Kirjahaku

"I hadn't, till I really started digging, gauged the fierce intensity of the need for myth in the human psyche, of any age, or sensed the variety of motives dictating that need," writes Peter Green in the introduction to this wide-ranging collection of essays on classical mythology and the mythic experience. Using the need for myth as the starting point for exploring a number of topics in Greek mythology and history, Green advances new ideas about why the human urge to make myths persists across the millennia and why the borderland between mythology and history can sometimes be hard to map. Green looks at both specific problems in classical mythology and larger theoretical issues. His explorations underscore how mythic expression opens a door into non-rational and quasi-rational modes of thought in which it becomes possible to rewrite painful truths and unacceptable history-which is, Green argues, a dangerous enterprise. His study of the intersections between classical mythology and Greek history ultimately drives home a larger point, "the degree of mythification and deception (of oneself no less than of others) of which the human mind is capable."

The Hellenistic Age, the three extraordinary centuries from the death of Alexander in 323 B. C. to Octavian's final defeat of Antony and Cleopatra at the Battle of Actium, has offered a rich and variegated field of exploration for historians, philosophers, economists, and literary critics. Yet few scholars have attempted the daunting task of seeing the period whole, of refracting its achievements and reception through the lens of a single critical mind. Alexander to Actium was conceived and written to fill that gap. In this monumental work, Peter Green--noted scholar, writer, and critic--breaks with the traditional practice of dividing the Hellenistic world into discrete, repetitious studies of Seleucids, Ptolemies, Antigonids, and Attalids. He instead treats these successor kingdoms as a single, evolving, interrelated continuum. The result clarifies the political picture as never before. With the help of over 200 illustrations, Green surveys every significant aspect of Hellenistic cultural development, from mathematics to medicine, from philosophy to religion, from literature to the visual arts.Green offers a particularly trenchant analysis of what has been seen as the conscious dissemination in the East of Hellenistic culture, and finds it largely a myth fueled by Victorian scholars seeking justification for a no longer morally respectable imperialism. His work leaves us with a final impression of the Hellenistic Age as a world with haunting and disturbing resemblances to our own. This lively, personal survey of a period as colorful as it is complex will fascinate the general reader no less than students and scholars.

This is a reissue, with a new introduction and an update to the bibliography, of the original edition, published in 1970 as The Year of Salamis in England and as Xerxes at Salamis in the U.S. The long and bitter struggle between the great Persian Empire and the fledgling Greek states reached its high point with the extraordinary Greek victory at Salamis in 480 B.C. The astonishing sea battle banished forever the specter of Persian invasion and occupation. Peter Green brilliantly retells this historic moment, evoking the whole dramatic sweep of events that the Persian offensive set in motion. The massive Greek victory, despite the Greeks' inferior numbers, opened the way for the historic evolution of the Greek states in a climate of creativity, independence, and democracy, one that provided a model and an inspiration for centuries to come. Green's accounts of both Persian and Greek strategies are clear and persuasive; equally convincing are his everyday details regarding the lives of soldiers, statesmen, and ordinary citizens. He has first-hand knowledge of the land and sea he describes, as well as full command of original sources and modern scholarship. With a new foreword, The Greco-Persian Wars is a book that lovers of fine historical writing will greet with pleasure.

