Kirjahaku

An enthralling appreciation of the monumentally gifted popular artist and cultural icon who challenged Hollywood’s standards of beauty and glamour Barbra Streisand has been called the “most successful...talented performer of her generation” by Vanity Fair, and her voice, said pianist Glenn Gould, is “one of the natural wonders of the age.” Streisand scaled the heights of entertainment—from a popular vocalist to a first-rank Broadway star in Funny Girl to an Oscar-winning actress to a producer and director. But she has also become a cultural icon who has transcended show business. To achieve her success, Brooklyn-born Streisand had to overcome tremendous odds, not the least of which was her Jewishness. Dismissed, insulted, even reviled when she embarked on a show business career for acting too Jewish and looking too Jewish, she brilliantly converted her Jewishness into a metaphor for outsiderness that would eventually make her the avenger for anyone who felt marginalized and powerless. Neal Gabler examines Streisand’s life and career through this prism of otherness—a Jew in a gentile world, a self-proclaimed homely girl in a world of glamour, a kooky girl in a world of convention—and shows how central it was to Streisand’s triumph as one of the voices of her age.

"One of the truly great biographies of our time."--Sean Wilentz, New York Times bestselling author of Bob Dylan in America and The Rise of American Democracy "A landmark study of Washington power politics in the twentieth century in the Robert Caro tradition."--Douglas Brinkley, New York Times bestselling author of American Moonshot The epic, definitive biography of Ted Kennedy--an immersive journey through the life of a complicated man and a sweeping history of the fall of liberalism and the collapse of political morality. Catching the Wind is the first volume of Neal Gabler's magisterial two-volume biography of Edward Kennedy. It is at once a human drama, a history of American politics in the late twentieth and early twenty-first centuries, and a study of political morality and the role it played in the tortuous course of liberalism. Though he is often portrayed as a reckless hedonist who rode his father's fortune and his brothers' coattails to a Senate seat at the age of thirty, the Ted Kennedy in Catching the Wind is one the public seldom saw--a man both racked by and driven by insecurity, a man so doubtful of himself that he sinned in order to be redeemed. The last and by most contemporary accounts the least of the Kennedys, a lightweight. He lived an agonizing childhood, being shuffled from school to school at his mother's whim, suffering numerous humiliations--including self-inflicted ones--and being pressed to rise to his brothers' level. He entered the Senate with his colleagues' lowest expectations, a show horse, not a workhorse, but he used his "ninth-child's talent" of deference to and comity with his Senate elders to become a promising legislator. And with the deaths of his brothers John and Robert, he was compelled to become something more: the custodian of their political mission. In Catching the Wind, Kennedy, using his late brothers' moral authority, becomes a moving force in the great "liberal hour," which sees the passage of the anti-poverty program and the Civil Rights and Voting Rights Acts. Then, with the election of Richard Nixon, he becomes the leading voice of liberalism itself at a time when its power is waning: a "shadow president," challenging Nixon to keep the American promise to the marginalized, while Nixon lives in terror of a Kennedy restoration. Catching the Wind also shows how Kennedy's moral authority is eroded by the fatal auto accident on Chappaquiddick Island in 1969, dealing a blow not just to Kennedy but to liberalism. In this sweeping biography, Gabler tells a story that is Shakespearean in its dimensions: the story of a star-crossed figure who rises above his seeming limitations and the tragedy that envelopes him to change the face of America.

Winner of the Los Angeles Times Book Award for history, this "wonderful history of the golden age of the movie moguls" (Chicago Tribune ) is a provocative, original, and richly entertaining group biography of the Jewish immigrants who were the moving forces behind the creation of America's motion picture industry.

