Kirjahaku

'Perhaps she did not die,' said Halla, 'perhaps her nurse turned into a bear and carried her away into the forest. Perhaps she was brought up by bears and dragons. Perhaps it was better for her in the end than being a king's child.'Travel Light is the story of Halla, a girl born to a king but cast out onto the hills to die. She lives among bears; she lives among dragons. But the time of dragons is passing, and Odin All-Father offers Halla a choice: Will she stay dragonish and hoard wealth and possessions, or will she travel light?Written by the extraordinary Scottish author Naomi Mitchison, who wrote over 70 novels from science fiction to historical epic, was one of the first readers of Lord of the Rings before it was published, and died in 1999 at the age of 101, Travel Light is a gorgeous fantasy tale with a witty, feminist twist.

An enchanting collection that introduces the author and activist Naomi Mitchison to a new generation of readersThe Fourth Pig, originally published in 1936, is a wide-ranging collection of fairy tales, poems, and ballads that reflect the hopes and forebodings of their era but also resonate with those of today. From a retelling of “Hansel and Gretel” to the experimental title story, a dark departure from “The Three Little Pigs,” this book is a testament to the talents of Naomi Mitchison (1897–1999), who was an irrepressible phenomenon—a prominent Scottish political activist as well as a prolific author. Mitchison’s work, exemplified by the tales in this superb new edition, is stamped with her characteristic sharp wit, magical invention, and vivid political and social consciousness. Marina Warner, the celebrated scholar of myths and fairy tales and writer of fiction, provides an insightful introduction to Mitchison as a remarkable writer and personality.

Introduced by Naomi Mitchison. Set over two thousand years ago on the calm and fertile shores of the Black Sea, Naomi Mitchison's The Corn King and the Spring Queen tells of ancient civilisations where tenderness, beauty and love vie with brutality and dark magic. Erif Der, a young witch, is compelled by her father to marry his powerful rival, Tarrik the Corn King, so becoming the Spring Queen. Forced by her father, she uses her magic spells to try and break Tarrik's power. But one night Tarrik rescues Sphaeros, an Hellenic philosopher, from a shipwreck. Sphaeros in turn rescues Tarrik from near death and so breaks the enchantment that has bound him. And so begins for Tarrik a Quest - a fabulous voyage of discovery which will bring him new knowledge and which will reunite him with his beautiful Spring Queen.

'As in a good novel, the people, their feelings and reactions are instantly recognisable and as fresh and immediate today as they were then' GUARDIAN'She writes vividly and movingly' DAILY TELEGRAPH26th September 1939. I am beginning to wonder whether the point of a place like this may be that it will keep alive certain ideas of freedom which might easily be destroyed in the course of this totalitarian war...Born in Edinburgh, Naomi Mitchison spent most of the Second World War in the fishing village of Carradale on Kintyre, her home until her death aged 101. Her life was crowded with incident, and her attitudes to events predictably forceful, original and honest.Throughout the war she kept a diary at the request of the research organisation Mass Observation, in which she recorded both the momentous events of the time, and also how one (albeit extraordinary) family and their friends lived, what they hoped for and what actually happened. Her diaries developed far beyond the confines of a social document.Written with the passion of a poet combined with the intellectual curiosity of a radial thinker, they provide a unique and valuable document of the period.

Among over eighty articles in this volume are Mitchison's earliest known published non-fiction, her thoughts on motherhood and children - and her contributions to the debate on contraception, including the pamphlet "Comments On Birth Control" published separately in 1930.As well as the text of her editorial for the collection of essays "An Outline for Boys and Girls and their Parents" (1932), and the full text of the extended essay "The Home and a Changing Civilisation" (1934) there are humorous stories from 'The Passing Show' and some of the nascent journeys into left-wing political expression.The second half of the volume takes time to reflect on past occasions, on her early life in Edinburgh and Oxford, and on family at Cloan.

