Kirjahaku

A brilliant biography of the young Orson Welles, from his prodigious childhood and youth, his triumphs with the Mercury Theatre, to the making of Citizen Kane. Vivid, vastly entertaining, this is the definitive Welles biography.

The reason for the decline of Orson Welles's career is a hotly debated issue, but decline it certainly did. But instead of marking the beginning of a triumphant career in Hollywood, the film still regularly voted the greatest ever made proved to be an exception in Welles's life and work.

An epic survey of Orson Welles' life and work. It shows what it was like to be around Welles, and, what it was like to be him, in which lies the answer to the old riddle: whatever happened to Orson Welles?

"A splendidly entertaining, definitive work."--Entertainment Weekly In this first installment of his masterful biography, Simon Callow captures the chameleonic genius of Orson Welles as only an actor/director deeply rooted in the entertainment industry could. Here is Welles's prodigious childhood; his youth in New York, with its fraught partnership with John Houseman and the groundbreaking triumph of his all-black Macbeth; the pioneering radio work that culminated in the notorious 1938 broadcast of War of the Worlds; and finally, his work in Hollywood, including an authoritative account of the making of Citizen Kane. Rich in detail and insight, this is far and away the definitive look at Orson Welles--a figure even more extraordinary than the myths that have surrounded him.

"Unfailingly intelligent and well written . . . Vivid and three-dimensional."--Variety The first volume of Simon Callow's magisterial biography of Orson Welles was praised as a "splendidly entertaining, definitive work" by Entertainment Weekly. Now, this eagerly anticipated second volume examines the years following Citizen Kane up to the time of Macbeth, in which Welles's Hollywood film career unraveled. In close and colorful detail, Callow offers a scrupulous analysis of the factors involved, revealing the immense and sometimes self-defeating complexities of Welles's temperament as well as some of the monstrous personalities with whom he had to contend.

Before The Cradle Will Rock, before War of the Worlds, before Citizen Kane—there was Marching Song. At the age of 25 Orson Welles co-wrote, directed, and starred in Citizen Kane, widely regarded as one of the greatest films of all time. But this was not the first achievement in the young artist’s career. A few years earlier he terrorized America with his radio broadcast of War of the Worlds. And even before he conquered the airwaves, Welles had made a name for himself in New York theatre, with his dynamic stagings of Shakespeare classics and the politically charged musical The Cradle Will Rock. But before all of these there was Marching Song—a play about abolitionist John Brown—that Welles had co-written at the age of 17. While attending the Todd School for Boys, Welles collaborated with Roger Hill, the schoolmaster at Todd, to produce this full-length drama. Marching Song: A Play is a work by one of America’s true geniuses at an early stage of his creative growth. Steeped in historical detail, the play chronicles Brown’s fight against slavery, his raid on Harper’s Ferry, his capture, his conviction for treason, and his execution. In addition to the entire text of the play, this volume features a biographical sketch of Welles and Hill—written by Hill’s grandson—during their days together at Todd. A fascinating dramatization of a pivotal event in American history, this play also demonstrates Welles’ burgeoning development as social commentator and an advocate for human rights, particularly on behalf of African Americans. Featuring a foreword by noted Welles biographer, Simon Callow, Marching Song: A Play is an important work by an American icon.

Conversations reveal Welles's feelings about films, theater, the radio and television industries, and various other directors and stars

Set in the seedy underworld of postwar Europe, Orson Welles' novel focuses on the sinister figure of Gregory Arkadin, a fabulously wealthy and influential financier who enlists the services of a small-time smuggler and rackateer, Van Stratten, for an extraordinary assignment. Arkadin claims that he can remember nothing of his life prior to the moment in 1927 when he found himself alone in Zurich with 200,000 Swiss francs in his pocket - a sum with which he subsequently built his vast fortune - and Van Stratten's task is to investigate Arkadin's mysterious past and prepare him a confidential report on it. Welles wrote, directed, and starred in the film version of Mr. Arkadin, which was released under the title Confidential Report in 1955, but believed that only the novel remained the definitive expression of his intentions. A haunting exploration of typically Wellesian themes, it is an enduring example of his unique genius.

The complete screenplay of one of the world's most famous and controversial films "A definitive chronicle of the making of the film" Sheridan Morley, Films & Filming This is the complete companion to Citizen Kane - the film that was "designed to shock" (Kenneth Tynan) - one of the best-loved and best-known movies in the history of Hollywood and still the most staggering film debut ever. Not only was this Orson Welles's first film as actor and director but most of the cast were also new to the cinema. Yet so controversial was the subject matter that an $842,000 bribe and the concentrated wrath of the Hearst newspaper empire combined in an attempt to strangle its distribution. And the authorship of the film is still a subject of conflict. Pauline Kael's long essay, "Raising Kane", dissects a maze of Hollywood lore to re-evaluate these and many other fascinating stories about the making of this remarkable film. Her account is followed by the original screenplay, illustrated with stills and frame enlargements. "Citizen Kane revolutionised film-making, and the question of its authorship is as important to the cinema as that of Hamlet to the theatre ...Pauline Kael explains how the picture came to be made and concludes that the man most responsible for its creation was not Welles but Herman J. Mankiewicz" Kenneth Tynan, Observer

The was the unofficial empress of Hollywood and she spent a lifetime as the mistress of one of America's richest men. Gathered from tapes recroded a decade before Marion Davie's death, read, in her own words, the story of a fantastic and glittering life, as never told before.

Jazz Cavalcade: The Inside Story Of Jazz is a comprehensive book that delves into the history, development, and evolution of jazz music. Written by Dave Dexter Jr., a music critic and historian, the book offers a detailed account of the various styles, genres, and sub-genres of jazz, and the key figures who shaped its growth and popularity over the years.The book covers the early years of jazz, tracing its roots in African-American culture, and its emergence in New Orleans in the late 19th century. It then explores the various styles of jazz that emerged in the 1920s and 1930s, including swing, bebop, and cool jazz, and the key artists who pioneered these styles, such as Louis Armstrong, Duke Ellington, and Charlie Parker.Jazz Cavalcade also covers the social and cultural context in which jazz developed, including the impact of racial segregation, the rise of the recording industry, and the changing tastes of audiences. The book also explores the international influence of jazz, and its impact on other musical genres, such as rock and roll, hip hop, and electronic music.Throughout the book, Dexter Jr. provides a wealth of anecdotes, insights, and behind-the-scenes stories about the jazz musicians and their music, making Jazz Cavalcade a fascinating and engaging read for anyone interested in the history of jazz.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The Cradle Will Rock is a play in music written by Marc Blitzstein. Set in a fictional town called Steeltown, the play explores the themes of corruption, power, and greed. It tells the story of Larry Foreman, a union organizer who fights against the corrupt businessman Mr. Mister and his cronies. The play features a cast of characters that includes a prostitute, a doctor, a newspaper editor, and a composer, among others. The music is a mix of jazz, opera, and musical theater, and the lyrics are politically charged and satirical. The play was originally produced in 1937 by the Federal Theatre Project, but was shut down by the government due to its controversial content. It has since been revived numerous times and is considered a classic of American theater. The Cradle Will Rock is a powerful and thought-provoking work that continues to resonate with audiences today.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.