Kirjahaku

Nobel Laureate Mo Yan, whose name literally means "don't speak," is renowned for his fiction, which the Nobel Prize Foundation notes "merges folk tales, history and the contemporary" "with hallucinatory realism." His works include The Garlic Ballads, Red Sorghum, Shifu, You'll Do Anything for a Laugh, Life and Death Are Wearing Me Out, The Republic of Wine, and Big Breasts and Wide Hips (all translated into English by Professor Howard Goldblatt).Just as Mo Yan captivated his audience with his storytelling as a young boy, his speeches on literature in recent years are just as riveting. They provide rare insights into the complex thought processes of one of the most influential writers in the world. Mo Yan's passion for this work comes across clearly in his lectures and speeches, reinforcing the strong emotions his works evoke in his readers. Many of these speeches have been translated into Japanese and Korean, and they are now finally available in English. From the writers who have influenced him to the relationship between his life and his works, these speeches offer an extraordinary window in Mo Yan's world and will help us appreciate his works even more.

Nobel Laureate Mo Yan, whose name literally means "don't speak," is renowned for his fiction, which the Nobel Prize Foundation notes "merges folk tales, history and the contemporary" "with hallucinatory realism." His works include The Garlic Ballads, Red Sorghum, Shifu, You'll Do Anything for a Laugh, Life and Death Are Wearing Me Out, The Republic of Wine, and Big Breasts and Wide Hips (all translated into English by Professor Howard Goldblatt).Just as Mo Yan captivated his audience with his storytelling as a young boy, his speeches on literature in recent years are just as riveting. They provide rare insights into the complex thought processes of one of the most influential writers in the world. Mo Yan's passion for this work comes across clearly in his lectures and speeches, reinforcing the strong emotions his works evoke in his readers. Many of these speeches have been translated into Japanese and Korean, and they are now finally available in English. From the writers who have influenced him to the relationship between his life and his works, these speeches offer an extraordinary window in Mo Yan's world and will help us appreciate his works even more.

Spanning three generations, this novel of family and myth is told through a series of flashbacks that depict events of staggering horror set against a landscape of gemlike beauty as the Chinese battle both the Japanese invaders and each other in the turbulent 1930s.

The acclaimed novel of love and resistance during late 1930s China by Mo Yan, winner of the Nobel Prize in Literature Spanning three generations, this novel of family and myth is told through a series of flashbacks that depict events of staggering horror set against a landscape of gemlike beauty, as the Chinese battle both Japanese invaders and each other in the turbulent 1930s. A legend in China, where it won major literary awards and inspired an Oscar-nominated film directed by Zhang Yimou, Red Sorghum is a book in which fable and history collide to produce fiction that is entirely new--and unforgettable.

A NEW YORK TIMES TOP BOOK OF THE YEARWASHINGTON POST NOTABLE BOOK "Mo Yan's voice will find it's way into the heart of the American reader, just as Kundera and Garc a M rquez have." --Amy Tan author of The Joy Luck Club From the Nobel-prize winning author of Red Sorghum and one China's most revered writers, a novel exploring the One-Child Policy Before the Cultural Revolution, Gugu, narrator Tadpole's feisty aunt, is a respected midwife in her rural community. She combines modern medical knowledge with a healer's touch to save the lives of village women and their babies. Gugu is beautiful, charismatic, and of an unimpeachable political background. After a disastrous love affair with a defector leaves Gugu reeling, she throws herself zealously into enforcing China's draconian new family planning policy by any means necessary, be it forced sterilizations or late-term abortions. Tragically, her blind devotion to the Party line spares no one, not her own family, not even herself. Once beloved, Gugu becomes the living incarnation of a reviled social policy violently at odds with deeply rooted social values. Spanning the pre-revolutionary era and the country's modern day consumer society, Mo Yan's taut and engrossing examination of Chinese society will be read for generations to come.

Frog is a richly complex new novel about China's one-child policy by Mo Yan, winner of the Nobel Prize in Literature 2012.Gugu is beautiful, charismatic and of an unimpeachable political background. A respected midwife, she combines modern medical knowledge with a healer's touch to save the lives of village women and their babies.After a disastrous love affair with a defector leaves Gugu reeling, she throws herself zealously into enforcing China's draconian new family-planning policy by any means necessary, be it forced sterilizations or late-term abortions. Tragically, her blind devotion to the Party line spares no one, not her own family, not even herself.Once beloved, Gugu becomes the living incarnation of a reviled social policy violently at odds with deeply-rooted social values. Spanning the pre-revolutionary era and the country's modern-day consumer society, Mo Yan's taut and engrossing examination of Chinese life will be read for generations to come.'Mo Yan deserves a place in world literature. His voice will find its way into the heart of the reader, just as Kundera and Garcia Marquez have' Amy Tan'One of China's leading writers . . . his work rings with refreshing authenticity' Time'His idiom has the spiralling invention of much world literature of a high order, from Vargas Llosa to Rushdie'ObserverTranslated by Howard Goldblatt

