Kirjahaku

For many, T. Rex founder Marc Bolan remains forever frozen in time as the poster boy of glam, the pop-rock genre he effectively launched with his March 1971 Top of the Pops appearance to promote 'Hot Love', the band's first number one single. To see Bolan only in this light is to view him through too narrow a focus. In John's Children he flirted with modernist art-rock. He sang folk songs of an otherworldly England in Tyrannosaurus Rex and became a teen idol while straddling the singles and album charts like a rock colossus and he also experimented with his unique brand of interstellar soul. Finally, he proclaimed himself 'the Godfather of Punk' and became its patron, touring with The Damned and giving several major new wave acts their first television exposure. This book examines all aspects of Bolan's career, from the genre-defying My People Were Fair and Had Sky in Their Hair... through the transitional A Beard of Stars and T. Rex albums, the misunderstood Zinc Alloy and the Hidden Riders of Tomorrow and the should-have-been comeback Futuristic Dragon. Along the way, it discusses Unicorn, the defining document of the Tyrannosaurus Rex years, and the essential T. Rex trilogy of Electric Warrior, The Slider and Tanx, arguing why they should be regarded as such.

Bruce Springsteen called him 'one of the great, great American songwriters', Jackson Browne hailed him as 'the first and foremost proponent of song noir', and Stephen King once said that if he could write like him, he 'would be a happy guy'. The list of artists that lined up to appear on his records include Bruce Springsteen, Neil Young, Bob Dylan, Dave Gilmour and Emmylou Harris. So how is it that most people, if they have heard of Warren Zevon at all, know him only as 'that Werewolves' guy'? This book goes beyond that solitary hit single to examine all aspects of Zevon's multifaceted, five-decade career, from his beginnings in the slightly psychedelic folk duo Lyme and Cybelle, through to his commercial breakthrough in the late Seventies with Excitable Boy, his critically acclaimed late Eighties comeback Sentimental Hygiene, his decline into cult obscurity, and his triumphant if heart-breaking final testament, The Wind, released just prior to his death in 2003. Along the way the reader will discover one of rock's consummate balladeers, as well as a cast of characters including doomed drug dealers, psychopathic adolescents, outlaws of the Old West, BDSM fetishists, ghostly gunslingers, an unfeasibly large assembly of apes, and, yes, lycanthropes unleashed on the streets of London.

They pulled on their platform boots and slapped on the makeup when everybody else was discarding theirs. Their albums were subject to poor production, scathing reviews, and commercial indifference. Other bands refused to have them as their opening act. Their record company was up against the wall. By all reasoning, they should have become one of the 'lost' bands of the 1970s, like the Harlots of 42nd Street or the Hollywood Stars. Yet in 1975 Kiss unexpectedly came Alive! and by the following year, they were the biggest rock and roll band - and brand - in America. This is a journey through Kiss's first and most storied decade. It is the story of the four men behind the masks, and the music they made, the studio albums, the legendary live albums, and of one of the greatest rock follies in music history, the four simultaneously released solo album. Along the way, it tells of the costumes and the concerts, the merchandise and the Marvel comic books, the television appearances and the disastrous 1978 movie, Kiss Meets the Phantom of the Park. And having bestrode the 1970s like an unstoppable colossus, it ends with Kiss under siege, beset by changing public taste without, and combustible personalities within.

Alex Harvey was active in the music industry from the very birth of British rock and roll. A Zelig-like figure, he won a contest to become Scotland’s Tommy Steele in the 1950s, followed the Beatles to Hamburg in the early 1960s, dabbled in psychedelic rock during the Summer of Love, and joined the house band of counterculture musical Hair at the close of the decade. By the time 1972 rolled around, he had been there and done that, but had never made it big. He was 37 years old, and thinking of calling it a day. Also thinking of calling it a day were Scottish hard rockers Tear Gas. They had released two albums, each with a different line-up, none of which set the world alight, and now their singer wanted out. In a last-ditch effort to salvage something, Alex Harvey and Tear Gas’s respective managers decided to unite their respective acts. The result was Sensational. This book examines not only the eight albums by The Sensational Alex Harvey Band, but also Harvey’s earlier work with his Soul Band and solo, and his post-SAHB releases. It also reviews those two Tear Gas albums as well as Fourplay, the album SAHB released without Alex.

Developing countries comprise a two-thirds majority of the membership of the World Trade Organization, with nearly 30 of these classed by the UN as being among the 48 least-developed countries in the world. In order to ensure the equitable participation of these countries in the benefits of the global trading system, the GATT Uruguay Round Agreements that created the WTO accorded special and differential treatment to developing countries. This guide covers these provisions of the WTO Agreements, with detailed information on how developing countries can benefit from special rules governing such areas as; access to developed country markets in all major commodities and services, the dispute settlement process, trade policy review, foreign direct investment, environmental and labour standards, and technical assistance. The Guide also offers the reader case studies on how some developing country members of the WTO (Uganda, India, and Cote d'Ivoire) are making progress in working with the obligations and the benefits provided to them by the WTO Agreements.

As the ultimate arbiter in the global trade regime, the dispute settlement system of the World Trade Organization (WTO) is a body whose workings should be known to business people and their counsel everywhere. Here is a book - reviewed for accuracy by the WTO but written independently - that provides an uncomplicated but thorough explanation of the system, its purpose, its rules, and the role it plays in the management of the international economy. Peter Gallagher, a former trade negotiator and a specialist in the Uruguay Round agreements, answers such questions as: what sort of disputes does the WTO deal with?; can business or citizens use the WTO dispute system?; is it possible to get a temporary injunction to stop some action?; how much does it cost a to bring a case?; how far can you keep on appealing a decision?; what processes does a Panel follow?; what does the Appellate Body review?; what process does the Appellate Body follow?; how does intervention by other parties affect a dispute?As a handy guide to "bringing a case" before the WTO, or responding to a case already in progress, this easy-to-use book should prove an ideal starting point for lawyers, business people, or government officials confronted with a disputable trade issue.