Kirjahaku

An enthralling new biography of the woman behind Bayreuth In this meticulously researched book, Oliver Hilmes paints a fascinating and revealing picture of the extraordinary Cosima Wagner—illegitimate daughter of Franz Liszt, wife of the conductor Hans von Bülow, then mistress and subsequently wife of Richard Wagner. After Wagner’s death in 1883 Cosima played a crucial role in the promulgation and politicization of his works, assuming control of the Bayreuth Festival and transforming it into a shrine to German nationalism. The High Priestess of the Wagnerian cult, Cosima lived on for almost fifty years, crafting the image of Richard Wagner through her organizational ability and ideological tenacity.The first book to make use of the available documentation at Bayreuth, this biography explores the achievements of this remarkable and obsessive woman while illuminating a still-hidden chapter of European cultural history.

An engrossing new biography of Franz Liszt, the musical revolutionary who became the world’s first international megastar"Makes a significant contribution to our knowledge of Liszt as a man and superstar. Hilmes shines a light into the shadows behind a life lived in the spotlight."—Andrew Taylor, Times Hungarian composer Franz Liszt (1811–1886) was an anomaly. A virtuoso pianist and electrifying showman, he toured extensively throughout the European continent, bringing sold-out audiences to states of ecstasy while courting scandal with his frequent womanizing. Drawing on new, highly revealing documentary sources, including a veritable treasure trove of previously unexamined material on Liszt’s Weimar years, best-selling author Oliver Hilmes shines a spotlight on the extraordinary life and career of this singularly dazzling musical phenomenon. Whereas previous biographies have focused primarily on the composer’s musical contributions, Hilmes showcases Liszt the man in all his many shades and personal reinventions: child prodigy, Romantic eccentric, fervent Catholic, actor, lothario, celebrity, businessman, genius, and extravagant show-off. The author immerses the reader in the intrigues of the nineteenth-century European glitterati (including Liszt’s powerful patrons, the monstrous Wagner clan) while exploring the true, complex face of the artist and the soul of his music. No other Liszt biography in English is as colorful, witty, and compulsively readable, or reveals as much about the true nature of this extraordinary, outrageous talent.

For sixteen days in the summer of 1936, the world's attention turned to the German capital as it hosted the Olympic Games. Seen through the eyes of a cast of characters - Nazi leaders and foreign diplomats, athletes and journalists, nightclub owners and jazz musicians - Berlin 1936 plunges us into the high tension of this unfolding scene.Alongside the drama in the Olympic Stadium - from the triumph of Jesse Owens to the scandal when an American tourist breaks through the security and manages to kiss Hitler - Oliver Hilmes takes us behind the scenes and into the lives of ordinary Berliners: the woman with a dark secret who steps in front of a train, the transsexual waiting for the Gestapo's knock on the door, and the Jewish boy hoping that Germany may lose in the sporting arena.During the sporting events the dictatorship was partially put on hold; here then, is a last glimpse of the vibrant and diverse life in Berlin in the 1920s and 30s that the Nazis aimed to destroy.

Die Reihe ihrer Liebhaber liest sich wie ein ?Who is who? der ersten Hälfte des zwanzigsten Jahrhunderts. Wer war die Frau, die mit Gustav Mahler, mit Walter Gropius und Franz Werfel verheiratet war, die eine wilde Liebesaffäre mit Oskar Kokoschka hatte und der Gerhart Hauptmann zu Füßen lag? Oliver Hilmes zeichnet in seiner umfassenden Biografie, die sich auf bisher noch nicht ausgewertete Briefe und Tagebücher stützt, das facettenreiche Bild einer Frau, die hysterisch, antisemitisch, herrschsüchtig war ? aber auch inspirierend, klug und leidenschaftlich.

Diese Studie befasst sich mit einer speziellen Dimension des Verhaltnisses von Musik und Politik. Im Mittelpunkt steht eine besondere Sichtweise auf das Schaffen des Komponisten Gustav Mahler (1860-1911). Dabei geht es nicht um musikwissenschaftliche oder musiktheoretische Fragen, sondern um die Analyse politisch motivierter Rezeptionsprozesse seiner Werke in der Weimarer Republik, im 'Dritten Reich' und im oesterreichischen 'Standestaat'. Mit der Dechiffrierung der politischen Mahler-Rezeption in den drei verschiedenen politischen Systemen werden grundsatzliche Erkenntnisse uber deren Aufbau, Funktionsweise und uber herrschende politische Ideologien erarbeitet.

Die Diktatur im Pausenmodus: Stadt und Spiele im Sommer 1936 Im Sommer 1936 steht Berlin ganz im Zeichen der Olympischen Spiele. Zehntausende strömen in die deutsche Hauptstadt, die die Nationalsozialisten in diesen sechzehn Tagen als weltoffene Metropole präsentieren wollen. Oliver Hilmes folgt prominenten und völlig unbekannten Personen, Deutschen und ausländischen Gästen durch die fiebrig-flirrende Zeit der Sommerspiele und verknüpft die Ereignisse dieser Tage kunstvoll zum Panorama einer Diktatur im Pausenmodus. Die >>Juden verboten>Horst-Wessel-LiedsIn >>Berlin 1936

Alma Mahler-Werfel (1879-1964) är kanske det 20:e århundradets mest spännande kvinna. Å ena sidan vacker, intelligent och gift med tre av seklets största konstnärer: Gustav Mahler, Walter Gropius och Franz Werfel. Å andra sidan hämndlysten, djupt alkoholiserad och närmast besatt av det sexuella. Den långa raden av älskare rymmer bl. a. den store expressionisten Oskar Kokoschka. "En riktig dam, och samtidigt en kloak", som en väninna en gång sade om henne. I sin lysande biografi har Oliver Hilmes inte bara lyckats gestalta en stridbar och omstridd kvinna utan också fångat en svunnen epoks kulturliv och dess centralfigurer.

Of all the colorful figures on the twentieth-century European cultural scene, hardly anyone has provoked more polarity than Alma Schindler Mahler Gropius Werfel (1879 - 1964), mistress to a long succession of brilliant men and wife of three of the best known: composer Gustav Mahler, architect Walter Gropius and writer Franz Werfel. To her admirers Alma was a self-sacrificing socialite who inspired many great artists. Her detractors found her a self-aggrandizing social climber and an alcoholic, bigoted, vengeful harlot - as one contemporary put it, "a cross between a grande dame and a cesspool." So who was she really? When historian Oliver Hilmes discovered a treasure-trove of unpublished material, much of it in Alma's own words, he used it as the basis for his first biography, setting the record straight while evoking the atmosphere of intellectual life in Europe and then inemigre communities on both coasts of the United States after the Nazi takeover of their home territories. First published in German in 2004, the book was hailed as a rare combination of meticulously researched scholarship and entertaining writing, making it a runaway bestseller and advancing Oliver Hilmes to his position as a household name in contemporary literature.Alma Mahler was one of the twentieth century's rare originals, worthy of her immortalization in song. Oliver Hilmes has provided us with an even-handed yet tantalizingly detailed account of her life, bringing Alma's singular story to a whole new audience.