Kirjahaku

Sociolinguistics: provides a comprehensive introduction to sociolinguistics draws on a range of real texts, from an interview with Madonna to the Japanese Asahi Evening News uses real studies designed and conducted by students provides key readings with commentaries from works by major internationally known authors such as Norman Fairclough, Deborah Cameron, Braj Kachru, Jennifer Coates, Mark Sebba, and Malcolm Coulthard is accompanied by a supporting website. New to this edition:an entire new section on forensic linguistics additional material on language and gender, conversation analysis and spoken discourse comprehensively updated exercises, readings and references.The accompanying website to this book can be found at: www.routledge.com/textbooks/9780415401272.

Sociolinguistics: provides a comprehensive introduction to sociolinguistics draws on a range of real texts, from an interview with Madonna to the Japanese Asahi Evening News uses real studies designed and conducted by students provides key readings with commentaries from works by major internationally known authors such as Norman Fairclough, Deborah Cameron, Braj Kachru, Jennifer Coates, Mark Sebba, and Malcolm Coulthard is accompanied by a supporting website. New to this edition:an entire new section on forensic linguistics additional material on language and gender, conversation analysis and spoken discourse comprehensively updated exercises, readings and references.The accompanying website to this book can be found at: www.routledge.com/textbooks/9780415401272.

Texture represents the latest advance in cognitive poetics. This book builds feeling and embodied experience on to the insights into meaningfulness which the cognitive approach to literature has achieved in recent years. Taking key familiar concepts such as characterisation, tone, empathy, and identification, the book aims to describe the natural experience of literary reading in a thorough and principled way. Accessibly and informatively written, Texture draws on stylistics, psycholinguistics, critical theory and neurology to explore the nature of reading verbal art. The aim is a new cognitive aesthetics of literature for its academic, student, professional and natural readers.

Representing the latest advance in cognitive poetics, this book builds feeling and embodied experience on to the insights into meaningfulness which the cognitive approach to literature has achieved in recent years. Taking key familiar concepts such as characterisation, tone, empathy, and identification, the book describes the natural experience of literary reading in a thorough and principled way. Accessibly and informatively written, "Texture" draws on stylistics, psycholinguistics, critical theory and neurology to explore the nature of reading verbal art. The result is a new cognitive aesthetics of literature for its academic, student, professional and natural readers.

Can it be true Roger Waite has witnessed his wife s suicide? Or has he rid himself of an albatross? Sheriff Detective Marcus Jefferson investigates a shooting and discovers a complex family. His investigation uncovers a younger sister, a dead ringer for the older sister and other suicide attempts by Mary Waite. Has the pressure of two children and a frustrated husband pushed Mary to the brink of disaster and mercilessly shoved her over? Does Roger desire losing his crazy wife to gain a younger more stable version? Would Victoria kill her sister to have Roger? Motives abound in profusion but Marc is the right man to winnow through the chaff to find grains of solid evidence. If a crime has been committed, can he uncover the architect of death and save his marriage?"

Kitsap County Sheriff Detective Marcus Jefferson promised Joan, his wife, to be more attentive to her needs for a family man at home regularly. But a detective is not always able to follow leads and catch suspects on a 9 to 5 schedule. His latest endeavor involves uncovering the truth about his Uncle Jeremais Jefferson's death two years ago. Jerry, a Snohomish County sheriff's deputy, had investigated a drug cartel operation in his county. When the undercover research went bust, he was forced to resign after a 28 year career. Five months later a suicide ended the family embarrassment.Marcus never believed his uncle took his own life and with the aid of his own father, Jerry's brother and a Seattle police officer, he dives into the cold case to prove a murder was committed. With evidence Jerry hid from the county department he uncovers corruption in the sheriff's office and potential judicial interference.Threats and attacks against his family cause increasing angst in his wife and children, as well as his cousins, his Aunt Lydia, and his own mother and father. Can he resolve his uncle's death and keep his family safe from harm and potential death?

