Kirjahaku

"...effectively demonstrates the enduring importance of 'classical' social movement theory...and provides a cutting edge critical review of recent theoretical developments. This is one of the most important general theoretical texts on social movements for some years." - Paul Bagguley, University of Leeds Why and how do social movements emerge? In which ways are social movements analysed? Can our understanding be enhanced by new perspectives?Making Sense of Social Movements offers a clear and comprehensive overview of the key sociological approaches to the study of social movements. The author argues that each of these approaches makes an important contribution to our understanding of social movements but that none is adequate on its own. In response he argues for a new approach which draws together key insights within the solid foundations of Pierre Bourdieu's social theory of practice.This new approach transcends the barriers which still often divide European and North American perspectives of social movements, and also those which divide recent approaches from the older 'collective behaviour' approach. The result is a theoretical framework which is uniquely equipped for the demands of modern social movement analysis. The clear and concise style of the text, as well as its neat summaries of key concepts and approaches, will make this book invaluable for undergraduate courses. It will also be an essential reference for researchers.

Resistance and social movements in mental health have been important in shaping current practice in both mental health and psychiatry. Contesting Psychiatry, focusing largely on the UK, examines the history of resistance to psychiatry between 1950 and 2000. Building on the author’s extensive research, the book provides an empirical account and exploration of the key features including: an account of the key social movements and organizations who have contested psychiatry over the last fifty yearsthe theorization of resistance to psychiatry which might apply to other national contexts and to social movement formation and protest in other medical arenasthe exploration of theories of power in psychiatry.Original and provocative in its approach, this book offers a new sociological perspective on psychiatry.

Resistance and social movements in mental health have been important in shaping current practice in both mental health and psychiatry. Contesting Psychiatry, focusing largely on the UK, examines the history of resistance to psychiatry between 1950 and 2000. Building on the author’s extensive research, the book provides an empirical account and exploration of the key features including: an account of the key social movements and organizations who have contested psychiatry over the last fifty yearsthe theorization of resistance to psychiatry which might apply to other national contexts and to social movement formation and protest in other medical arenasthe exploration of theories of power in psychiatry.Original and provocative in its approach, this book offers a new sociological perspective on psychiatry.

Towards Relational Sociology argues that social worlds comprise networks of interaction and relations. Crossley asserts that relations are lived trajectories of iterated interaction, built up through a history of interaction, but also entailing anticipation of future interaction. In addition, he demonstrates how networks comprise multiple dyadic relations which are mutually transformed through their combination. On this conceptual basis he builds a relational foundation for sociology. Over the course of the book, three central sociological dichotomies are addressed - individualism/holism, structure/agency and micro/macro – and utilised as a foil against which to construct the case for relational sociology. Through this, Crossley is able to argue that neither individuals nor ‘wholes’ - in the traditional sociological sense - should take precedence in sociology. Rather sociologists should focus upon evolving and dynamic networks of interaction and relations.The book covers many of the key concepts and concerns of contemporary sociology, including identity, power, exchange and meaning. As such it is an invaluable reference tool for postgraduate students and researchers alike.

Towards Relational Sociology argues that social worlds comprise networks of interaction and relations. Crossley asserts that relations are lived trajectories of iterated interaction, built up through a history of interaction, but also entailing anticipation of future interaction. In addition, he demonstrates how networks comprise multiple dyadic relations which are mutually transformed through their combination. On this conceptual basis he builds a relational foundation for sociology. Over the course of the book, three central sociological dichotomies are addressed - individualism/holism, structure/agency and micro/macro – and utilised as a foil against which to construct the case for relational sociology. Through this, Crossley is able to argue that neither individuals nor ‘wholes’ - in the traditional sociological sense - should take precedence in sociology. Rather sociologists should focus upon evolving and dynamic networks of interaction and relations.The book covers many of the key concepts and concerns of contemporary sociology, including identity, power, exchange and meaning. As such it is an invaluable reference tool for postgraduate students and researchers alike.

This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of ‘critical mass’, ‘social networks’ and ‘music worlds’, and using sophisticated techniques of ‘social network analysis’, it teases out the events and mechanisms involved in punk’s ‘micro-mobilisation’, its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of ‘music worlds’.Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.

This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of ‘critical mass’, ‘social networks’ and ‘music worlds’, and using sophisticated techniques of ‘social network analysis’, it teases out the events and mechanisms involved in punk’s ‘micro-mobilisation’, its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of ‘music worlds’.Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.