Best-selling classicist Peter Green recreates the life and times of the Greek lyric poet Sappho in this beautifully conceived, sharply detailed work of historical imagination. We meet Sappho at the age of fifty, when she is shaken by her fatal and final love affair with Phaon. She narrates her own story from the vantage point of self-questioning middle age, and her candid meditations make intimate, engrossing reading. Only fragments of Sappho's poetry survive. In imagining Sappho's life, Green found his task 'rather like that of an archaeologist reassembling some amphora from hundreds of shards - of which more than half are missing'. Yet, in his synthesis of historical evidence and ebullient invention, Green produces a seamless, moving, and persuasive portrait. He recreates Sappho's life by interweaving her surviving poetry into the narrative, not as quotations, but as her own imagined speeches and thoughts. Sappho's life spanned one of the most exciting periods in Greek history. Green's novel, full of details about daily life on ancient Lesbos, draws the reader into the political and social climate of her world: the civil strife accompanying the transition from aristocracy to mercantilism, the household relations between slave and aristocrat, the details of sea travel in the Aegean. Green wrote the novel while living on Lesbos, and his graceful rendering of the landscape, the rhythms of the seasons, and the varied flora of Sappho's island pervades the narrative. Sappho's poetry reveals a direct, spontaneous woman who eschewed artifice and embellishment. Green's extraordinary talent captures those qualities and brings this woman of unflinching honesty very much to life.

In this collection of sixteen literary and historical essays, Peter Green informs, entertains, and stimulates. He covers a wide range of subjects, from Greek attitudes toward death to the mysteries of the Delphic Oracle, from Tutankhamun and the gold of Egypt to sex in ancient literature, from the island of Lesbos (where he once lived) to the challenges of translating Ovid's wit and elegant eroticism into present-day English verse, from Victorian pederastic aesthetics to Marxism's losing battle with ancient history. This third volume of Green's essays (several previously unpublished) reveals throughout his serious concern that we are, in a very real sense, losing the legacy of antiquity through the corrosive methodologies of modern academic criticism.

A lively combination of scholarship and unorthodoxy makes these studies in ancient history and literature unusually rewarding. Few of the objects of conventional admiration gain much support from Peter Green (Pericles and the "democracy" of fifth-century Athens are treated to a very cool scrutiny) but he has a warm regard for the real virtues of antiquity and for those who spoke with "an individual voice." The studies cover both history and literature, Greece and Rome. They range from the real nature of Athenian society to poets as diverse as Sappho and Juvenal, and all of them, without laboring any parallels, make the ancient world immediately relevant to our own. (There is, for example, a very perceptive essay on how classical history often becomes a vehicle for the historian's own political beliefs and fantasies of power.) The student of classical history will find plenty in this book to enrich his own studies. The general reader will enjoy the vision of a classical world which differs radically from what he probably expects.

During the final days of the Second World War, for 900 Allied officers held by the Germans, freedom was still a world away. Marched east by their captors, away from the liberating American forces, March and April 1945 was a time of great trials, at the mercy of vengeful Nazis and Allied air raids. Amongst their number were men whose names would become famous post-war, such as actor Desmond Llewellyn, cabinet minister Frederick Corfield and Major Bruce Shand, father of the Duchess of Cornwall.The March East 1945 draws on official and eyewitness accounts, as well as over 30 diaries and memoirs. With more than 120 photographs and exceptional illustrations taken and drawn by PoWs as well as the German instructions for camp evacuation, it reveals the human story that unfolded in Hesse, Thuringia and Saxony, and explains how the prisoners survived until their final liberation.

'Exams tend to corrupt; final exams corrupt finally.' This novel is about exams, literature, sex, cancer and time. It asks: 'What use is the study of literature?' Spanning the period 1961 to 2013, Final Exam follows the careers of three undergraduates. The settings are Cambridge University, Sussex University, and hospitals in and around London. Finally, the novel examines the reader. Ian McEwan says: 'I was fascinated and pleased by Final Exam - a stimulating blend of high energy intellectual and sexual tease.' Other readers' comments: 'Disgusting - but most beautifully written and erudite...' ('Maud', on the Kindle website.) 'Whose final exam, and examined by whom and about what? These questions make the novel a fascinating and thought- provoking read.' (Kate, High School Head of English.) 'I thought, "What has my friend and colleague done? Destroyed our occupation? Just had fun?"' (Laurence Lerner, poet and Professor of English.)

A survey of the work of Andrei Tarkovsky, the Russian film-maker who lived from 1932-1986. It is a critical examination of his films in the light of his own writings and life, his aesthetics of film, his theory of time in cinematography and an attempt to comprehend his vision.

