Kirjahaku

Soon to be a an FX series starring and produced by Matthew McConaugheyA LitHub Most Anticipated Book of Summer "The Churchgoer is a wonderful debut novel from a writer with more than a few tricks up his sleeve."--Los Angeles Times A haunting debut literary noir about a former pastor's search to find a missing woman in the toxic, contradictory underbelly of southern California."He was finished with church, with God, with all of it. But to find the girl, he has to go back."In Mark Haines's former life, he was an evangelical youth pastor, a role model, and a family man--until he abandoned his wife, his daughter, and his beliefs. Now he's marking time between sunny days surfing and dark nights working security at an industrial complex. His isolation is broken when Cindy, a charming twenty-two-year old drifter he sees hitchhiking on the Pacific Coast Highway, hustles him for a breakfast and a place to crash--two cynical kindred spirits. Then his co-worker is murdered in a robbery gone wrong and Cindy disappears on the same night. Haines knows he should let it go and return to his safe life of solitude. Instead, he's driven to find out where Cindy went, under stranger and stranger circumstances. Soon Mark is chasing leads, each one taking him back into a world where his old life came crashing down--into the seedier side of southern California's drug trade and ultimately into the secrets of an Evangelical megachurch where his past and his future are about to converge. What begins as an investigation becomes a haunting mystery and a psychological journey both for Mark, and for the elusive young stranger he won't let get away.Set in the early 2000s, The Churchgoer is a gripping noir, a quiet subversion of the genre, and a powerful meditation on belief, morality, and the nature of evil in contemporary life.

Anger, Gratitude, and the Enlightenment Writer examines how writers as diverse as Rousseau, Diderot, Marivaux, and Challe discuss the social appropriateness of anger and gratitude in regulating social life. Emotions are social transactions, with rules identifying when and where it is appropriate to express one's feelings and, especially in the case of anger and gratitude, who is allowed or expected to put them on display. Defining the kinds of slight or favor that demand an angry or a grateful response became problematic in eighteenth-century France under the pressure of two contradictory developments which were both crucial to Enlightenment thinking about sociability. The first drew on the ideal of moral equality as it spread beyond the salons to the social world at large. Writers claimed for themselves an entitlement to anger at personal slight that had been hitherto reserved for aristocrats, and a respectful hearing for their indignation at public injustice despite their lack of official standing. The philosophes also argued their writing made them social benefactors in their own right, more deserving of their readers' gratitude than obliged to any patron. The second gave a new twist to longstanding philosophical notions about transcending emotional disturbance and dependence altogether. A personal ideal became a public goal as Enlightenment thinkers imagined a society where all significant social interaction was governed by the impersonal rule of law. Occasions for personal slight or obligation would disappear, and with them reasons for anger and gratitude. Instead of serving as a model of emotional legitimacy, authors would derive their prestige from their rationality and objectivity. By exploring the interplay between these two attitudes toward anger and gratitude this book provides a fresh perspective on the French Enlightenment.

The study of Montreal as a specific location in French and English writings has long been subordinated to the demands of linguistically divided and politically contentious narratives about national development. In this cross-linguistic study, Patrick Coleman models an inclusive and post-national literary history of the city itself. Tracing a sequence of moments in the emergence of the Montreal novel from World War II to the turbulent 1960s, Equivocal City offers close readings of fourteen key works of fiction, focusing on the inner dynamic of their construction as well as the unexpected convergences and contrasts in the narrative structures they adopt and the aesthetic perspective they seek to achieve. Critically sophisticated but accessibly written, this book gives a sympathetic account of how writers in both languages struggled to give integrated artistic expression to their experience of a city that was still linguistically compartmentalized and culturally insecure. By analyzing the interplay between story and narrative form, the book explores what French and English novelists could – and could not – imagine about the Montreal they sought to portray. From the responsible realism of Hugh MacLennan and Gabrielle Roy to the fractious phantasmagorias of Jacques Ferron and Leonard Cohen, Equivocal City traces the evolution of the Montreal novel with the aim of retrieving a shareable literary past.

The study of Montreal as a specific location in French and English writings has long been subordinated to the demands of linguistically divided and politically contentious narratives about national development. In this cross-linguistic study, Patrick Coleman models an inclusive and post-national literary history of the city itself. Tracing a sequence of moments in the emergence of the Montreal novel from World War II to the turbulent 1960s, Equivocal City offers close readings of fourteen key works of fiction, focusing on the inner dynamic of their construction as well as the unexpected convergences and contrasts in the narrative structures they adopt and the aesthetic perspective they seek to achieve. Critically sophisticated but accessibly written, this book gives a sympathetic account of how writers in both languages struggled to give integrated artistic expression to their experience of a city that was still linguistically compartmentalized and culturally insecure. By analyzing the interplay between story and narrative form, the book explores what French and English novelists could – and could not – imagine about the Montreal they sought to portray. From the responsible realism of Hugh MacLennan and Gabrielle Roy to the fractious phantasmagorias of Jacques Ferron and Leonard Cohen, Equivocal City traces the evolution of the Montreal novel with the aim of retrieving a shareable literary past.

