Kirjahaku

A new history of how the musical worlds of German towns and cities were transformed during the Nazi era. In the years after the Nazis came to power in January 1933 and through the war years all aspects of life in Germany changed. However, despite the social and political upheaval, gentile citizens were able to continue leisure activities such as attending concerts. In this book, historian Neil Gregor surveys the classical concert scene in Nazi Germany from the perspective of the audience, rather than institutions or performers. Gregor delves into the cultural lives of ordinary Germans under conditions of dictatorship. Did the ways in which Germans heard music in the period change? Did a Nazi way of listening emerge? For audiences, Gregor shows, changes to the concert experience were small and often took place around the edges. This, combined with the preserved idea of the concert hall as a space of imagined civility and cultivation, led many concertgoers and music lovers to claim after the war that their field and their practice had been innocent-a place to retreat from the vicious violence and racism of the Nazi regime. Drawing on untapped archival sources, The Symphony Concert in Nazi Germany reveals that the true history was one of disruption but also of near effortless adaptation. Through countless small acts, the symphony concert was reframed within the languages of strident nationalism, racism, and militarism to ensure its place inside the cultural cosmos of National Socialist Germany.

What was the relationship between German big business and the Third Reich? To what extent did business leaders collaborate with the Nazis? This book examines the experience of the Daimler-Benz company—one of Germany’s most important armament manufacturers and automobile makers—from its formation in 1926 through the end of World War II. Based on a substantial body of new material from formerly inaccessible East German archives and previously closed Mercedes-Benz AG records, the book reveals for the first time a close association between the car manufacturer and the Nazi system, from 1933 onwards.Neil Gregor traces the early history of the Daimler-Benz company and examines how opportunities offered by Nazi rearmament in the 1930s led to its rapid expansion and a surge in profits. Focusing mainly on the war years, Gregor demonstrates how the company succeeded in exploiting the demands of the war economy while situating its operations most advantageously for resumption of commercial activity in peacetime. Despite Allied bombing, says Gregor, Daimler-Benz AG emerged from the war in good shape—with a clear operating strategy, a largely intact inventory, and core production lines geared for the peacetime market. With its own interests and preservation as prime motives, the company acquiesced in the exploitation of forced labor, thereby actively intensifying the suffering of civilians, prisoners of war, and Jews and other victims of concentration camps. He concludes that the ability of Daimler-Benz to protect its interests during the war and to manage the transition to peace was predicated upon collusion in the racial barbarism of the Nazi regime.

Nuremberg—a city associated with Nazi excesses, party rallies, and the extreme anti-Semitic propaganda published by Hitler ally Julius Streicher—has struggled since the Second World War to come to terms with the material and moral legacies of Nazism. This book explores how the Nuremberg community has confronted the implications of the genocide in which it participated, while also dealing with the appalling suffering of ordinary German citizens during and after the war. Neil Gregor’s compelling account of the painful process of remembering and acknowledging the Holocaust offers new insights into postwar memory in Germany and how it has operated. Gregor takes a novel approach to the theme of memory, commemoration, and remembrance, and he proposes a highly nuanced explanation for the failure of Germans to face up to the Holocaust for years after the war. His book makes a major contribution to the social and cultural history of Germany.

Incoherent, obsessive and violent, Hitler's ideas nonetheless found an audience of millions and led to one of the most horrific and devastating conflicts of the 20th century. Taking two of Hitler's texts as his starting point, Neil Gregor discusses 'this second-rate mind of great power' and helps the reader to understand the nature and popular reception of Hitler's crude but hugely influential writings.