Kirjahaku

Terry Gilliam presents a sustained examination of one of cinema's most challenging and lauded auteurs, proposing fresh ways of seeing Gilliam that go beyond reductive readings of him as a gifted but manic fantasist. Analysing Gilliam's work over nearly four decades, from the brilliant anarchy of his Monty Python animations through the nightmarish masterpiece Brazil to the provocative Gothic horror of Tideland, it critically examines the variety and richness of Gilliam's sometimes troubled but always provocative output. The book situates Gilliam within the competing cultural contexts of the British, European and American film industries, examining his regular struggles against aesthetic and commercial pressures. He emerges as a passionate, immensely creative director, whose work encompasses a dizzying array of material: anarchic satire, childhood and adult fantasy, dystopia, romantic comedy, surrealism, road movie, fairy tale and the Gothic. The book charts how Gilliam interweaves these genres and forms to create magical interfaces between reality and the illuminating, frightening but liberating worlds of the imagination. Scrutinising the neglected importance of literature and adaptation in Gilliam's career, this study also observes him through the lenses of auteurism, genre, performance, design and national culture, explaining how someone born in Minnesota and raised in California came to be one of British television and film's most compelling figures.

This title provides an insight into the original context, qualities and influence of George Orwell's essays and provides the first extended examination of his genius as an essayist. George Orwell ranked his essays among his greatest literary achievements. In modern English literature they are praised as the finest accomplishments of the form. More than half a century after his death, Peter Marks gives them the scholarly attention they merit. We gain a better understanding of Orwell by properly understanding his essays. Mark's sophisticated account of the essay form explains why its flexible properties are the ideal tool for Orwell's critical and political thinking. Situating the essays in their original periodical contexts we see how Orwell manipulates his approach across a range of journals so as to entertain, convince or provoke his expected readers. We are privy to the rhetorical tactics a master uses to convince his audience. Exploring the popularity of the essay's beyond his death, we realize how the essays have influenced Orwell's posthumous reputation. A major contribution to our interpretation of Orwell, this critical study unravels the variety, complexity and, occasional inconsistency, of essays by one of the greatest writers of the form.

This title provides an insight into the original context, qualities and influence of George Orwell's essays and provides the first extended examination of his genius as an essayist. George Orwell ranked his essays among his greatest literary achievements. In modern English literature they are praised as the finest accomplishments of the form. More than half a century after his death, Peter Marks gives them the scholarly attention they merit. We gain a better understanding of Orwell by properly understanding his essays. Mark's sophisticated account of the essay form explains why its flexible properties are the ideal tool for Orwell's critical and political thinking. Situating the essays in their original periodical contexts we see how Orwell manipulates his approach across a range of journals so as to entertain, convince or provoke his expected readers. We are privy to the rhetorical tactics a master uses to convince his audience. Exploring the popularity of the essay's beyond his death, we realize how the essays have influenced Orwell's posthumous reputation. A major contribution to our interpretation of Orwell, this critical study unravels the variety, complexity and, occasional inconsistency, of essays by one of the greatest writers of the form.

Critically assesses how literary and cinematic utopias and dystopias have imagined and evaluated surveillance. Imagining Surveillance presents the first full length study of the depiction and assessment of surveillance in literature and film. Focusing on the utopian genre (which includes positive and negative worlds), this book offers an in depth account of the ways in which the most creative writers, filmmakers and thinkers have envisioned alternative worlds in which surveillance in various forms plays a key concern. Ranging from Thomas More's genre defining Utopia to Spike Jones' provocative film Her, Imagining Surveillance explores the long history of surveillance in creative texts well before and after George Orwell's iconic Nineteen Eighty Four. It fits that key novel into a five hundred year narrative that includes some of the most provocative and inventive accounts of surveillance as it is and as it might be in the future. The book explains the sustained use of these works by surveillance scholars, but goes much further and deeper in explicating their brilliant and challenging diversity. With chapters on surveillance studies, surveillance in utopias before Orwell, Nineteen Eighty Four itself, and utopian texts post Orwell that deal with visibility, spaces, identity, technology and the shape of things to come, Imagining Surveillance sits firmly in the emerging cultural studies of surveillance. The first sustained account of the representation of surveillance in utopian and dystopian literature and film; charts surveillance's historical development and creative responses to that development; provides a detailed critical account of the ways that surveillance studies has utilised utopias to formulate its ideas and offers new readings of literary texts and films from More's Utopia through George Orwell's Nineteen Eighty Four to Margaret Atwood's Maddaddam trilogy and films from Fritz Lang's Metropolis to Niel Blomkamp's Elysium.