From the author of Catching the Wind comes the second volume of the definitive biography of Ted Kennedy and a history of modern American liberalism. "Magisterial . . . an intricate, astute study of political power brokering comparable to Robert A. Caro's profile of Lyndon Johnson in Master of the Senate."--Publishers Weekly (starred review) Against the Wind completes Neal Gabler's magisterial biography of Ted Kennedy, but it also unfolds the epic, tragic story of the fall of liberalism and the destruction of political morality in America. With Richard Nixon having stilled the liberal wind that once propelled Kennedy's--and his fallen brothers'--political crusades, Ted Kennedy faced a lonely battle. As Republicans pressed Reaganite dogmas of individual freedom and responsibility and Democratic centrists fell into line, Kennedy was left as the most powerful voice legislating on behalf of those society would neglect or punish: the poor, the working class, and African Americans. Gabler shows how the fault lines that cracked open in the wake of the Civil Rights movement and Vietnam were intentionally widened by Kennedy's Republican rivals to create a moral vision of America that stood in direct opposition to once broadly shared commitments to racial justice and economic equality. Yet even as he fought this shift, Ted Kennedy's personal moral failures in this era--the endless rumors of his womanizing and public drunkenness and his bizarre behavior during the events that led to rape accusations against his nephew William Kennedy Smith--would be used again and again to weaken his voice and undercut his claims to political morality. Tracing Kennedy's life from the wilderness of the Reagan years through the compromises of the Clinton era, from his rage against the craven cruelty of George W. Bush to his hope that Obama would deliver on a lifetime of effort on behalf of universal health care, Gabler unfolds Kennedy's heroic legislative work against the backdrop of a nation grown lost and fractured. In this outstanding conclusion to the saga that began with Catching the Wind, Neal Gabler offers his inimitable insight into a man who fought to keep liberalism alive when so many were determined to extinguish it. Against the Wind sheds new light both on a revered figure in the American Century and on America's current existential crisis.

From the author of Catching the Wind comes the second volume of the definitive biography of Ted Kennedy and a history of modern American liberalism. "Magisterial . . . an intricate, astute study of political power brokering comparable to Robert A. Caro's profile of Lyndon Johnson in Master of the Senate."--Publishers Weekly (starred review) Against the Wind completes Neal Gabler's magisterial biography of Ted Kennedy, but it also unfolds the epic, tragic story of the fall of liberalism and the destruction of political morality in America. With Richard Nixon having stilled the liberal wind that once propelled Kennedy's--and his fallen brothers'--political crusades, Ted Kennedy faced a lonely battle. As Republicans pressed Reaganite dogmas of individual freedom and responsibility and Democratic centrists fell into line, Kennedy was left as the most powerful voice legislating on behalf of those society would neglect or punish: the poor, the working class, and African Americans. Gabler shows how the fault lines that cracked open in the wake of the Civil Rights movement and Vietnam were intentionally widened by Kennedy's Republican rivals to create a moral vision of America that stood in direct opposition to once broadly shared commitments to racial justice and economic equality. Yet even as he fought this shift, Ted Kennedy's personal moral failures in this era--the endless rumors of his womanizing and public drunkenness and his bizarre behavior during the events that led to rape accusations against his nephew William Kennedy Smith--would be used again and again to weaken his voice and undercut his claims to political morality. Tracing Kennedy's life from the wilderness of the Reagan years through the compromises of the Clinton era, from his rage against the craven cruelty of George W. Bush to his hope that Obama would deliver on a lifetime of effort on behalf of universal health care, Gabler unfolds Kennedy's heroic legislative work against the backdrop of a nation grown lost and fractured. In this outstanding conclusion to the saga that began with Catching the Wind, Neal Gabler offers his inimitable insight into a man who fought to keep liberalism alive when so many were determined to extinguish it. Against the Wind sheds new light both on a revered figure in the American Century and on America's current existential crisis.

A definitive portrait of a giant of twentieth-century American popular culture offers a meticulously researched study of the private life and public career of Walt Disney, from his deprived and disciplined youth, to his seminal contributions to the art of animation, to his visionary creation of the first synergistic entertainment empire, to his reclusive and lonely private world. Reprint.

His classic films illuminated everyone’ s childhood. The theme parks are on every tourist itinerary. The movie empire is one of Hollywood’ s biggest. Walt Disney is one of the few men who unquestionably changed our culture. And Neal Gabler is the first author to have had complete access to the Disney Archives, enabling him to write the definitive biography of this remarkable man. Gabler charts Disney’ s journey from running a fledgling studio with short cartoons featuring Mickey Mouse and Donald Duck, to the reinvention of animation with full-length films like Snow White, Pinocchio, Bambi and Dumbo. Chronicling Walt’ s profligacy and expansionism, as well as his obsessive perfectionism when working on the briefest of sequences in Fantasia, Gabler describes how it was left to Walt’ s brother Roy to keep the business solvent. The successes speak for themselves - Disney then moved beyond animation with huge hits like Mary Poppins, and mixed utopianism and merchandising to conceive the world’ s first modern theme park, Disneyland. In addition to the towering achievements, Gabler shows the dark side of Walt Disney - ruthless towards long-serving staff, cavalier with contracts, neglectful of his family – but also the vulnerability, born of loneliness and ill health, in an admirably balanced portrait.