Kirjahaku

In this book Pastor Peter Simpson surveys key factors in the English Reformation, and looks into why it was so necessary. He then analyses graciously the errors in the current teachings of the Roman Catholic Church.

Following on from the popular first book in this series covering the Norman period, "The Angevins" traces the establishment and growth of the English nation state. Covering the reigns of Henry II, Richard I and the infamous King John, the narrative flows from the ending of the civil war known as the Anarchy to the First Baron's War and the Magna Carta. With over 190 illustrations and maps, the format has been designed to enable the reader to absorb the essence of the period. This is a serious history book with easy readability. The author's encyclopedic knowledge of the English Middle Ages has enabled him to delve into fascinating details of the time and the links with England today to be found in language, institutions and places. "England in the Middle Ages: The Angevins" is ideal for scholars, students, visitors to England, and for the general history reader.

Following on from the popular first book in this series covering the Norman period, "The Angevins" traces the establishment and growth of the English nation state. Covering the reigns of Henry II, Richard I and the infamous King John, the narrative flows from the ending of the civil war known as the Anarchy to the First Baron's War and the Magna Carta. With over 190 illustrations and maps, the format has been designed to enable the reader to absorb the essence of the period. This is a serious history book with easy readability. The author's encyclopedic knowledge of the English Middle Ages has enabled him to delve into fascinating details of the time and the links with England today to be found in language, institutions and places. "England in the Middle Ages: The Angevins" is ideal for scholars, students, visitors to England, and for the general history reader.

Colin McCahon (1919-1987) was New Zealand's greatest twentieth-century artist. Through landscapes, biblical paintings and abstraction, the introduction of words and Maori motifs, McCahon's work came to define a distinctly New Zealand modernist idiom. Collected and exhibited extensively in Australasia and Europe, McCahon's work has not been assessed as a whole for thirty-five years. In this richly illustrated two-volume work, written in an accessible style and published to coincide with the centenary of Colin McCahon's birth, leading McCahon scholar, writer and curator Peter Simpson chronicles the evolution of McCahon's work over the artist's entire forty-five-year career. Simpson has enjoyed unprecedented access to McCahon's extensive correspondence with friends, family, dealers, patrons and others. This material enables us to begin to understand McCahon's work as the artist himself conceived it. Each volume includes over three hundred illustrations in colour, with a generous selection of reproductions of McCahon's work (many never previously published), plus photographs, catalogue covers, facsimiles and other illustrative material. This will be the definitive work on New Zealand's leading artist for many years to come.

Colin McCahon (1919-1987) was New Zealand's greatest twentieth-century artist. Through landscapes, biblical paintings and abstraction, the introduction of words and Maori motifs, McCahon's work came to define a distinctly New Zealand modernist idiom. Collected and exhibited extensively in Australasia and Europe, McCahon's work has not been assessed as a whole for thirty-five years. In this richly illustrated two-volume work, written in an accessible style and published to coincide with the centenary of Colin McCahon's birth, leading McCahon scholar, writer and curator Dr Peter Simpson chronicles the evolution of the artist's work over McCahon's entire forty-five-year career. Simpson has enjoyed unprecedented access to McCahon's extensive correspondence with friends, family, dealers, patrons and others. This material enables us to begin to understand McCahon's work as the artist himself conceived it. Each volume includes over three-hundred illustrations in colour, with a generous selection of reproductions of McCahon's work (many never previously published), plus photographs, catalogue covers, facsimiles and other illustrative material. These books will be the definitive work on New Zealand's leading artist for many years to come.

Challenges the orthodox account of Hegelian phenomenology as hyper-rationalism, arguing that Hegel's insistence on the primacy of experience in the development of scientific knowledge amounts to a kind of empiricism, or inductive epistemology. Hegel's Transcendental Induction challenges the orthodox account of Hegelian phenomenology as a hyper-rationalism, arguing that Hegel's insistence on the primacy of experience in the development of scientific knowledge amounts to a kind of empiricism, or inductive epistemology. While the inductive element does not exclude an emphasis on deductive demonstration as well, Hegel's phenomenological description of knowledge demonstrates why knowing becomes scientific only to the extent that it recognizes its dependence on experience. Simpson's argument closely parallels Hegel's own in the Phenomenology of Spirit, highlighting those sections, like Hegel's analysis of mastery and slavery, that contribute to the argument that knowing is both vulnerable and responsive to the way in which experience resists our attempts to make sense of things. Simpson's argument connects his account of Hegelian phenomenology with traditional accounts of induction, and with a number of other commentators.