Cigi Weatherman is stunningly beautiful, so capturing attention has never been a problem. But her aspirations target certain men who are unwitting accomplices to an unholy and diabolical plot for world supremacy. That dominance could lead to the ruin of any remaining thread of freedom humanity still possesses. Her power of influence may have dire consequences for the fate of humankind. Guilt is not an emotion she processes. However, doubts about the actions she undertakes could destroy her situation. Who or what wants her to continue to follow orders? How does she maintain control of her brain and thinking while she manipulates her men's thoughts and memories with small neural-cognitive implants? When her doubts lead to rebellious actions threatening her life and the lives of the men she claims as "sugar-daddies," she must discover a way to separate from whomever or whatever controls her. Will she uncover any allies who can help break the unwanted input signaling what happens next in her life? Can she attain freedom from any neural-cognitive influence controlling her?But more important ... is there anyone else like her?

The Language of Surrealism explores the revolutionary experiments in language and mind undertaken by the surrealists across Europe between the wars. Highly influential on the development of art, literary modernism, and current popular culture, surrealist style remains challenging, striking, resonant and thrilling – and the techniques by which surrealist writing achieves this are set out clearly in this book. Stockwell draws on recent work in cognitive poetics and literary linguistics to re-evaluate surrealism in its own historical setting. In the process, the book questions later critical theoretical views of language that have distorted our ideas about both surrealism and language itself. What follows is a piece of literary criticism that is fully contextualised, historically sensitive, and textually driven, and which sets out in rich and readable detail this most intriguing and disturbing literature.

The Poetics of Science Fiction uniquely uses the science of linguistics to explore the literary universe of science fiction. Developing arguments about specific texts and movements throughout the twentieth-century, the book is a readable discussion of this most popular of genres. It also uses the extreme conditions offered by science fiction to develop new insights into the language of the literary context. The discussion ranges from a detailed investigation of new words and metaphors, to the exploration of new worlds, from pulp science fiction to the genre's literary masterpieces, its special effects and poetic expression. Speculations and extrapolations throughout the book engage the reader in thought-experiments and discussion points, with selected further reading making it a useful source book for classroom and seminar.

A pioneering text in its first edition, this revised publication of Cognitive Poetics offers a rigorous and principled approach to literary reading and analysis.The second edition of this seminal text features:• updated theory, frameworks, and examples throughout, including new explanations of literary meaning, the power of reading, literary force, and emotion; • extended examples of literary texts from Old English to contemporary literature, covering genres including religious, realist, romantic, science fictional, and surrealist texts, and encompassing poetry, prose, and drama;• new chapters on the mind-modelling of character, the building of text-worlds, the feeling of immersion and ambience, and the resonant power of emotion in literature;• fully updated and accessible accounts of Cognitive Grammar, deictic shifts, prototypicality, conceptual framing, and metaphor in literary reading.Encouraging the reader to adopt a fresh approach to understanding literature and literary analyses, each chapter introduces a different framework within cognitive poetics and relates it to a literary text. Accessibly written and reader-focused, the book invites further explorations either individually or within a classroom setting.This thoroughly revised edition of Cognitive Poetics includes an expanded further reading section and updated explorations and discussion points, making it essential reading for students on literary theory and stylistics courses, as well as a fundamental tool for those studying critical theory, linguistics, and literary studies.

A pioneering text in its first edition, this revised publication of Cognitive Poetics offers a rigorous and principled approach to literary reading and analysis.The second edition of this seminal text features:• updated theory, frameworks, and examples throughout, including new explanations of literary meaning, the power of reading, literary force, and emotion; • extended examples of literary texts from Old English to contemporary literature, covering genres including religious, realist, romantic, science fictional, and surrealist texts, and encompassing poetry, prose, and drama;• new chapters on the mind-modelling of character, the building of text-worlds, the feeling of immersion and ambience, and the resonant power of emotion in literature;• fully updated and accessible accounts of Cognitive Grammar, deictic shifts, prototypicality, conceptual framing, and metaphor in literary reading.Encouraging the reader to adopt a fresh approach to understanding literature and literary analyses, each chapter introduces a different framework within cognitive poetics and relates it to a literary text. Accessibly written and reader-focused, the book invites further explorations either individually or within a classroom setting.This thoroughly revised edition of Cognitive Poetics includes an expanded further reading section and updated explorations and discussion points, making it essential reading for students on literary theory and stylistics courses, as well as a fundamental tool for those studying critical theory, linguistics, and literary studies.