Kirjahaku

The siege of Kut is a story of blunders, sacrifice, imprisonment and escape. The allied campaign in Mesopotamia began in 1914 as a relatively simple operation to secure the oilfields in the Shatt-al-Arab delta and Basra area. Initially it was a great success, but as the army pressed towards Baghdad its poor logistic support, training, equipment and command left it isolated and besieged by the Turks. By 1916 the army had not been relieved, and on 29 April 1916, the British Army suffered one of the worst defeats in its military history. Major-General Sir Charles Townshend surrendered his allied force to the Turks in the Mesopotamian (now Iraq) town of Kut-al-Amara. Over 13,000 troops, British and Indian, went into captivity; many would not survive their incarceration. In Kut 1916, Colonel Crowley recounts this dramatic tale and its terrible aftermath.

'Rose, Castle and Crown' offers a unique exploration of Hampshire and the Isle of Wight's citizen soldiers, tracing their history from the militia and yeomanry to the Territorial Army and today's Army Reserve. Placed in the wider context of British Army history, this book sheds light on the often-overlooked role of local auxiliary forces in defending the country's shores. Little has been written about these brave individuals who, throughout history, have balanced their service with family demands and civilian employment. This book tells their story.

Pierre Michon is one of France's most significant contemporary writers. Since the publication in 1984 of his first book, "Vies minuscules," Michon's work has never ceased to evade generic classifications. His work ingests books, lives and thought and probes their complex interrelationship and those moments of convergence that transform an ordinary name into that of an 'Author' or of an 'Artist'. The contents of Michon's work are well documented: they are drawn from canonical novels, chronicles, archives and the biographies of artists' lives and are worked into cross-generic forms that revive names and make us rethink the uncertainty of literature. Less has been written of his engagement with avant-garde thought. The legacy of French avant-garde thinkers of the 1960s and 1970s, in particular the work of Roland Barthes, informs Michon's work. Barthes's notions of the referent, of intertextuality and of authorship, for example, are transposed, reconfigured and sometimes contested within Michon's work. In this way, Barthes's name, the afterlife of his thought, remains encrypted within Michon's prose. This book situates and reads Michon's texts through the complex inscription and transformation of names drawn from the Creuse, literature, art and avant-garde thought. And it is within this matrix that Michon puts in play his own name and its uncertain relation to literature.