Kirjahaku

In the desert sands of southern Jordan lies a once-hidden conflict landscape along the Hejaz Railway. Built at the beginning of the twentieth-century, this narrow-gauge 1,320 km track stretched from Damascus to Medina and served to facilitate participation in the annual Muslim Hajj to Mecca. The discovery and archaeological investigation of an unknown landscape of insurgency and counter-insurgency along this route tells a different story of the origins of modern guerrilla warfare, the exploits of T. E. Lawrence, Emir Feisal, and Bedouin warriors, and the dramatic events of the Arab Revolt of 1916-18. Ten years of research in this prehistoric terrain has revealed sites lost for almost 100 years: vast campsites occupied by railway builders; Ottoman Turkish machine-gun redoubts; Rolls Royce Armoured Car raiding camps; an ephemeral Royal Air Force desert aerodrome; as well as the actual site of the Hallat Ammar railway ambush. This unique and richly illustrated account from Nicholas Saunders tells, in intimate detail, the story of a seminal episode of the First World War and the reshaping of the Middle East that followed.

Matters of Conflict looks at the definitive invention of the twentieth century - industrialised war - and its vast and varied material legacy. From trench art and postcards through avant-garde art, museum collections and prosthetic limbs to battlefield landscapes, the book examines the First World War and its significance through the things it left behind. The contributions come from a multidisciplinary perspective, uniting previously compartmentalized disciplines such as anthropology, archaeology, cultural history, museology and art history in their focus on material culture. This innovative, hybrid approach investigates the 'social life' of objects in order to understand them as they move through time and space and intersect the lives of all who came in contact with them.The resulting survey sets a new agenda for study of the First World War, and ultimately of all twentieth-century conflict.

Matters of Conflict looks at the definitive invention of the twentieth century - industrialised war - and its vast and varied material legacy. From trench art and postcards through avant-garde art, museum collections and prosthetic limbs to battlefield landscapes, the book examines the First World War and its significance through the things it left behind. The contributions come from a multidisciplinary perspective, uniting previously compartmentalized disciplines such as anthropology, archaeology, cultural history, museology and art history in their focus on material culture. This innovative, hybrid approach investigates the 'social life' of objects in order to understand them as they move through time and space and intersect the lives of all who came in contact with them.The resulting survey sets a new agenda for study of the First World War, and ultimately of all twentieth-century conflict.

The definitive history of the ever-enduring icon In the aftermath of the horrific trench warfare of the First World War, the poppy – sprouting across the killing fields of France and Belgium, then immortalized in John McCrae’s moving poem – became a worldwide icon. Yet the poppy has a longer history, as the tell-tale sign of human cultivation of the land, of the ravages of war, and of the desire to escape the earthly realm through opium dreams or morphine drips. From the ancient Egyptian fights over prized potions to the addicts of the American Civil War, to the British entanglements in the Opium Wars with China and the struggle to end Afghanistan’s tribal narcotics trade, there is the poppy.

Engraved shell-cases, bullet-crucifixes, letter openers and cigarette lighters made of shrapnel and cartridges, miniature aeroplanes and tanks, talismanic jewellery, embroidery, objects carved from stone, bone and wood - all of these things are trench art, the misleading name given to the dazzling array of objects made from the waste of war, in particular the Great War of 1914-1918 and the inter-war years. And they are the subject of Nicholas Saunders's pioneering study which is now republished in a revised edition in paperback. He reveals the lost world of trench art, for every piece relates to the story of the momentous experience of its maker - whether front-line soldier, prisoner of war, or civilian refugee. The objects resonate with the alternating terror and boredom of war, and those created by the prisoners symbolize their struggle for survival in the camps. Many of these items were poignant souvenirs bought by battlefield pilgrims between 1919 and 1939 and kept brightly polished on mantelpieces, often for a lifetime. Nicholas Saunders investigates their origins and how they were made, exploring their personal meaning and cultural significance. He also offers an important categorization of types which will be a useful guide for collectors.