Kirjahaku

This book explores Virginia Woolf’s afterlives in contemporary biographical novels and drama. It offers an extensive analysis of a wide array of literary productions in which Virginia Woolf appears as a fictional character or a dramatis persona. It examines how Woolf’s physical and psychological features, as well as the values she stood for, are magnified, reinforced or distorted to serve the authors’ specific agendas. Beyond general theoretical issues about this flourishing genre, this study raises specific questions about the literary and cultural relevance of Woolf’s fictional representations. These contemporary narratives inform us about Woolf’s iconicity, but they also mirror our current literary, cultural and political concerns. Based on a close examination of twenty-five works published between 1972 and 2019, the book surveys various portraits of Woolf as a feminist, pacifist, troubled genius, gifted innovative writer, treacherous, competitive sister and tragic, suicidal character, or, on the contrary, as a caricatural comic spirit, inspirational figure and perspicacious amateur sleuth. By resurrecting Virginia Woolf in contemporary biofiction, whether to enhance or debunk stereotypes about the historical figure, the authors studied here contribute to her continuous reinvention. Their diverse fictional portraits constitute a way to reinforce Woolf’s literary status, re-evaluate her work, rejuvenate critical interpretations and augment her cultural capital in the twenty-first century

This book explores Virginia Woolf’s afterlives in contemporary biographical novels and drama. It offers an extensive analysis of a wide array of literary productions in which Virginia Woolf appears as a fictional character or a dramatis persona. It examines how Woolf’s physical and psychological features, as well as the values she stood for, are magnified, reinforced or distorted to serve the authors’ specific agendas. Beyond general theoretical issues about this flourishing genre, this study raises specific questions about the literary and cultural relevance of Woolf’s fictional representations. These contemporary narratives inform us about Woolf’s iconicity, but they also mirror our current literary, cultural and political concerns. Based on a close examination of twenty-five works published between 1972 and 2019, the book surveys various portraits of Woolf as a feminist, pacifist, troubled genius, gifted innovative writer, treacherous, competitive sister and tragic, suicidal character, or, on the contrary, as a caricatural comic spirit, inspirational figure and perspicacious amateur sleuth. By resurrecting Virginia Woolf in contemporary biofiction, whether to enhance or debunk stereotypes about the historical figure, the authors studied here contribute to her continuous reinvention. Their diverse fictional portraits constitute a way to reinforce Woolf’s literary status, re-evaluate her work, rejuvenate critical interpretations and augment her cultural capital in the twenty-first century

This book explores a wide array of literary productions authored by French-speaking writers in which Virginia Woolf appears as a biographical subject or a fictional character. The ensemble of bio/fictional narratives reveals how Woolf’s ideas and ideals resonate with French authors and common readers; they inform us about Woolf’s iconicity and the universal values she stood for, which mirror current literary, cultural and political concerns and debates in France. Based on a close examination of twenty-five works published between 1956 and 2023, and authored by writers with eclectic professional backgrounds, the book surveys various portraits of Woolf as a feminist, a troubled genius prone to bouts of madness, a gifted innovative writer carried by the flow of her creative process, a woman in love, a competitive sister, an overprotected wife, a delighted sightseer in France, and a tormented, suicidal figure. Woolf’s numerous representations as a character in French literature attest that she has acquired a reputation outside the English-speaking realm and has the capacity to adapt to other literary and cultural backgrounds. Her adoption by the French has proved to be mutually beneficial: Woolf has copiously nourished the French imagination; in turn, the French have contributed to augmenting Woolf’s cultural capital and reinforcing her literary status beyond the geographical borders in which she was born and the cultural tradition in which she has been exerting a continuous influence for more than a century.