Kirjahaku

An "unleashed love song" to her late grandmother, Nickole Brown's collection brings her brassy, bawdy, tough-as-new-rope grandmother to life. With hair teased to Jesus, mile-long false eyelashes, and a white Cadillac Eldorado with atomic-red leather seats, Fanny is not your typical granny rocking in a chair. Instead, think of a character that looks a lot like Eva Gabor in Green Acres, but darkened with a shadow of Flannery O'Connor. A cross-genre collection that reads like a novel, this book is both a collection of oral history and a lyrical and moving biography that wrestles with the complexities of the South, including poverty, racism, and domestic violence. "Nickole Brown's unleashed love song to her grandmother is raucous and heart-rending, reflective and slap-yo-damn-knee hilarious, a heady meld of lyrical line and life lesson. Brown is blessed to be blood-linked to such a shrewd and singular soul, and the poet's mix of monologue, myth, and unbridled mayhem paints a picture of a proper Southern lady who is just-well, unforgettable." -Patricia Smith "In Fanny Says, Nickole Brown distills the whole of America into one woman: bawdy, loving, racist, battered, healed, and gorgeous with determination. Our country has no history that does not touch the South. Our divisions are our unions. Here, Brown unleashes a voice returned to teach us a lesson. Reader, fair warning: you can't hide from Fanny. You will be changed by this book." -Rebecca Gayle Howell

An essay in poems, The Donkey Elegies closely examines an animal's history, tracing how one species hauled the stones that built our civilizations, plowed the fields that fed generations, and carted soldiers and weapons from war to war. The poems undo the brunt end of every lewd joke and unearth the sacred origins of a creature we rarely consider except as melancholy cartoon or dumb, stubborn brute. In these twenty-five linked pieces, a truth is made real: that we must cherish each living thing, each animal, each human being for all their worth.--"In The Donkey Elegies, Nickole Brown sets out to cleanse our wounded sight, nourish our withered assumptions, and crack open the narrow cage of our souls. By restoring dignity to our misunderstood kin, she asks us to explore along with her the origins of humans' selfserving stories and reflect on the ways clich s of language and thought perpetuate violence and diminishment. True seeing, addressing occlusions of one's own moral sight, requires a concerted vulnerability on the part of the writer, and here, Brown's gorgeous language is infused with radical tenderness, authentic surprise, and restless curiosity. As acts of rescue, reclamation, and repair, her poems serve as extended heart-songs to all of us, and especially to the least of us."-- Lia Purpura, author of All the Fierce Tethers and Rough Likeness--"We no longer live lives close to those necessary others who are here with us, the animals, and so there is in us a great lack--of wisdom, of empathy, of attention. For this, Nickole Brown's book-length poem The Donkey Elegies might well be first remedy. With great wisdom and empathy, and with exquisite attention to history, culture, language, gender, memory, and the beautiful, weary world about us, Brown allows us to truly see and for a blessed moment be with that most humble of beasts, and in so doing she challenges us to turn to the holinesses in our own worlds, to hold them close--closer yet."-- Joe Wilkins, author of Fall Back Down When I Die and When We Were Birds

Nickole Brown writes in a voice that is simultaneously vernacular and lyrical. It is a voice thick with the humidity and whirring cicadas of Kentucky, but the poems are dangerous, smelling of the crisp cucumber scent of a copperhead about to strike. Epistolary in nature, and with a novel's arc, Sister is a story that begins with a teen giving birth to a baby girl--the narrator--during a tornado, and in some ways, that tornado never ends.In the hands of a lesser poet, this debut collection would be a standard-issue confession, a melodramatic exercise in anger and self-pity. But melodrama requires simple villains and victims, and there is neither in this richly complex portrait. Ultimately, Sister is more about the narrator's transgressions and failures, more about her relationships to her sister and their mother than about that which divided them. With equal parts sass and sorrow, these poems etch out survival won not with tender-hearted reflections but by smoking cigarettes through fly-specked screens, by using cans of aerosol hair spray as makeshift flamethrowers, and, most cruelly, by leaving home and trying to forget her sister entirely. From there, each poem is a letter of explanation and apology to that younger sister she never knew.Sister recounts a return to a place that Brown never truly left. It is a book of forgiveness, of seeking what is beyond mere survival, of finding your way out of a place of poverty and abuse only to realize that you must go back again, all the way back to where everything began--that warm, dark nest of mother.

"Write It! might be one of the friendliest poetry tool kits/notebooks ever."--Naomi Shihab Nye, Young People's Poet Laureate,Discover your creative voice and learn to write poetry in this easy-to-use guided journal with 100 poetry prompts--a 2021 Young People's Poet Laureate Pick! Thoughtful, stimulating, and fun prompts developed from workshops by award-winning poets will help you craft writing that authentically expresses your inner life. Compose on these beautifully designed pages, and create a body of work that you can enjoy privately or share using decorative display pages perfect for social media.This lovely guided journal can be both a canvas for exploration and a treasured keepsake showcasing your creative voice. Includes decorative pages and a ribbon with beautiful cloth hardbound cover.