Kirjahaku

Patrick Friesen's newest collection is a haunting ode to the lives we have felt too briefly, known only in passing and yearn to hold still. While those who loved them keen softly between his lines, Friesen invokes their loss as one remembers a cool breath on the back of the neck, a faint shadow on a headstone, a watermark on the bedstand. With wisdom and beauty and invention, Friesen walks us through the graveyard of human kind where a symphony of voices still conduct the lives left behind long after they depart flesh for spirit. Intermingling prose poems and traditional free verse, Friesen both narrates and sings the stories of absence and forgetting, tales of lingering memory and fleeting love. With infinite candor and sensitivity, Friesen celebrates the lives of idols and iconoclasts, wives and widows, farmers and freeloaders. For anyone who has urged another title in the canon of Friesen's award-winning work, here is a collection worthy of accolade. Death has no dominion, but poetry has dominion over all.

"The Breath You Take From The Lord" is a masterful volume that confirms Patrick Friesen's reputation as one of Canada's finest and most versatile poets. In language striking in its simplicity and strength, Friesen's work moves with the controlled intensity of a hawk circling in a vast prairie sky. These are poems infused with a sense of reverie and innocence, wisdom and clarity, reflections on those things, material and ethereal, that define who we are and where we come from. Drawing on old stories, the stark landscape of the prairie, the rain and mist of Canada's West Coast and the characters of his childhood, Friesen takes the reader on a human quest for the divine.

There is something of the elemental in Outlasting the Weather, Patrick Friesen's Selected and New poems 1994-2020. Over time, the elements shape new worlds. Wind carves a stone bowl, the earth receives our dead. The poems are archaeological digs through layers of a life lived without the certainty of belief. Covering twenty-six years and selected from eight previous volumes, the poems in this collection reject wisdom; rather, they are infused with the kind of knowledge that comes from having weathered many seasons yet still remaining open to wonder. Perhaps, writes Friesen of his late father, you are in that grave where we laid you but I am child enough to think the sky. And for a moment we all look up, transported, filled with the endless possibilities offered by a poet for whom poetry is a way of thinking. The volume wraps up with, "New Work," twenty-seven new poems that display the poet's vast and prodigious talents.

'A Dark Boat', a new collection of poetry by Patrick Friesen, is heavily influenced by 'cante jondo' (Spanish "deep song", or flamenco) and 'fado' (Portuguese songs of longing). Friesen approaches music as a method of weaving his poems with both Spanish and Portuguese aspects of longing, imagistic leaps, and darkness. The poems in 'A Dark Boat' try to shake hands with darkness; the kind of darkness that is rich and necessary for a full human life, the darkness of soil into which seeds drop and grow, the darkness of the grave into which the body is lowered. They explore the kind of loneliness and yearning that is contained in the Portuguese word 'saudad:' a longing for something in the past that can never be found because time has shifted everything away from what it was. Although musically aware and inspired, Friesen's poems do not delve too deeply into the metaphorical; rather, they thrive on an allusive and suggestive level that makes room for jarring non sequiturs andvibrant images. These elusive and emotional poems say much, while telling as little as possible. "...His (Friesen's) sensitivity as an artist affects all his work in a profound and beautiful way. ...Friesen writes about a world that is "quiet" but teeming with emotion; this world is alive and "writhing" with lust, obsession, inspiration, suffering, and yearning. ...There is a musicality to Friesen's writing, a lyricism indicative of what the Spanish term "Deep Song", a more somber stream of flamenco music. There are constant references to fado music, pianos, horns and Tom Waits, as Friesen probes the universality of music. ...The poems are not frivolous but neither are they suppressive or overwrought by the darkness. Instead, the themes are the undiluted musings of an adult, contemplative, full of yearning and with an awareness of death. Friesen is preoccupied with dancing, the motion of feet and legs. In his poems everything from walking and drunken stumbles, as well as the movementof dance, is associated with lust, struggle and resistance. This becomes the perfect backdrop for historically rich poems about Lorca. ..." - Vancouver Weekly "...If you've never heard fado music, you should. It is an intense, raw, emotional music which Patrick compared to the Delta blues, another passion of his. Or you could just read this book, which is imbued with his reminiscences of his trip and the music of fado. ...lines that punch you in the gut, leaving you breathless. ..." - PrairieFire