Kirjahaku

"A sharp and unconventional book -- a swirl of memoir, travelogue and biography of some of history's champion day-dreamers." --Maureen Corrigan, "Fresh Air" A spirited inquiry into the lost value of leisure and daydream The Art of the Wasted Day is a picaresque travelogue of leisure written from a lifelong enchantment with solitude. Patricia Hampl visits the homes of historic exemplars of ease who made repose a goal, even an art form. She begins with two celebrated eighteenth-century Irish ladies who ran off to live a life of "retirement" in rural Wales. Her search then leads to Moravia to consider the monk-geneticist, Gregor Mendel, and finally to Bordeaux for Michel Montaigne--the hero of this book--who retreated from court life to sit in his chateau tower and write about whatever passed through his mind, thus inventing the personal essay. Hampl's own life winds through these pilgrimages, from childhood days lazing under a neighbor's beechnut tree, to a fascination with monastic life, and then to love--and the loss of that love which forms this book's silver thread of inquiry. Finally, a remembered journey down the Mississippi near home in an old cabin cruiser with her husband turns out, after all her international quests, to be the great adventure of her life. The real job of being human, Hampl finds, is getting lost in thought, something only leisure can provide. The Art of the Wasted Day is a compelling celebration of the purpose and appeal of letting go.

Just out of college, Patricia Hampl was mesmerized by a Matisse painting in the Art Institute of Chicago: an aloof woman gazing at goldfish in a bowl, a Moroccan screen behind her. In Blue Arabesque, Hampl explores the allure of this lounging woman, immersed in leisure, so at odds with the rush of the modern era. Hampl's meditation takes us to the Cote d'Azur and to North Africa, from cloister to harem, pondering figures as diverse as Eugene Delacroix, F. Scott Fitzgerald, and Katherine Mansfield. Returning always to Matisse's portraits of languid women, she discovers they were not decorative indulgences but something much more. Moving with the life force that Matisse sought in his work, Blue Arabesque is Hampl's dazzling and critically acclaimed tour de force.

During the long farewell of her mother's dying, Patricia Hampl revisits her midwestern girlhood.Daughter of a debonair Czech father, whose floral work gave him entr e to St. Paul society, and a distrustful Irishwoman with an uncanny ability to tell a tale, Hampl remained, primarily and passionately, a daughter well into adulthood. She traces the arc of faithfulness and struggle that comes with that role--from the postwar years past the turbulent sixties. At the heart of The Florist's Daughter is the humble passion of people who struggled out of the Depression into a better chance, not only for themselves but for the common good.Widely recognized as one of our most masterly memoirists, Patricia Hampl has written an extraordinary memoir that is her most intimate, yet most universal, work to date.This transporting work will resonate with readers of Francine du Plessix Gray's Them: A Memoir of Parents and JeannetteWall's The Glass Castle.

"A religious cliff-hanger--intimate, compelling, hard to put down."SAN FRANCISCO CHRONICLEEager to shake off the indelible brand of a Catholic upbringing, Patricia Hample seeks the "old world" of Catholicism. On her pilgrimage she meets others seekers--crotchety English agnostics, American Franciscan friars and nuns, and the seekers that fill every charter flight. Inevitably, too, she finds the "old world" right at home, in the very past she had tried to escape. But what she is looking for confronts her, finally, on a rereat at a monastery near the Lost Coast of northern California in the still, virgin moments of silent prayer....

Golden Prague seemed mostly gray when Patricia Hampl first went there in quest of her Czech heritage. In that bleak time, no one could have predicted the political upheaval awaiting Communist Europe and the city of Kafka and Rilke. Hampl's subsequent memoir, a brilliant evocation of Czech life under socialism, attained the stature of living history, and added to our understanding not only of Central Europe but also of what it means to be engaged in the struggle of a people to define and affirm themselves. Reissued now, during the tenth anniversary of that astonishing upheaval known as the Velvet Revolution, A Romantic Education includes an extensive updated afterword based on Hampl's annual return trips to Prague and the Czech countryside. Here is an excellent introduction to what was once the unknown "other Europe" behind the Iron Curtain and is now the continent's hottest new travel destination. Once again, as she did in a darker time, Hampl sees the texture beneath the surface of things and intuits the changing life of one of Europe's most bewitching cities. A Romantic Education is an exquisite journey into history and into the conundrum of personal memory

In this timely gathering, Patricia Hampl, one of our most elegant practitioners, "weaves personal stories and grand ideas into shimmering bolts of prose" (Minneapolis Star Tribune) as she explores the autobiographical writing that has enchanted or bedeviled her. Subjects engaging Hampl's attention include her family's response to her writing, the ethics of writing about family and friends, St. Augustine's Confessions, reflections on reading Walt Whitman during the Vietnam War, and an early experience reviewing Sylvia Plath. The word that unites the impulse within all the pieces is "Remember "--a command that can be startling. For to remember is to make a pledge: to the indelible experience of personal perception, and to history itself.

When Patricia Hampl's first book of poems, Woman Before an Aquarium, appeared in 1978, Choice called it "a generous . . . first collection," and Virginia Quarterly Review characterized her work as "a poetry of accumulated details, strikingly presented." Now, after the success of her brilliant prose memoir, A Romantic Education, which won a Houghton Mifflin Literary Fellowship, Hampl has taken her poetry a step further in her new collection, Resort. The classical themes of beauty and love, loss and memory have always formed the core of Hampl's work. Here, they are treated in a series of shorter poems and then gathered powerfully into the long title poem of the collection. Set in a small, tumbledown cabin on the North Shore of Lake Superior, Resort follows the season of summer as Hampl explores a period of solitude following a loss, employing as a touchstone the image of the wild rose as it blooms and withers. In essence a poem about healing oneself through paying attention to the world outside, Resort has been called by poet Sandra McPherson "major, richly entangled, ebullient . . . all of a sudden my favorite long poem."