Kirjahaku

From the 1950s through the 1970s, blue-collar Filipino Americans, or Pinoys, lived a hardscrabble existence. Immigrant parents endured blatant racism, sporadic violence, and poverty while their US-born children faced more subtle forms of racism, such as the low expectations of teachers and counselors in the public school system. In this collection of autobiographical essays, acclaimed novelist and short-story writer Peter Bacho centers the experiences of the Pinoy generation that grew up in Seattle's multiethnic neighborhoods, from the Central Area to Beacon Hill to Rainier Valley. He recounts intimate moments of everyday life: fishing with marshmallows at Madison Beach, playing bruising games of basketball at Madrona Park, and celebrating with his uncles in Chinatown as hundreds of workers returned from Alaska canneries in the fall. He also relates vivid stories of defiance and activism, including resistance to the union-busting efforts of the federal government in the 1950s and organizing for decent housing and services for elders in the 1970s. Sharing a life inextricably connected to his community and the generation that came before him, this memoir is a tribute to Filipino Seattle.

This remarkable first novel follows the struggle of Ben Lucero, a young Filipino American priest who must come to terms with his bifurcated notion of home as well as his own religious commitment. Ben's first visit to the city of Cebu in the Philippines, for his mother's burial, becomes the occasion of his corruption when he is confronted with the manipulative wiles of two enigmatic women, his powerful Aunt Clara and her glamorous young business associate, Ellen. Ben is inherently corruptible, but his moment of truth is advanced by what he sees as a perversion of Catholicism, namely the crucifixion as a means of bargaining with God. Despair, guilt, and their religious corollary, the need for redemption, follow Ben back to Seattle, where he attempts to unravel his existential dilemma.Bacho's vision is darkly comic, and he refuses to sentimentalize his demanding material. He conveys his vision well, balancing aphoristic meditations with the oblique revelations of funny, vivid, believable dialogue. His complex and timely message is underscored with skillful irony; even the denouement has an ambiguous twist, raising as many questions as answers.The fiction of Carlos Bulosan and Bienvenido N. Santos has long been valued for its depiction of the lives of Filipino immigrants; this book tells the story of those immigrants' American-born sons and daughters. Bacho's dramatization of the conflict between Filipino and Filipino American cultures conveys the concerns of the post-World War II generation with boldness and skill.

The book opens with the annual spring dispatch, by the Seattle-based Filipino union, of thousands of Filipino workers to the Alaska salmon canneries. We meet characters who reappear throughout the stories: Vince, the tough but charming union foreman and "big shot" father to Buddy, our American-born narrator; Chris, the battle-scarred union president targeted by McCarthyism; Rico, the spirited young king of the neighborhood who will fall victim to Vietnam; Stephanie, the beautiful mestiza who marrie up; and many others who age and change in ironic counterpint to persistent themes of loyalty, fierce ethnic pride, and a willingness to struggle against hostile forces in society. There are wry twists of humor and surprising turns of plot; a long-lost love is renewed; a long-hidden family secret is revealed.We encounter the inevitable aging and passing of the Manong generation, but we sense as well the arrival of its vision. Babies are born. The migrant fisheries worker gets a nine-to-five job, and his children go to college. The conclusion builds to a quiet power that is essentially elegiac; an era closes, but the voices of the older generation are shouldered by the younger, to keep the history to retell the stories, and to pay homage.

Young Adult Fiction. Features a sensitive, mixed-race (Puerto Rican and black) protagonist (Bobby). Deals with loss, dangers within the projects, ethnic and sexual identity.