Kirjahaku

With the weakening moral authority of the Catholic Church, the boom ushered in by the Celtic Tiger, and the slow but steady diminishment of the Troubles in the North, Ireland has finally stepped out from the shadows of colonial oppression onto the world stage as a major cosmopolitan country. Taking its title from a veiled reference to Roger Casement-the humanitarian and Irish patriot hanged for treason-in James Joyce's Ulysses, The Poor Bugger's Tool demonstrates how the affective labor of Irish queer culture might contribute to a progressive new national image for the Republic and Northern Ireland. Looking back to the first wave of Irish modernism in the works of Wilde, Synge, Casement, and Joyce, Patrick Mullen reveals how these authors deployed queer aesthetics to shape inclusive forms of national affiliation as well as to sharpen anti-imperialist critiques. In its second half, the monograph turns its attention to Ireland's postmodernist boom in the works of Patrick McCabe, Neil Jordan, and Jamie O'Neill. With readings of The Butcher Boy, Breakfast on Pluto, and At Swim Two Boys, Mullen shows that queer sensibilities and style remain key cultural resources for negotiating the political and economic realities of globalization at the turn of the twenty-first century. Buttressed by writings of theorists like Marx, Foucault, and Antonio Negri, The Poor Bugger's Tool brings Irish literature into a fruitful dialog with queer theory, postcolonial studies, the history of sexuality, and modernist aesthetics.

The Poor Bugger's Tool(the title taking its name from the veiled but unmistakable reference in the 'Cyclops' episode in Ulysses to Roger Casement, the homosexual humanitarian and Irish patriot hanged for treason in 1916), argues that queer culture has a vital role to play in the creation of a reinvigorated national image, for the Republic and Northern Ireland. Looking back to the first wave of Irish modernism in the works of Oscar Wilde, John Millington Synge, Roger Casement, and James Joyce, Patrick R. Mullen reveals how these writers deployed queer aesthetics to shape inclusive forms of national affiliation as well as to sharpen anti-imperialist critiques. Turning to Ireland's postmodernist boom in the works of Patrick McCabe, Neil Jordan, and Jamie O'Neill, Mullen shows that queer sensibilities and style remain key cultural resources for negotiating the political and economic realities of globalization.

Too often, fleeting moments rooted in queer experience have appeared in popular fiction, only to be little remarked upon, often noted only as a sign of continuing neoliberal social advances. In Queer Possessions: Creative Criticism and Modern Irish Literature, Patrick Mullen makes the case for a more personal analysis of these moments, finding ways for readers to create new meaning and explore closer readings of key texts. Queer Possessions is divided between close readings of modern Irish novels and films and creative readings of the same texts, to give readers the tools to engage more deeply with the process of analysis and criticism. In the first mode, Mullen examines how modern Irish literature has frequently featured comedy to represent queer sexuality and economic crisis in the twenty-first century. This analysis allows for the second mode, in which the text helps readers to assume a critical role, encouraging their own creative readings of texts and imagining more of the works. Equal parts critical and playful, Queer Possessions works to rediscover misplaced queer history, encourage new forms of experiencing text, and empower readers to create new interpretations and works.