Kirjahaku

Nate Powell has been called "a writer-artist ofgenius" and "the most prodigiously talented graphic novelist" of his generation.This box contains the reasons why. Swallow Me Whole won the Eisner Award for itsportrayal of teen mental illness, Any Empire explores the trickle-down effectsof war on young minds, and You Don't Say collects Powell's short comicsfrom 2004 up to the debut of the landmark March trilogy. Together, these threevolumes represent the first decade of mature work from one of the new giants ofcartooning: a creator renowned for his sensitivity, intimacy, and visualcourage.

From Nate Powell, the National Book Award–winning artist of March, a collection of graphic nonfiction essays about living in a new era of necessary protest In this anthology of seven comics essays, author and graphic novelist Nate Powell addresses living in an era of what he calls “necessary protest.” Save It for Later: Promises, Protest, and the Urgency of Protest is Powell’s reflection on witnessing the collapse of discourse in real time while drawing the award-winning trilogy March, written by Congressman John Lewis and Andrew Aydin, this generation’s preeminent historical account of nonviolent revolution in the civil rights movement. Powell highlights both the danger of normalized paramilitary presence symbols in consumer pop culture, and the roles we play individually as we interact with our communities, families, and society at large. Each essay tracks Powell’s journey from the night of the election—promising his four-year-old daughter that Trump will never win, to the reality of the Republican presidency, protesting the administration’s policies, and navigating the complications of teaching his children how to raise their own voices in a world that is becoming increasingly dangerous and more and more polarized. While six of the seven essays are new, unpublished work, Powell has also included “About Face,” a comics essay first published by Popula Online that swiftly went viral and inspired him to expand his work on Save It for Later. The seventh and final essay will contextualize the myriad events of 2020 with the previous four years—from the COVID-19 pandemic to global protests in the wake of George Floyd’s murder to the 2020 presidential election itself—highlighting both the consistencies and inversions of widely shared experiences and observations amidst a massive social upheaval. As Powell moves between subjective and objective experiences raising his children—depicted in their childhood innocence as imaginary anthropomorphic animals—he reveals the electrifying sense of trust and connection with neighbors and strangers in protest. He also explores how to equip young people with tools to best make their own noise as they grow up and help shape the direction and future of this country.

Love and Rockets meets Russian Doll in this original, full-color graphic novel about an underground punk band caught in a loop of an eternally repeating tour—from National Book Award–winning cartoonist Nate Powell. At first glance, Diamond Mine seems to have emerged in 1979 as Arkansas’s first punk band. Instead, this quartet is revealed to be interdimensional travelers from 1994, guided—largely against their will—by vocalist Diana’s powerful spell embedded into their song “Fall Through.” As Diamond Mine tours the country, each performance of the song triggers a fracturing of space-time perceptible only by the band members as they’re transported to alternate worlds in which they’ve never existed, but their band’s legend has. That is, until Jody, the band’s bassist and the story’s protagonist, finds herself disrupting Diana’s sorcery, even at the cost of her own beloved work and legacy. While some band members perpetually seek the free space offered by the underground punk scene to escape from their mundane or traumatic lives, others work toward it as a means of expression, connection, and growth—even if that means eventually outgrowing Sisyphean patterns and inevitably outgrowing their beloved band-family altogether. Master cartoonist Nate Powell has crafted a graphic novel that serves as both a brilliant example of circular storytelling, reminiscent of Netflix’s Russian Doll, and a love letter to the spirit of punk communities. Fall Through will stay with the reader long after they’ve turned the last page, asking the impossible question: Would you burn down everything you love in order to save it all?

Swallow Me Whole is a love story carried by rolling fog, terminalillness, hallucination, apophenia, insect armies, secrets held, unshakeablefaith, and the search for a master pattern to make sense of one'sunraveling. Two adolescent stepsiblings hold together amidst schizophrenia,obsessive compulsive disorder, family breakdown, animal telepathy, misguidedlove, and the tiniest nugget of hope that the heart, that sanity, that orderitself will take shape again.

Nate Powell's follow-up to the Eisner award-winning Swallow MeWhole examines war and violence, and their trickle-down effects on middleAmerica. As a gang of small-town kids find themselves reunited in adulthood,their dark histories collide in a struggle for the future.Any Empire follows three kids in a Southern town as a rash ofmysterious turtle mutilations forces each to confront their relationship totheir privileged suburban fantasies of violence. Then, after years apart, thethree are thrown together again as adults, amid questions of choice and force,belonging and betrayal.

