Kirjahaku

As leading New Leftists in the Sixties, Peter Collier and David Horowitz were intimately involved in the radicalism of the day. Later on, they became the first of their generation to publicly reject the objectives of that revolutionary era and point out the cultural chaos it had left behind. Part memoir, part political analysis, part social history, DESTRUCTIVE GENERATION is the compelling story of their intellectual journey into and out of the radical trenches. Telling stories of the New Left's most famous (and infamous) personalities and events, Collier and Horowitz reveal the destructive legacy of the Sixties and the way in which that decade continues to cast a long shadow over politics and culture today. When it was first published more than a decade ago, DESTRUCTIVE GENERATION was a controversial bestseller that some critics compared to Whittaker Chambers' powerful political testament, WITNESS. This new edition contains new material which makes this classic work more relevant than ever in our own divided time.

In The Fords: An American Epic, Peter Collier and David Horowitz tell the riveting story of three generations of Fords, a dramatic story of conflict between fathers and sons played out against the backdrop of America’s greatest industrial empire. The story begins with the first Henry Ford, the mechanical wizard, tinkerer and “mad genius” who drove the automobile into the heart of American life and conquered the world with it. An American Original, by the end of his life he had become an embittered crank who so possessively loved the company he built that when his son, Edsel, tried to change it to suit the changing times, Henry destroyed him. It was left to Edsel’s son Henry II to avenge him and save the Ford Motor Company in the postwar world. From the details of the first Henry’s illicit affair and illegitimate son, to the life and loves of “Hank the Deuce” and his celebrated feud with Lee Iacocca, this is an engrossing account of a vital chapter in American history. The authors have added new material to this classic work, showing how Henry II’s line lost out to the line of his brother William Clay Ford in the quest to control this most American of companies in the twenty-first century.In addition to The Fords, Peter Collier and David Horowitz are the authors of dynastic biographies of the Kennedys, Roosevelts, Rockefellers, and Fondas.

The Kennedys may well be the most photographed, written about, talked about, admired, hated, and controversial family in American history. But for all the words and pictures, the real story was not told until Peter Collier and David Horowitz spent years researching archives and interviewing both family members and hundreds of people close to the Kennedys.An immediate classic, The Kennedys combines intimate knowledge with a perspective free of obligations to family loyalties and myths, bringing the story of four generations of “America’s family” fully into view. Collier and Horowitz capture the strain of ambition; the dynastic ebb and flow; the invention of a mythic identity; the corrosive underside of the dream of Camelot—developed over four generations—that led one young Kennedy to say, “We broke the rules and in turn we were broken by them.”The Kennedys: An American Drama is a fascinating and brilliantly comprehensive history that brings together, for the first time, all the complex strains of the story of the Kennedys’ rise and fall. The authors have added new material showing the effect of the death of John F. Kennedy Jr., and the other family tragedies of the last few years, on the Kennedys and their mythic role in American life.In addition to The Kennedys, Peter Collier and David Horowitz are the authors of dynastic biographies of the Fords, Roosevelts, Rockefellers, and Fondas.

This description is based on the MIT professor's writings on linguistics in the 1950s; but beginning with his criticism of the Vietnam War in the 1960s, Chomsky became much better known for his radical politics than for his theories of language. Over the past forty years he has gained a devoted following in the United States and Europe for his increasingly bitter--some say hysterical--censure of U.S. "crimes." Chomsky has complained about being ignored by mainstream publications such as the "New York Times," but in fact his steady stream of polemical works, like the best-selling "9-11," have made him the center of a veritable cult. In "The Anti-Chomsky Reader," editors Peter Collier and David Horowitz have assembled a set of essays that analyze Chomsky's intellectual career and the evolution of his anti-Americanism. The essays in this provocative book focus on subjects such as Chomsky's bizarre involvement with Holocaust revisionism, his apologies for Khmer Rouge tyrant Pol Pot, and his claim that America's policies in Latin America in the 1980s were comparable to Nazism. Scholar Paul Bogdanor writes about Chomsky's hatred of Israel. Ronald Radosh and David Horowitz discuss his gloating reaction to the September 11 attack. Linguists Paul Postal and Robert Levine reevaluate Chomsky's linguistics and find the same qualities there that others see in his politics: "a deep contempt for the truth, descents into incoherence, and verbal abuse of those who disagree with him." "The Anti-Chomsky Reader" presents a fascinating composite portrait of a man who arguably is our most influential public intellectual.