Shifu, You'll Do Anything for a Laugh is a collection of eight compelling short stories written over the past twenty years: surrealistic political fables, ghost stories, tales of failed and perverse love, and stories about the destructive effects of superstition and ignorance. These stories capture the current concerns of the Chinese: lack of income, famine, and the devastating effects of the one-child policy. One particular get-rich-quick scheme involves an unemployed man who decides to convert an abandoned bus into a venue for private trysts which will enable him to charge lovers by the hour.

An epic vision of China in the twentieth century by the author of Red Sorghum. On the eve of invasion by marauding Japanese troops, the Shangguan family eagerly prepare for two important arrivals: the birth of a foal to their donkey, and the birth of yet another girl to the young matriarch, in that order of priority. Surrounded by a remorseless mother and seven sisters, each named in anticipation of his birth, the resulting boy-child becomes our ineffectual narrator, leading us through a generation of life in a rural Chinese community populated by strong women and weak husbands, bandits and government bureaucrats, hen-murdering mid-wives and philandering missionaries, in this epic Chinese picaresque from the acclaimed author of Red Sorghum. Resplendent with the grotesque, bristling with grim humour, and visceral in its treatment of sex, violence and death, "Big Breasts & Wide Hips" is a searing vision of China in the twentieth century.

An epic tale of love and loyalty, beauty and brutality by China's greatest living writer.

This powerful novel by Mo Yan - one of contemporary China's most famous and prolific writers - is both a stirring love story and an unsparing critique of political corruption during the final years of the Qing Dynasty, China's last imperial epoch.Sandalwood Death is set during the Boxer Rebellion (1898-1901) - an anti-imperialist struggle waged by North China's farmers and craftsmen in opposition to Western influence. Against a broad historical canvas, the novel centers on the interplay between its female protagonist, Sun Meiniang, and the three paternal figures in her life. One of these men is her biological father, Sun Bing, an opera virtuoso and a leader of the Boxer Rebellion. As the bitter events surrounding the revolt unfold, we watch Sun Bing march toward his cruel fate, the gruesome ""sandalwood punishment,"" whose purpose, as in crucifixions, is to keep the condemned individual alive in mind-numbing pain as long as possible.Filled with the sensual imagery and lacerating expressions for which Mo Yan is so celebrated, Sandalwood Death brilliantly exhibits a range of artistic styles, from stylized arias and poetry to the antiquated idiom of late Imperial China to contemporary prose. Its starkly beautiful language is here masterfully rendered into English by renowned translator Howard Goldblatt.

In "Change", Mo Yan, the 2012 Nobel Laureate in Literature, personalizes the political and social changes in his country over the past few decades in this novella disguised as autobiography-or vice-versa. Unlike most historical narratives from China, which are pegged to political events, "Change" is a representative of "people's history," a bottom-up rather than top-down view of a country in flux. By moving back and forth in time and focusing on small events and everyday people, Mo Yan breathes life into history by describing the effects of larger-than-life events on the average citizen.

In this novel by the 2012 Nobel Laureate in Literature, Mo Van, a benign old monk listens to a prospective novice's tale of depravity, violence, and carnivorous excess while a nice little family drama-in which nearly everyone dies-unfurls. But in this tale of sharp hatchets, bad water, and a rusty WWII mortar, we can't help but laugh. Reminiscent of the novels of dark masters of European absurdism like Gunter Grass, Witold Gombrowicz, or Jakov Lind, Mo Yan's POW! is a comic masterpiece. In this bizarre romp through the Chinese countryside, the author treats us to a cornucopia of cooked animal flesh-ostrich, camel, donkey, dog, as well as the more common varieties. As his dual narratives merge and feather into one another, each informing and illuminating the other, Mo Yan probes the character and lifestyle of modern China. Displaying his many talents, as fabulist, storyteller, scatologist, master of allusion and cliche, and more, POW! carries the reader along quickly, hungrily, and giddily, up until its surprising denouement. Mo Yan has been called one of the great novelists of modern Chinese literature, and the New York Times Book Review has hailed his work as harsh and gritty, raunchy and funny. He writes big, sometimes mystifying, sometimes infuriating, but always entertaining novels-and POW? is no exception.