A celebrity glares. A community burns. A child's heart breaks. Arecipe summons a ghost. A dying woman makes her peace. An art form sustains thespirit. In You Don't Say, award-winning graphic novelist Nate Powell- of the #1 New York Times Bestseller March: Book One, andthe Eisner Award-Winning "Graphic Novel of the Year" Swallow MeWhole - collects a decade of powerful short works. Autobiography,fiction, essay comics, collaborations, and more fill these thoughtful,pitch-black pages, comprising rare and previously unreleased material from2004-2013.

As the sun sets on the 1970s, the spirit of the Love Generation still lingers among the aging hippies of one "intentional community" high in the Ozarks. But what's missing? Under impossibly close scrutiny, two families wrestle with long-repressed secrets... while deep within those Arkansas hills, something monstrous stirs, ready to feast on village whispers. National Book Award-winner Nate Powell returns with a haunting tale of intimacy, guilt, and collective amnesia. Advance solicited for July release! "Anything that Nate Powell writes and draws is pretty much a must-read." -Comics Alliance

From Nate Powell, the National Book Award–winning artist of March, a collection of graphic nonfiction essays about living in a new era of necessary protest—now in paperback with sixteen pages of new materialIn seven interwoven comics essays, author and illustrator Nate Powell addresses living in an era of what he calls “necessary protest.” Save It for Later: Promises, Parenthood, and the Urgency of Protest is Powell’s reflection on witnessing the collapse of discourse in real-time while illustrating the award-winning trilogy March by Congressman John Lewis and Andrew Aydin, this generation’s preeminent historical account of nonviolent revolution in the civil rights movement. Powell highlights both the danger of normalized paramilitary symbols in consumer pop culture and the roles we play individually as we interact with our communities, families, and society at large. Each essay tracks Powell’s journey from the night of the election—promising his four-year-old daughter that Trump will never win—to the reality of the authoritarian presidency, protesting the administration’s policies, and navigating the complications of teaching his children how to raise their own voices in a world that is becoming increasingly dangerous and more and more polarized. While six of the seven essays are new, unpublished work, Powell has also included “About Face,” a comics essay first published by Popula Online that swiftly went viral and inspired him to write Save It for Later. The seventh and final essay was written after the 2020 presidential election, and examines the outcome of that contest in relation to the events of the last four years, with a particular focus on the COVID-19 pandemic and global protests in the wake of the murder of George Floyd. The updated paperback comes out just in time for the 2022 midterm elections and includes bonus content featuring a conversation between Powell and Derf Backderf, the New York Times–bestselling author of My Friend Dahmer and Kent State, where they discuss the militarization of civilian spaces and the aftermath of the January 6th insurrection. As Powell moves between subjective and objective experiences raising his children—depicted in their childhood innocence as imaginary anthropomorphic animals—he reveals the electrifying sense of trust and connection with neighbors and strangers in protest. He also explores how to equip young people with tools to best make their own noise as they grow up and help shape the direction and future of this country.

"Devastating and gorgeous," the New York Times Book Review proclaims. "Perhaps it’s a ghost story, perhaps it’s a fantasy story, but it’s refreshingly oblique. The images are heightened and stylized, the better to pass along that frisson so essential to punk art—rock or otherwise." Love and Rockets meets Russian Doll in this original, full-color graphic novel about an underground punk band caught in a loop of an eternally repeating tour—from National Book Award–winning cartoonist Nate Powell. Master cartoonist Nate Powell has crafted a graphic novel that serves as both a brilliant example of circular storytelling and a love letter to the spirit of punk communities. Fall Through will stay with the reader long after they’ve turned the last page, asking the impossible question: Would you burn down everything you love in order to save it all? At first glance, Diamond Mine seems to have emerged in 1979 as Arkansas’s first punk band. Instead, this quartet is revealed to be interdimensional travelers from 1994, guided—largely against their will—by vocalist Diana’s powerful spell embedded into their song “Fall Through.” As Diamond Mine tours the country, each performance of the song triggers a fracturing of space-time perceptible only by the band members as they’re transported to alternate worlds in which they’ve never existed, but their band’s legend has. That is, until Jody, the band’s bassist and the story’s protagonist, finds herself disrupting Diana’s sorcery, even at the cost of her own beloved work and legacy. While some band members perpetually seek the free space offered by the underground punk scene to escape from their mundane or traumatic lives, others work toward it as a means of expression, connection, and growth—even if that means eventually outgrowing Sisyphean patterns and inevitably outgrowing their beloved band-family altogether.

