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2 kirjaa tekijältä Phil Strongman

Pretty Vacant

Pretty Vacant

Phil Strongman

Orion (an Imprint of The Orion Publishing Group Ltd )
2007
pokkari
The definitive history of punk, told by one of punk's most knowledgeable experts.From the precursors of punk, through the famous Bill Grundy show when punk first hit the nation's consciousness to the modern-day heirs, such as Green Day and Busted, punk has evolved and taken over so many aspects of life that even banks now use punk lettering to appeal to their markets. In this brilliant account of punk, the authors have interviewed all the major figures to build up a complete portrait of a remarkable era of change in music and youth culture. Their story features Richard Branson, Malcolm McLaren, Vivienne Westwood, Tony Parsons and many more who took their early steps to fame and fortune around this time. Band members of The Clash, Stranglers, Sex Pistols and many others recall what happened, bringing their story to life with vivid anecdotes and telling detail.It is a book that no true fan of music can afford to be without, for this is the ultimate inside account of punk, told by those who really were there from the beginning.
Acme BOY

Acme BOY

Phil Strongman

Blurring Books
2025
sidottu
It’s 50 years since the ‘street couture’ shop Acme Attractions opened - and November 1975 sees the 50th anniversary of the first SEX PISTOLS gig. Which makes it perfect timing for Phil Strongman's Acme BOY - the stunning inside story of Acme, BOY, PUNK and ‘anti-fashion’; the London youth culture explosions of the 1970s and ‘80s - eruptions that ending up having global influence. By turns amusing, intriguing and shocking, Acme BOY features not only the author's own story - and his involvement with the Pistols, The Clash, Malcolm McLaren and Vivienne Westwood - but also contains exclusive words from Acme Attractions founder John Krivine and BOY co-founder Steph Raynor. These two men had shops crammed with classic jukeboxes and staffed by film-maker and Radio 6 DJ Don Letts, Rough Trade boss Jeannette Lee, DJ Jay Strongman (relation) and stylist Eric Rose. Their customers included John Lydon, Sid Vicious, Bob Marley, Andy Warhol, Rudolf Nureyev, Peter O’Toole, Rod Stewart, Daryl Hall, Boy George, Joe Strummer, Chrissie Hynde, Billy idol, Patti Smith, Deborah Harry, Philip Sallon, Steve Strange and Adam Ant… And BOY clothing, now labelled BOY LONDON, continues to be worn by 21st century stars like Rihanna, Madonna, Cara Delevingne and Jessie J - yet the untold story of the brand’s tangled roots are both revealing and fascinating.Back in 1975 and 1976 King’s Road proto-punk was initially dubbed The Big Sleaze by fashion mags before it rapidly became notorious as Punk, the shattering scene that shocked the UK, caused riots in Chelsea, raised questions in Parliament and basically invented the Indie genre; inspiring film-makers such as Quentin Tarantino and musicians REM, Nirvana, Dead Kennedys, Black Flag, Green Day and many others in the US, Europe, Japan, Korea and worldwide.Post-Punk, Mod, New Romanticism, Two-Tone, Goth, Rockabilly, the Warehouse scene all followed in swift succession - writer and film-maker Strongman saw these movements develop and was deeply involved in many of them. He is unique in being the only person to have designed for Acme Attractions and BOY and Fans - whilst later managing bands, taking photos and supplying clothes to Sign of The Times, Ad Hoc, BOY and Vivienne Westwood. His designs have been worn by Anita Pallenberg, Roger Daltrey, Billy Connelly and Pamela Stephenson as well as hundreds of Punk, New Wave and Indie musicians.With its gripping text and an array of rare and unseen photos, images and illustrations, Acme BOY is one of the most important, and personal, contemporary books to explore London fashion in general and the ‘70s Punk era in particular.