim, in 1917, Mauss, celebrated author of The Gift, re-launched the flagship journal, the Année sociologique. Here are two of Mauss's most significant statements on the social sciences. The first, written with Fauconnet, outlines the methodological orientations of the school. The second examines the internal organization of sociology as a division of intellectual labor. The essays are of interest to anthropologists as well as sociologists for Mauss, like Durkheim, did not distinguish in detail the two disciplines.

Two people meet and discover they share a love of acting, telling stories and reading Roland Barthes. They agree to meet up two or three times a month and exchange haikus and stories that occur to them after reading Barthes’ A Lover’s Discourse: Fragments. As their stories are exchanged the couple’s relationship develops, changes, and reaches a strange climax. The collections of stories are entertaining, witty, sometimes shocking and poke fun at the dour and laboured Fragments of Roland Barthes, posing the question of what the meaning of a story is if it is to be part of an exchange and what in life is not exchanged?