Kirjahaku

THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE - The extraordinary and surprising life of Piet Mondrian, whose unprecedented geometric art revolutionized modern painting, architecture, graphic art, fashion design, and more--from acclaimed cultural historian Nicholas Fox Weber "As fastidiously passionate as his subject's paintings. How wonderful it is to read of Mondrian's gaiety and zest. . . as well as his rigour and unrelenting commitment to his own, absolutely his own, view of art and the world." --John Banville, national bestselling author of The Lock-Up In the early 1920s, surrounded by the roaring streets of avant-garde Paris, Piet Mondrian began creating what would become some of the most recognizable abstract paintings of the 20th century. With rectangles of primary colors against a dazzling white background, this was geometric abstraction in its purest form. These revolutionary compositions exhilarated, intoxicated, confused, and enraged the international public--and changed the course of modern art forever. Now, for the first time, Mondrian emerges alongside his thrilling art. Here is the life of an elusive modern master: from his youth in a religious household in the Netherlands where he first began painting Dutch farmhouses and sand dunes, to his move to Paris where he embraced the work of Pablo Picasso, Georges Seurat, and C zanne, to the 1920s and onward where, surviving the turmoil of two world wars and embracing a rapidly shifting culture, Mondrian challenged the concept of art and invented a new world of undiluted colors and rhythmic straight lines. His work would go on to affect painting, architecture, fashion, and design in decades to come. Here is also an intimate portrait of a complex artist, his solitude and avoidance of intimacy, his eccentricities and his philosophy, his passion for ballroom dancing, and his unwavering belief in art as a vehicle to reveal universal truths.

This is the first full-scale biography of one of the most elusive and enigmatic painters of our time: the self-proclaimed Count Balthus Klossowski de Rola, whose brilliant, markedly sexualized portraits, especially of young girls, are among the most memorable images in contemporary art. Balthus’s complexities are clarified and his genius understood in this book that derives its immediacy from Nicholas Fox Weber’s long and intense conversations with Balthus himself–who never previously consented to discuss his life and work with a biographer–as well as Weber’s interviews with the artist’s closest associates. This biography was first published by Knopf in 1999 and is now available for the first time from Dalkey Archive Press.

A celebration of tennis, the game and its players, for any fan. Tennis has inspired paintings, ballets, music, fiction, poetry, theatre, and even clothing design. This book presents riveting exemplars from all the arts while also lovingly portraying the game of tennis as an art form of its own. Tennis is a game of precision, timing, athleticism, strategy, and, sometimes, a little luck. Small wonder this sport attracts so many players and fans--including artists and writers who see something transcendent in hitting a ball with a racket over a net and inside a rectangular field. As Nicholas Fox Weber writes, "The thrill of the thwack of the racquet and the perpetual state of suspense about what is coming next appeals to individuals from every walk of life....It has prompted the creation of sublime architecture and moved composers of music in wonderful new directions; it has seeded literary fantasy and been the source of hilarious cartoons. It has also, in fabulous ways, enabled human beings to demonstrate some of their most admirable qualities: courage, tenacity, generosity of heart." This book explores the charisma and spell the sport has cast on the likes of Nabokov, Coco Chanel, Caravaggio, and Bonnard. And, of course, there is much about the players who have given the sports its special magic, from the master strategist Bill Tilden to the supreme exemplar of athleticism, Novak Djokovic. Weber, best known for artworld biographies, has been a lifelong tennis player and takes us through his own personal relationship with the sport: from his college-age summers in the 1960s working at New Hampshire's Tamarack Tennis Camp to a pickup game on a court in Guangzhou, China where he was struck, yet again, that tennis is its own language, understood by all who play it. Whether a reader is fluent in the language of tennis or just admires it as an outsider, The Art of Tennis will delight all lovers of the game.

A spectacular and unprecedented visual biography of the leading pioneers and protagonists of modern art and design Josef - painter, designer, and teacher - and Anni Albers - textile artist and printmaker - are among the twentieth century's most important abstract artists, and this is the first monograph to celebrate the rich creative output and beguiling relationship of these two masters in one elegant volume. It presents their life and work as never before, from their formative years at the Bauhaus in Germany to their remarkable influence at Black Mountain College in the United States through their intensely productive period in Connecticut. Accessibly written, the book is packed with more than 750 artworks, archival images, and documents - many published here for the first time - all tracing the remarkable lives and careers of this legendary couple. Dispersed throughout area series of short essays on artists that focuses on the Alberses relationship with a number of important artists and architects of the 20th century, like Ruth Asawa, Marcel Breuer, Merce Cunningham, Philip Johnson, Paul Klee, Jacob Lawrence, and many more. The beautifully cloth-bound package utilizes an elegant color palette and design that speaks to the work of both artists. This comprehensive visual biography showcases the artists' rich and dynamic lives, and their infinite influence on each other, as they shared the profound conviction that art was central to human existence.

"[An] unusual meditation on sex, death, art, and Jewishness. . . . Weber weaves in musings on his own sexual and religious experiences, creating a freewheeling psychoanalytic document whose approach would surely delight the doctor, even if its conclusions might surprise him." —New Yorker"Freud's Trip to Orvieto is at once profound and wonderfully diverse, and as gripping as any detective story. Nicholas Fox Weber mixes psychoanalysis, art history, and the personal with an intricacy and spiritedness that Freud himself would have admired." —John Banville, author of The Sea and The Blue Guitar"This is an ingenious and fascinating reading of Freud's response to Signorelli's frescoes at Orvieto. It is also a meditation on Jewish identity, and on masculinity, memory, and the power of the image. It is filled with intelligence, wit, and clear-eyed analysis not only of the paintings themselves, but how we respond to them in all their startling sexuality and invigorating beauty." —Colm Tóibín, author of Brooklyn and Nora WebsterAfter a visit to the cathedral at Orvieto in Italy, Sigmund Freud deemed Luca Signorelli's frescoes the greatest artwork he'd ever encountered; yet, a year later, he couldn't recall the artist's name. When the name came back to him, the images he had so admired vanished from his mind's eye. This is known as the "Signorelli parapraxis" in the annals of Freudian psychoanalysis and is a famous example from Freud's own life of his principle of repressed memory. What was at the bottom of this? There have been many theories on the subject, but Nicholas Fox Weber is the first to study the actual Signorelli frescoes for clues.What Weber finds in these extraordinary Renaissance paintings provides unexpected insight into this famously confounding incident in Freud's biography. As he sounds the depths of Freud's feelings surrounding his masculinity and Jewish identity, Weber is drawn back into his own past, including his memories of an adolescent obsession with a much older woman.Freud's Trip to Orvieto is an intellectual mystery with a very personal, intimate dimension. Through rich illustrations, Weber evokes art's singular capacity to provoke, destabilize, and enchant us, as it did Freud, and awaken our deepest memories, fears, and desires.Nicholas Fox Weber is the director of the Josef and Anni Albers Foundation and author of fourteen books, including biographies of Balthus and Le Corbusier. He has written for the New Yorker, New York Times, Los Angeles Times, Wall Street Journal, Le Monde, ARTnews, Town & Country, and Vogue, among other publications.