Nobel prize winner 2012!Today's most revered, feared, and controversial Chinese novelist offers a tour de force in which the real, the absurd, the comical, and the tragic are blended into a fascinating read. The hero-or antihero-of Mo Yan's novel is Ximen Nao, a landowner known for his generosity and kindness and benevolence to his peasants. However, during Mao's Land Reform Movement of 1948, he is not only stripped of his land and worldly possessions but cruelly executed, despite his protestations of innocence. The novel opens in Hell, where Lord Yama, king of the underworld, has Ximen Nao tortured endlessly in order to force a confession of guilt from him. When his efforts remain fruitless, Lord Yama allows Ximen Nao to return to earth, where he is reborn not as a human, but first as a donkey, then a horse, a pig, a monkey, and, finally, the big-headed boy Lan Qiansui. Through the eyes of animal and boy, Ximen Nao takes us on a deliriously unique journey through fifty years of peasant history in China, right to the edge of the new millennium. Here is an absolutely riveting tale that reveals the author's love of a homeland beset by ills inevitable, political, and traditional.

Mo Yan, China's most critically acclaimed author, has changed the face of his country's contemporary literature with such daring and masterly novels as Red Sorghum, The Garlic Ballads, and The Republic of Wine. In this collection of eight astonishing stories--the title story of which has been adapted to film by the award-winning director of Red Sorghum Zhang Yimou--Mo Yan shows why he is also China's leading writer of short fiction. His passion for writing shaped by his own experience of almost unimaginable poverty as a child, Mo Yan uses his talent to expose the harsh abuses of an oppressive society. In these stories he writes of those who suffer, physically and spiritually, under its yoke: the newly unemployed factory worker who hits upon an ingenious financial opportunity; two former lovers revisiting their passion fleetingly before returning to their spouses; young couples willing to pay for a place to share their love in private; the abandoned baby brought home by a soldier to his unsympathetic wife; the impoverished child who must subsist on a diet of iron and steel; the young bride willing to go to any length to escape an odious, arranged marriage. Never didactic, Mo's fiction ranges from tragedy to wicked satire, rage to whimsy, magical fable to harsh realism, from impassioned pleas on behalf of struggling workers to paeans to romantic love.

V gorode, gde rodilsja i vyros Lo Sjaotun, vse bez uma ot mjasa. Rasskazyvaja staromu monakhu, a zaodno i nam istorii iz svoej zhizni i zhiznej drugikh gorozhan, Lo Sjaotun zavodit nas vse glubzhe v debri i tajny dikovinnogo gorodka. Straus, verbljud, osel, sobaka - kak iz roga izobilija sypljutsja ugoschenija iz mjasa samykh raznykh zhivotnykh, a istorii stanovjatsja vse bolee prichudlivymi, pugajuschimi i - smeshnymi? Povestvovatel, skazochnik, mifotvorets, satirik, master alljuzij i nastojaschij galljutsinogennyj realist... Zatejlivo perepletaja neskolko narrativov, Mo Jan issleduet samuju sut i obraz zhizni sovremennogo Kitaja.

Novyj roman Nobelevskogo laureata 2012 goda i velichajshego kitajskogo pisatelja sovremennosti Mo Janja v novom krasochnom oformlenii! Nevynosimo prekrasnyj roman o geroicheskoj smerti narodnogo pevtsa, prigovorennogo k strashnoj kazni sandalovogo dereva, vo vremja kotoroj chelovek dolzhen neskolko dnej ispytyvat muki, prezhde chem ispustit dukh. Udushajusche velichestvennaja atmosfera Kitaja nachala XX veka, peremeshannaja s poluskazochnymi obrazami i simfoniej uzhasa.

Uzhe davno khodjat zhutkie slukhi, chto v provintsii Tszjugo (chto bukvalno oznachaet "Strana vina") tvoritsja neslykhannoe - poedajut detej. Na sledovatelja po osobo vazhnym delam provintsialnoj prokuratury Din Gouera byla vozlozhena otvetstvennaja missija - dokopatsja do pravdy. V chest priezda sledovatelja v provintsii zakatyvajut grandioznyj pir, kotoryj stanet nachalom togo tjazhelogo alkogolnogo stupora, kotoryj opustitsja, kazhetsja, na ves okruzhajuschij mir. Pered vami esche odno fantasmagorichnoe puteshestvie v samoe serdtse Kitaja ot Nobelevskogo laureata Mo Janja.