Kirjahaku

The public outdoor sermon was a mediaeval institution of great historical importance. At the preaching cross in St. Paul's Churchyard in London. The leading prelates of the day expounded theology and politics, and were listened to by kings and commoners. In that day the persuaders of public opinion wore the prophet's robe, not the grey flannel suit, and had to depend on their own powerful lungs without mechanical aids to reach the loungers at the limits of the church-yard. They exercised their powers of persuasion according to the traditional rules of rhetoric, and with such skill that they have thundered their way into history. Cranmer, Latimer, Gardiner, Jewel, Donne, Laud, King, and many other famous churchmen spoke from the Cross of St. Paul's. During and after the Reformation, however, the outdoor public sermon was transformed by political devices and theological conflict. Serious issues affecting the destiny of England as a world power were proclaimed and argued from Paul's Cross. The sermons are a fascinating and reliable mirror of the great changes going on in the religious, intellectual, and social life of England. The great names of the age are here: Henry VIII, Elizabeth I, Leicester, Essex, Jonson, Bacon, but an attempt is made to see them from the vantage point of contemporary local knowledge, rumour and prejudice, not as they appear in the usual perspective of history. The Register of Sermons gives an intimate glimpse of the times, of the cranks, criminals, spies, and martyrs of the age, as well as rescuing from oblivion the painful efforts of the preachers. This study provides the only general introduction available to an important ecclesiastical institution of the Reformation and post-Reformation period; it serves as a series of footnotes to the careers of certain prominent persons, and as a partial bibliography of the sermon-literature of the period. For the ecclesiastical historian the book provides a convenient index to the sources and methods of and the changes in Anglican popular apologetics during a critical period in the history of the Church of England. Professor MacLure's admirable prose style echoes attractively in its colour and rhythms the period he is describing.

George Campman (1559-1634) is one of the most important literary figures of the English Renaissance. A powerful personality, melancholy and witty, his style by turns obscure and elegant, he attempted almost every genre of poetry practised in his day: mythological narrative, philosophical poem, panegyric, elegy, comedy, tragedy, masque, and translation from the classics. This book is the first full-length critical study in English of all his works, poems, plays, and translations, considered in detail in relation to their genres, and in terms of Chapman's intellectual and aesthetic development. The major non-dramatic poems, the tragedies (which have often been the subject of critical comment) and "Chapman's Homer" receive the largest share of attention, but the comedies, in which Chapman was a stylish innovator, and the minor translations are also discussed at length, and an attempt is made to place Chapman among his great contemporaries. In tracing the relationship between Chapman's art and his aesthetic, moral, and intellectual notions, Professor MacLure has made a valuable contribution to the study of Renaissance thought and literature, and introduced an unusual poetic personality to readers who knows Chapman only in fragments or by allusion.