Over the course of his seventy years, Mikhail Horowitz reports being an English Romantic poet of the early 19th century, a Chinese hermit poet of the Tang Dynasty, a neo-Beat jazz poet of the Third Millennium, a proto-Surrealist and Oulipo poet of Paris between the wars, and a postmodern poet and spoken word performer in an increasingly medieval America. This volume offers a generous selection of his various avatars, featuring poems and prose pieces that are bracing, ludic, and often madly obsessive.