Kirjahaku

The Mayor's Tongue is a bold, vertiginous debut novel that unfolds in two narratives, one following a young man and the other an old man. The young man is Eugene Brentani, a devotee of the reclusive author and adventurer Constance Eakins, who goes to Trieste to find the girl he loves, who has in turn gone there herself to find Eakins. The old man is Mr. Schmitz, whose wife is dying, and who longs to confide in his dear friend Rutherford. But Rutherford has disappeared, and his letters, postmarked from Italy, become more and more ominous as the weeks pass.From a young writer of exceptional promise, this exhilarating novel is a meditation on the frustrations of love, the madness of mayors, the failings of language and the transformative powers of storytelling.

The old distinctions - between natural and artificial, dystopia and utopia, science fiction and science fact - have blurred, losing all meaning. We inhabit an uncanny landscape of our own creation. From Odds Against Tomorrow to Losing Earth to the film Dark Waters (adapted from the first chapter of this book), Nathaniel Rich's stories and reporting have come to define the way we think of contemporary ecological narrative. In Second Nature, he asks what it means to live in an era of terrible responsibility. The question is no longer, How do we return to the world that we've lost? It is, What world do we want to create in its place?

A smart, multilayered heist novel by a true student of the form. A criminal career has to begin somewhere, and this one begins at a Manhattan storage facility. It shapes up, at best, as an entry-level heist, breaking into a barely protected storage unit to pilfer Upper West Siders' forgotten belongings. But our burgeoning criminal encounters something more unexpected than a dusty treasure trove: a resident, Virginia, a young woman who has found a way to live off the grid in the heart of Manhattan. Virginia, unsurprisingly, has an idiosyncratic sense of how the world works--and a deeply analytic mind and skillset that make it clear just how small potatoes the storage unit heist is. Soon the two of them are a criminal duo with their eyes set on the most lucrative target the twenty-first century has to offer: data. The bank heist or the museum robbery is a thing of the past, and with purely digital theft and fraud, it's too hard to get away clean. The overlooked targets are the giant, anonymous data centers with hard drives full of all the information that make the world go round. Here, the data is physical, and no one is paying that much attention. Or so they convince themselves. Hitting every beat of the classic heist story but brilliantly updated for our times, Nathaniel Rich's Cloudthief escalates from a low-rent hustle through the slightly more glamorous data heist to one final grand, seemingly noble, high-stakes scheme that, of course, promises to change everything. And does, if not in the way anyone planned for.

By 1979, we knew nearly everything we understand today about climate change--including how to stop it. Over the next decade, a handful of scientists, politicians, and strategists, led by two unlikely heroes, risked their careers in a desperate, escalating campaign to convince the world to act before it was too late. Losing Earth is their story, and ours. The New York Times Magazine devoted an entire issue to Nathaniel Rich's groundbreaking chronicle of that decade, which became an instant journalistic phenomenon--the subject of news coverage, editorials, and conversations all over the world. In its emphasis on the lives of the people who grappled with the great existential threat of our age, it made vivid the moral dimensions of our shared plight. Now expanded into book form, Losing Earth tells the human story of climate change in even richer, more intimate terms. It reveals, in previously unreported detail, the birth of climate denialism and the genesis of the fossil fuel industry's coordinated effort to thwart climate policy through misinformation propaganda and political influence. The book carries the story into the present day, wrestling with the long shadow of our past failures and asking crucial questions about how we make sense of our past, our future, and ourselves. Like John Hersey's Hiroshima and Jonathan Schell's The Fate of the Earth, Losing Earth is the rarest of achievements: a riveting work of dramatic history that articulates a moral framework for understanding how we got here, and how we must go forward.

From one of the most inventive writers of his generation, King Zeno is a historical crime novel and a searching inquiry into man’s dreams of immortality. New Orleans, a century ago: a city determined to reshape its destiny and, with it, the nation’s. Downtown, a new American music is born. In Storyville, prostitution is outlawed and the police retake the streets with maximum violence. In the Ninth Ward, laborers break ground on a gigantic canal that will split the city, a work of staggering human ingenuity intended to restore New Orleans’s faded mercantile glory. The war is ending and a prosperous new age dawns. But everything is thrown into chaos by a series of murders committed by an ax-wielding maniac with a peculiar taste in music. The ax murders scramble the fates of three people from different corners of town. Detective William Bastrop is an army veteran haunted by an act of wartime cowardice, recklessly bent on redemption. Isadore Zeno is a jazz cornetist with a dangerous side hustle. Beatrice Vizzini is the widow of a crime boss who yearns to take the family business straight. Each nurtures private dreams of worldly glory and eternal life, their ambitions carrying them into dark territories of obsession, paranoia, and madness. In New Orleans, a city built on swamp, nothing stays buried long.