Following the end of the steam locomotive in normal service, the diesel has become the favourite of many railway enthusiasts. To show something of the diesel types and operations on various international railway systems, Peter J. Green has selected some of his best railway photographs from his travels to six of the seven continents of the world. The photographs were taken in forty-five countries between 1975 and 2019. While the use of diesel locomotives in many parts of the world is declining with the increasing use of railcars and spreading electrification, a good variety of power can still be found. Particularly rewarding destinations include the USA and Canada, with their impressive freight trains, and many parts of Asia, where diesel-hauled passenger trains regularly run through interesting landscapes. Diesel traction has also become an important feature of many tourist railways worldwide. Whether photographing the railways or travelling by train, the visitor cannot fail to be impressed.

For the British 1st Airborne Division Operation Market Garden in September 1944 was a disaster. The Division was eliminated as a fighting force with around a half of its men were captured. The Germans were faced with dealing with 6,000 prisoners in a fortnight; many of them seriously wounded. Somehow the men were processed and despatched to camps around Germany and German occupied eastern Europe. Here the men experienced the reality of the collapsing regime - little food and shrinking frontiers. Once liberated in 1945 returning former prisoners were required to complete liberation questionnaires. Some refused. Others returned before 'Operation Endor' to handle released men and their repatriation to Britain was in place. Around a third did. However the questionnaires that do exist give an picture of every day experience for the 2,357 of these elite troops' time in captivity from capture to release. They show that German procedures still operating, but that men were often treated inhumanely, when moved to camps by closed box cars and when camps were evacuated. Although their interrogators were interested in Allied aircraft and airfields, their interrogators were also concerned the effect of the new miracle weapons and with politics, how Germany would be treated after an Allied victory? Nevertheless the airborne men's morale remained high; carrying out sabotage at artificial oil plants, railway repairs, factories and mines. Some overcame their guards when being evacuated at the end of the War, in some cases joining the Resistance. They record help received from Dutch, French and German civilians.

The true story of the Last Legs Comedy Tour, four stand-up comedians cycling around Australia raising money for cancer research. "" Can't believe you're still alive. It was as funny as it was feral. One adventure after another - the way life should be!""

The metre-gauge railways of South East Asia are a popular destination for railway enthusiasts from all over the world. In this book, Peter J. Green looks at the national railways of Thailand, Malaysia, Cambodia, Myanmar and Vietnam in the twenty-first century. While all these railways are modernising at varying rates, it is still possible to step back into the past and experience train travel behind diesel traction, often in carriages with windows that open, through varied and interesting landscapes. Semaphore signalling is disappearing rapidly but can still be seen in parts of Thailand, Myanmar and Malaysia. With a wealth of previously unpublished photographs, this book offers a fascinating insight into the railways of this rapidly changing area of the world.

A fast moving action novel, which is based on historical characters from the first half of the eighteenth century. Jenny Diver, whose character was included as a role in the Beggar's Opera and was also a character in the song 'Mac the Knife', was born in 1700 as Mary Jones in a Brothel in Ireland. She was adopted at the age of ten and her name was changed to Mary Young. Mary was given another name, Jenny Diver, by her gang as a term of endearment and is depicted as a Robin Hood type of character who, after running away at fifteen, makes her way in the world in London as a thief, an expert con artist and entrepreneur of the 'sting'. Twice Jenny is convicted under assumed names of theft and transported to Virginia before returning to London to continue her "business". The third time she is arrested is far more serious and she shares her story with twenty other convicts in Newgate prison, who have all been sentenced to death.

And now for something completely different - Simon Callow, theatrical treasure extraordinaire, reprises a success from early in his career. The writer, Juvenal born circa 55AD, wrote sixteen satires that attacked the decadence of Rome in its heyday. Here adapted by Richard Quick we are given a view into the moral decline that is as relevant now as it was back then.