Provides a synoptic view of the exuberant and challenging fiction, poetry and drama created in 1990s BritainPlacing literary creativity within a changing cultural and political context that saw the end of Margaret Thatcher and rise of New Labour, this book offers fresh interpretations of mainstream and marginal works from all parts of Britain. Based on a framework of thematically-structured accounts, the individual chapters cover national identity, ethnicity, sexuality, class, celebrity culture, history and fantasy in literature from Wales, Scotland, Northern Ireland and England. It offers its readers a comprehensive view of the changing and challenging literary landscape in this period, critically examining the fiction, poetry and drama as well as representative films, art and music. Placed within the broader context of a transformative political and cultural environment that included Margaret Thatcher and Tony Blair, Damian Hirst and Princess Diana, the book captures the energetic and sometimes provocative experimentation that typified the final decade of the twentieth century. Key FeaturesConsiders a wide-ranging assortment of fiction, poetry, drama and film of the 1990s within the broader political and cultural context of Great BritainSupplies a thematically oriented account of major aspects of contemporary literature, including ethnicity, class, celebrity and speculative workDeals with literature from Northern Ireland, Scotland, Wales and England, both in relation to each other and within the larger cultural environment of Great BritainPresents a theoretically informed argument integrated with close critical analyses of mainstream and marginal texts

Imagining Surveillance presents the first full-length study of the depiction and assessment of surveillance in literature and film. Focusing on the utopian genre (which includes positive and negative worlds), this book offers an in- depth account of the ways in which the most creative writers, filmmakers and thinkers have envisioned alternative worlds in which surveillance in various forms plays a key concern. Ranging from Thomas More's genre-defining Utopia to Spike Jones' provocative film Her, Imagining Surveillance explores the long history of surveillance in creative texts well before and after George Orwell's iconic Nineteen Eighty-Four. It fits that key novel into a 500 year narrative that includes some of the most provocative and inventive accounts of surveillance as it is and as it might be in the future. The book explains the sustained use of these works by surveillance scholars, but goes much further and deeper in explicating their brilliant and challenging diversity. With chapters on surveillance studies, surveillance in utopias before Orwell, Nineteen Eighty-Four itself, and utopian texts post-Orwell that deal with visibility, spaces, identity, technology and the shape of things to come, Imagining Surveillance sits firmly in the emerging cultural studies of surveillance.

Provides a synoptic view of the exuberant and challenging fiction, poetry and drama created in 1990s BritainPlacing literary creativity within a changing cultural and political context that saw the end of Margaret Thatcher and rise of New Labour, this book offers fresh interpretations of mainstream and marginal works from all parts of Britain. Based on a framework of thematically-structured accounts, the individual chapters cover national identity, ethnicity, sexuality, class, celebrity culture, history and fantasy in literature from Wales, Scotland, Northern Ireland and England. It offers its readers a comprehensive view of the changing and challenging literary landscape in this period, critically examining the fiction, poetry and drama as well as representative films, art and music. Placed within the broader context of a transformative political and cultural environment that included Margaret Thatcher and Tony Blair, Damian Hirst and Princess Diana, the book captures the energetic and sometimes provocative experimentation that typified the final decade of the twentieth century.Key Features Considers a wide-ranging assortment of fiction, poetry, drama and film of the 1990s within the broader political and cultural context of Great BritainSupplies a thematically oriented account of major aspects of contemporary literature, including ethnicity, class, celebrity and speculative workDeals with literature from Northern Ireland, Scotland, Wales and England, both in relation to each other and within the larger cultural environment of Great BritainPresents a theoretically informed argument integrated with close critical analyses of mainstream and marginal texts

The recipes in The Gourmet Cookbook For Astrology Lovers are tailored for each astrological sign. People born under the 12 different signs of the zodiac have their preferred tastes when it comes to food because they are inherently born with various physical, emotional, and mental makeups. Each sign is one of four elements (fire, earth, air, water) and each sign is either mutable, cardinal, or fixed. No two signs are the same. For example, people born under the sign of Taurus are considered the gourmet eaters of the zodiac. They have sensitive taste buds and love to taste the different flavors and texture of all kinds of food. Libras love sweets because of their rich natures. A Sagittarius will try different exotic dishes because of his or her daring and adventurous nature. Did you know that some of the world's well-known chefs are born under the sign of Cancer?The Gourmet Cookbook For Astrology Lovers is truly a heavenly cookbook with recipes according to the "stars.""Peter Marks is a psychic, medium, astrologer, and spirit guide. He is filled with love and light and has spiritual gifts that guide many people throughout their life encounters. One of his gifts is not greater than the other, 'all serve a purpose.' Peter's gifts provide a deep understanding of people's innate traits, and he masters the art of discernment when communicating with spirit. I like how this book is written because one feels more like having a conversation with a friend than being taught."- Lynn Van Praagh Gratton, International Medium and Intuitive"Peter Marks's gifts as an astrologer and psychic are undeniable. On top of his incredibly accurate insights, he brings a warmth and kindness to all aspects of his work. I'm excited about Peter's creative new cookbook where he's sharing recipes that correspond with astrological signs. This "Leo" is looking forward to adding The Gourmet Cookbook For Astrology Lovers to my cookbook collection "- Mary O'Donohue, #1 Bestselling Author, When You Say "Thank You," Mean It"Peter Marks is the best in the business...his cookbook is bound to be a real treat, in every sense of the word. I highly recommend it." - Markos Papadatos, Powerjournalist"Peter Marks is one of the most-gifted psychics and astrologers in the world Now, he extends his divine talents into culinary arts, with recipes that align with each astrological sign. The recipes are delightful, easy-to-follow, and absolutely delicious " - Stefan Rybak, award-winning broadcaster & author of the Amazon Top 10 bestselling book, The Shadow On My Heart