From Nathaniel Rich, author of Losing Earth, comes a beautifully told exploration of our post-natural world that points the way to a new mode of ecological writing. We live in a time when scientists race to reanimate extinct beasts, our most essential ecosystems require monumental engineering projects to survive, chicken breasts grow in test tubes, and multinational corporations conspire to poison the blood of every living creature. No rock, leaf, or cubic foot of air on Earth has escaped humanity's clumsy signature. The old distinctions--between natural and artificial, dystopia and utopia, science fiction and science fact--have blurred, losing all meaning. We inhabit an uncanny landscape of our own creation. In Second Nature, ordinary people make desperate efforts to preserve their humanity in a world that seems increasingly alien. Their stories--obsessive, intimate, and deeply reported--point the way to a new kind of environmental literature, in which dramatic narrative helps us to understand our place in a reality that resembles nothing human beings have known. From Odds Against Tomorrow to Losing Earth to the film Dark Waters (adapted from the first chapter of this book), Nathaniel Rich's stories have come to define the way we think of contemporary ecological narrative. Through the essays in Second Nature, he asks what it means to live in an era of terrible responsibility. The question is no longer How do we return to the world that we've lost? It is What world do we want to create in its place?

‘Nathaniel Rich’s account starts in Washington in the 1990s and tells the story of how climate change could have been stopped back then, if only the powerful had acted. But they didn’t want to.’ – Observer By 1979, we knew all that we know now about the science of climate change – what was happening, why it was happening, and how to stop it. Over the next ten years, we had the very real opportunity to stop it. Obviously, we failed. Nathaniel Rich tells the essential story of why and how, thanks to the actions of politicians and businessmen, that failure came about. It is crucial to an understanding of where we are today. ‘The excellent and appalling Losing Earth by Nathaniel Rich describes how close we came in the 70s to dealing with the causes of global warming and how US big business and Reaganite politicians in the 80s ensured it didn’t happen. Read it.’ – John Simpson ‘An eloquent science history, and an urgent eleventh-hour call to save what can be saved.’ – Nature ‘To change the future, we must first understand our past, and Losing Earth is a crucial part of that when it comes to the environmental battles we’re facing.’– Stylist

New Orleans, 1918. The birth of jazz, the Spanish flu, an axe murderer on the loose. The lives of a traumatized cop, a conflicted Mafia matriarch, and a brilliant trumpeter converge. In Nathaniel Rich's King Zeno, the Crescent City gets the rich, dark, sweeping novel it so deserves.New Orleans, a century ago: a city determined to reshape its destiny and, with it, the nation’s. Downtown, a new American music is born. In Storyville, prostitution is outlawed and the police retake the streets with maximum violence. In the Ninth Ward, laborers break ground on a gigantic canal that will split the city, a work of staggering human ingenuity intended to restore New Orleans’s faded mercantile glory. The war is ending and a prosperous new age dawns. But everything is thrown into chaos by a series of murders committed by an axe-wielding maniac with a peculiar taste in music.The axe murders scramble the fates of three people from different corners of town. Detective William Bastrop is an army veteran haunted by an act of wartime cowardice, recklessly bent on redemption. Isadore Zeno is a jazz cornetist with a dangerous side hustle. Beatrice Vizzini is the widow of a crime boss who yearns to take the family business straight. Each nurtures private dreams of worldly glory and eternal life, their ambitions carrying them into dark territories of obsession, paranoia, and madness.In New Orleans, a city built on swamp, nothing stays buried long.

One of the most original, dazzling, and critically acclaimed debut novels this year. In this debut novel, hailed by Stephen King as ?terrifying, touching, and wildly funny, ? the stories of two strangers, Eugene Brentani and Mr. Schmitz, interweave. What unfolds is a bold reinvention of storytelling in which Eugene, a devotee of the reclusive and monstrous author, Constance Eakins, and Mr. Schmitz, who has been receiving ominous letters from an old friend, embark from New York for Italy, where the line between imagination and reality begins to blur and stories take on a life of their own.