This book explores both the embodied nature of social life and the social nature of human bodily life. It provides an accessible review of the contemporary social science debates on the body, and develops a coherent new perspective. Nick Crossley critically reviews the literature on mind and body, and also on the body and society. He draws on theoretical insights from the work of Gilbert Ryle, Maurice Merleau-Ponty, George Herbert Mead and Pierre Bourdieu, and shows how the work of these writers overlaps in interesting and important ways which, when combined, provide the basis for a persuasive and robust account of human embodiment. The Social Body provides a timely review of the theoretical approaches to the sociology of the body. It offers new insights, and a coherent new perspective on the body.

This book explores both the embodied nature of social life and the social nature of human bodily life. It provides an accessible review of the contemporary social science debates on the body, and develops a coherent new perspective. Nick Crossley critically reviews the literature on mind and body, and also on the body and society. He draws on theoretical insights from the work of Gilbert Ryle, Maurice Merleau-Ponty, George Herbert Mead and Pierre Bourdieu, and shows how the work of these writers overlaps in interesting and important ways which, when combined, provide the basis for a persuasive and robust account of human embodiment. The Social Body provides a timely review of the theoretical approaches to the sociology of the body. It offers new insights, and a coherent new perspective on the body.

Clear and accessible, Key Concepts in Critical Social Theory makes difficult ideas available to an undergraduate audience. - Larry Ray, Professor of Sociology, University of Kent The SAGE Key Concepts series provides students with accessible and authoritative knowledge of the essential topics in a variety of disciplines. Cross-referenced throughout, the format encourages critical evaluation through understanding. Written by experienced and respected academics, the books are indispensable study aids and guides to comprehension. Key Concepts in Critical Social Theory: Provides brief accounts of the central ideas behind the key conceptsPrepares students to tackle primary texts, giving them a point of reference when they find themselves stuckDiscusses each concept in an introductory wayOffers further reading guidance for independent learning. This is an essential companion for reading for students across the social sciences who are exploring critical theory for the first time.

Clear and accessible, Key Concepts in Critical Social Theory makes difficult ideas available to an undergraduate audience. - Larry Ray, Professor of Sociology, University of Kent The SAGE Key Concepts series provides students with accessible and authoritative knowledge of the essential topics in a variety of disciplines. Cross-referenced throughout, the format encourages critical evaluation through understanding. Written by experienced and respected academics, the books are indispensable study aids and guides to comprehension. Key Concepts in Critical Social Theory: Provides brief accounts of the central ideas behind the key conceptsPrepares students to tackle primary texts, giving them a point of reference when they find themselves stuckDiscusses each concept in an introductory wayOffers further reading guidance for independent learning. This is an essential companion for reading for students across the social sciences who are exploring critical theory for the first time.

This clearly written and broad-ranging text introduces and explains the notion of intersubjectivity as a central concern of philosophy, sociology, psychology and politics. The main purpose of the book is to provide a coherent framework for this important concept against which the various and contrasting debates can be more clearly understood. Beyond this, Nick Crossley provides a critical discussion of intersubjectivity as an interdisciplinary concept to shed light on our understanding of selfhood, communication, citizenship, power and community. The author traces the contributions of many key thinkers engaged within the intersubjectivist tradition, including Husserl, Buber, Koj[gr]eve, Merleau-Ponty, Mead, Wittgenstein, Schutz and Habermas. Intersubjectivity is an important and accessible volume which promotes cooperation between various disciplines addressing shared concerns.

This clearly written and broad-ranging text introduces and explains the notion of intersubjectivity as a central concern of philosophy, sociology, psychology and politics. The main purpose of the book is to provide a coherent framework for this important concept against which the various and contrasting debates can be more clearly understood. Beyond this, Nick Crossley provides a critical discussion of intersubjectivity as an interdisciplinary concept to shed light on our understanding of selfhood, communication, citizenship, power and community. The author traces the contributions of many key thinkers engaged within the intersubjectivist tradition, including Husserl, Buber, Koj[gr]eve, Merleau-Ponty, Mead, Wittgenstein, Schutz and Habermas. Intersubjectivity is an important and accessible volume which promotes cooperation between various disciplines addressing shared concerns.

Nick Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of social divisions. As such music both shapes and is shaped by the wider network of relations and interactions making up our societies at their local, national and global levels. Successive chapters of the book track and explore these interplays, in each case combining a critical consideration of existing literature with the development of an original, ‘relational’ approach to music sociology. The result is a grand sociological vision of music that captures not only music’s context but ‘the music itself’. The book extends the project begun in Crossley’s earlier work on punk and post-punk ‘music worlds’, revisiting this concept and the network ideas that underpin it, whilst broadening its focus through a consideration of wider music forms and the meanings that music has for its participants.

Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of social divisions. Successive chapters of the book track and explore these interplays, in each case combining a critical consideration of existing literature with the development of an original, ‘relational’ approach to music sociology. The result is a grand sociological vision of music which captures not only music’s context but ‘the music itself’. The book will appeal to social scientists, musicologists and cultural scholars more widely.