The writing career of Naomi Mitchison (1897-1999) stretched over some seventy years, encompassing at least seventy works of fiction as well as non-fiction, poetry and plays. Almost unknown, however, is the mass of shorter prose pieces - journalism, essays, polemics, reminiscences - which Mitchison produced during her long career. There are many hundreds of these pieces, covering a tremendously wide range of topics, an untapped resource both in Mitchison biography and in the wider field of social history. Volume 2 in the seven-volume edition of Naomi Mitchison's Essays and Journalism is devoted to her writing about the West Highland village of Carradale, to which she moved in the late 1930s and where she lived for over sixty years. She writes about many aspects of Carradale: her farm, the local fishing industry, the big garden which was particularly dear to her heart, and 'the village and the Big House'. A long essay, 'Rural Reconstruction', never reprinted before, is a snapshot of Carradale in the 1940s and a spirited presentation of Mitchison's dreams for its future. These digressive, charming, combative pieces show both the practical and the thoughtful sides of her writing, often to touching effect: she cared deeply for Carradale and its people, and the book is a wonderful introduction to a beautiful part of Scotland and a major writer.

Small Talk... avoids the temptation of a full-blown 'My Life and Times' type of autobiography and presents instead a recreation of childhood years in Oxford before the First World War - a child's-eye view of the family, the friends, the servants, the pets and the holidays in Scotland and Cornwall that made up that childhood. It is as much concerned with her own development as an amateur field botanist as with the occasions when the adult world intruded, when 'Uncle Richard' (Lord Haldane) might lead the younger members of the family out to the wash-house to watch the messy business of heating wax to take the impression of the Great Seal of England. If Lord Baden-Powell and Andrew Lang appear briefly, it is less as famous figures of the period, but rather as irritating visitors with passions either for tying knots or talking about fairies who interrupted the pleasures of raiding the kitchen garden for fruit, or reading at night behind the curtains of the drawing-room. There are glimpses of her reactions to scientific theories, as they reached her in repercussions from her father's work, and to the High Tory politics of her formidable mother. Small Talk... is a precise, vivid picture of the people and manners of a world which has receded so rapidly that it is now further from the experience of people today as the other side of the moon. In another sense, though, it is a timeless picture of childhood itself. The introductory essay by Ali Smith "The Woman From The Big House" was first first published in Chapman 50.

In this day-by-day diary Mitchison tells us what she saw, did and felt: and the whole forms at once what is called a "human document" of rare poignancy and dramatic interest, and a book of some historical importance. In her words: "Very few people have both money and leisure, and the will, to do this. I've got this because of my profession. I rang up V[ictor] G[ollancz] on Monday evening, and asked if he'd give me an advance on a, very hypothetical, book about it. He said he would, and I'm going on that. I couldn't have otherwise. Simply as an observer I shall be some use; it's the one thing I'm sure I can do well, though I don't think I'm a good analyser. What I should like to do is to write a full diary every day, as truthful as it can possibly be. I shall type it on both sides of the sheet, so that it will fold small, and shall try and leave a duplicate with somebody; if I get my copy through, they can destroy theirs. But perhaps the whole thing is moonshine; perhaps there won't be anything to write down! If so, looking back on this afternoon from whenever it is in the future, I shall see myself looking a perfect fool. However, that won't be the first time ! Anyway, for what it's worth. I feel all thrilled now, screwed up like a child going to play Indians. Perhaps I shall be more grown-up by the end of it."

'We story-tellers have a delightful time playing with history, perhaps finding something fascinating, perhaps making dreadful mistakes.' Here, in The Oath-Takers, the 'central maypole round which the people ... must swing and fall' is Charlemagne, and one of 'the people' a young man who makes his journey to manhood in a world of feudalism and a powerful Church. In the second short novel, Sea-Green Ribbons, the reader enters the political, religious and social tumult of the English Civil War through the story and choices of a young woman, Sarah, from a radical Leveller family in London.

"The Bull Calves" was researched and written during the Second World War. This is very surprising, as Naomi Mitchison was tremendously busy at her home in Carradale, Kintyre, keeping open house for evacuees and refugees, running the farm and driving the tractor, organising the local Labour Party, and writing and producing for the dramatic society - and so on. She also wrote a diary for Mass Observation, of more than a million words. But she had to take her time with the novel and plan it more carefully than she usually had time for. She wanted to give Scotland and the world a message, of the need for peace and working together after a bitter war. She chose to write about the aftermath of the Jacobite rising of 1745, and set her novel at Gleneagles, on the Highland line, with her characters her own ancestors. A very personal prefatory poem indicates that the whole operation was very close to her heart, and the ensuing novel is her best historical novel, and still topical today. With an Introduction by Isobel Murray.