'Dynasties' provides an overview of the history of the aristocracy in England from the Saxon period to the present: as feudal vassals; Tudor and Stuart courtiers; Georgian and Victorian magnates; the decline and fall and then the rise of the noble families from the ashes as guardians of heritage. Sixteen noble families are examined in detail, including the Wellesleys of Stratfield Saye, the Cavendishes of Chatsworth, the Churchills of Blenheim Palace, the Grosvenors of Eaton Hall, the Spencers of Althorp, and the Herberts of Highclere Castle. Scanning just these six, is it is obvious their history is associated with some of the greatest names and most important events in English history: Waterloo, Winston Churchill and WW2 - and 'Downton Abbey'! Each chapter will give a lively account of the family’s place in history from their earliest rise to prominence to the present day. (All those families chosen to receive a devoted chapter persist into the 21st century). Those older families involved in medieval wars and court intrigues often have legends associated with their founding, as well as playing roles in controversial episodes in royal history. Beyond the political and constitutional context, 'Dynasties' considers the local, familial, and personal stories associated with the families: love stories, tragedies and criminal behaviour; the poets, politicians, architects and artists produced by the ‘great families’, alongside the generals. remarkably, there is no guide to all the major families available in print with this approach. 'Burke's Peerage' it is not.

On a sunny day, men and women march through the streets wearing orange collarettes and carrying colourful banners. However, this is not the Orange Order in Northern Ireland but the same organisation in Africa. This book moves beyond the cliche to delve deeply into the inner structure and rituals of the Orange Order and its global reach. The Orange Order, while Irish Protestant-founded, managed in a short period to spread to not only other parts of the UK, but also to Australia, New Zealand and even Africa. Previous research has tended to focus on just one to two countries within a narrow timeframe. This book, by contrast, covers almost 230 years of the Orange Order across multiple countries. Unlike other studies, it integrates the activities of men, women and children.

Occasioned by the birth of a first child and originally spoken aloud into a digital audio recorder on the poet’s long commute between the art museum where he worked and his home in a neighborhood burned in the Witch Creek Fire of 2007, each of the poems in Patrick Coleman’s first book resists the confusions of twenty-first-century parenthood, marriage, art, and commerce. By turns conversational and anxious, metaphysical and self-mocking, celebratory yet permeated by an awareness of life’s flickering ephemerality, Fire Season is a search for gratitude among reasons to be afraid—and proof that a person can pass through the fires and come out the other side alive.

A haunting debut literary noir about a former pastor's search to find a missing woman in the toxic, contradictory underbelly of southern California."He was finished with church, with God, with all of it. But to find the girl, he has to go back."In Mark Haines's former life, he was an evangelical youth pastor, a role model, and a family man--until he abandoned his wife, his daughter, and his beliefs. Now he's marking time between sunny days surfing and dark nights working security at an industrial complex. His isolation is broken when Cindy, a charming twenty-two-year old drifter he sees hitchhiking on the Pacific Coast Highway, hustles him for a breakfast and a place to crash--two cynical kindred spirits.Then his co-worker is murdered in a robbery gone wrong and Cindy disappears on the same night. Haines knows he should let it go and return to his safe life of solitude. Instead, he's driven to find out where Cindy went, under stranger and stranger circumstances. Soon Mark is chasing leads, each one taking him back into a world where his old life came crashing down--into the seedier side of southern California's drug trade and ultimately into the secrets of an Evangelical megachurch where his past and his future are about to converge. What begins as an investigation becomes a haunting mystery and a psychological journey both for Mark, and for the elusive young stranger he won't let get away.Set in the early 2000s, The Churchgoer is a gripping noir, a quiet subversion of the genre, and a powerful meditation on belief, morality, and the nature of evil in contemporary life.

A haunting debut literary noir about a former pastor's search to find a missing woman in the toxic, contradictory underbelly of southern California."He was finished with church, with God, with all of it. But to find the girl, he has to go back."In Mark Haines's former life, he was an evangelical youth pastor, a role model, and a family man--until he abandoned his wife, his daughter, and his beliefs. Now he's marking time between sunny days surfing and dark nights working security at an industrial complex. His isolation is broken when Cindy, a charming twenty-two-year old drifter he sees hitchhiking on the Pacific Coast Highway, hustles him for a breakfast and a place to crash--two cynical kindred spirits.Then his co-worker is murdered in a robbery gone wrong and Cindy disappears on the same night. Haines knows he should let it go and return to his safe life of solitude. Instead, he's driven to find out where Cindy went, under stranger and stranger circumstances. Soon Mark is chasing leads, each one taking him back into a world where his old life came crashing down--into the seedier side of southern California's drug trade and ultimately into the secrets of an Evangelical megachurch where his past and his future are about to converge. What begins as an investigation becomes a haunting mystery and a psychological journey both for Mark, and for the elusive young stranger he won't let get away.Set in the early 2000s, The Churchgoer is a gripping noir, a quiet subversion of the genre, and a powerful meditation on belief, morality, and the nature of evil in contemporary life.