From the National Book Award–winning, bestselling author Nate Powell comes an intense time–tripping graphic novel capturing the transitional 1990s and the weird kids who fall through the cracks—perfect for fans of Everything Everywhere All At Once, Killing Eve, and Laura Dean Keeps Breaking Up With Me The year is 1992. Diana Bogue is a personality too big for her small Arkansas town—a runaway who dyes her hair platinum, studies the occult, sings like an angel, and dominates the local punk scene through the force of her personality. Even when being in the “cult of Diana” is too much for them, her friends Jody, Steff, Napoleon, and Todd can’t help but be pulled into her vortex. But under the surface, Diana struggles to outrun damage from a repressive religious past. She only shares these struggles with her dearest long-distance pen pal—who she keeps hidden from her other friends. Until one day, he’s never heard from again. Untethered and fiercely protective of what she considers hers, Diana turns even more inward, blending music and homegrown sorcery in hopes of outrunning reality. But even she can't turn back time . . . or can she?

High in the Ozarks, a lover’s dream becomes a parent’s nightmare in this gripping graphic novel from Nate Powell, the National Book Award–winning artist of the March trilogy As the sun sets on the 1970s, the spirit of the Love Generation still lingers in one “intentional community” nestled deep in the Ozark Mountains. And after years without personal space or secrets of her own, single mother Haluska feels like she’s losing her identity. When Haluska stumbles across a cave hidden away from the eyes of the commune, she and her best friend’s husband escape the impossible scrutiny by entangling themselves in an affair. When they're together, the whispers, rumors, and idealistic posturing that make up the fabric of their daily life melts away, and the two of them can be just themselves for a few stolen moments. But their convenient love nest hides a much deeper secret, and when their young sons Jacob and Shane stumble across their hiding place, they uncover something far more sinister than a forbidden tryst . . Haluska will need to confront both herself and the terrifying indifference of her own community to save the boys from a long-slumbering evil that has been calling to her from the beginning. Available in an all-new paperback edition with a new cover and back matter, the #1 New York Times bestselling cartoonist Nate Powell presents the haunting tale of intimacy, guilt, and collective amnesia which originates his multiple Eisner–Award nominated shared fictional universe also featured in Fall Through and Diana, available together for the first time across three books which will retroactively redefine the course of this Ozark fairy tale.

From the acclaimed DC Comics writer and the artist of the #1 New York Times bestselling and National Book Award-winning illustrated trilogy March comes a stunning crime noir graphic novel exploring the intertwining threads of crime, conspiracy, racism, and insanity in the post-World War II Deep South. After World War II, tensions rise in a Southern city ruled by organized crime, touching countless residents as they struggle to make sense of the new world. A sudden act of violence sets off a series of bloody events between the police and mafia as they lash out against one another. As the violence worsens, desperation grows to stop it, by any means necessary. Told in multiple perspectives--from a seemingly untouchable mafia don, to a gun-happy seasoned detective succumbing to the depths of his schizophrenia, to a newly minted police lieutenant haunted by his recent service in the war, and two African-American brothers, one mired in corruption and the other leading a local militia in an effort to see that justice is served--Two Dead is at once a white-knuckled and unputdownable thriller, a roman clef inspired by true events, and a book about post-traumatic stress disorder and the underlying social traumas of how war and segregation affect their survivors on all fronts.

At last! The long-awaited graphic version of the multi-million copy bestselling corrective to American history myths—adapted by the famed National Book Award–winning artist behind John Lewis’s March trilogy Named one of the Best Art Books of the Year by HyperallergicWinner of The Society of Midland Authors "Children’s Reading Round Table Award" for Children’s NonfictionSince its first publication in the 1990s, Lies My Teacher Told Me has become one of the most important and successful—and beloved—history books of our time. As the late Howard Zinn said, “Every teacher, every student of history, every citizen should read this book.” Having sold well over 2 million copies, the book also won an American Book Award and numerous other commendations and prizes and was even heralded on the front page of the New York Times long after its first publication. Now, the brilliant and award-winning artist Nate Powell—the first cartoonist ever to win a National Book Award—has adapted Loewen’s classic work into a graphic edition that perfectly captures both Loewen’s text and the irreverent spirit of his work. Eye-popping illustrations bring to life the true history chronicled in Lies My Teacher Told Me, and ample text boxes and callouts ensure nothing is lost in translation. The book is perfect for those making their first foray past the shroud of history textbooks, and it will also be beloved by those who had their worldviews changed by the original.