Kirjahaku

This book examines the British discovery of Buddhism during the Victorian period. It was only during the nineteenth century that Buddhism became, in the western mind, a religious tradition separate from Hinduism. As a result, Buddha emerged from a realm of myth and was addressed as a historical figure. Almond's exploration of British interpretations of Buddhism - of its founder, its doctrines, its ethics, its social practices, its truth and value - illuminates more than the various aspects of Buddhist culture: it sheds light on the Victorian society making these judgements.

This book is exclusively devoted to demonic possession and exorcism in early modern England. It offers modernized versions of the most significant early modern texts on nine cases of demonic possession from the period 1570 to 1650, the key period in English history for demonic possession. The nine stories were all written by eyewitnesses or were derived from eyewitness reports. They involve matters of life and death, sin and sanctity, guilt and innocence, of crimes which could not be committed and punishments which could not be deserved. The nine critical introductions which accompany the stories address the different strategic intentions of those who wrote them. The modernized texts and critical introductions are placed within the context of a wide-ranging general Introduction to demonic possession in England across the period 1550 to 1700.

This book offers a fascinating account of the central myth of Western culture - the story of Adam and Eve in the Garden of Eden. Philip Almond examines the way in which the gaps, hints and illusions within this biblical story were filled out in seventeenth-century English thought. At this time, the Bible formed a fundamental basis for studies in all subjects, and influenced greatly the way that people understood the world. Drawing extensively on primary sources he covers subjects as diverse as theology, history, philosophy, botany, language, anthropology, geology, vegetarianism, and women. He demonstrates the way in which the story of Adam and Eve was the fulcrum around which moved lively discussions on topics such as the place and nature of Paradise, the date of creation, the nature of Adamic language, the origins of the American Indians, agrarian communism, and the necessity and meaning of love, labour and marriage.

This book examines life after death and changing concepts of heaven and hell in English thought from 1650 to 1750. It explores seventeenth- and eighteenth-century images of the journey of body and soul, from Platonist accounts of pre-existence, the final judgement and beyond into heaven or hell. It discloses a society in which frail and fleeting human life was lived out in the expectation of salvation or damnation, of eternal happiness or eternal torment, of heaven or hell and depicts a world radically different from our own. Drawing on the writings not only of the elite but also of the middling and lower classes, Almond shows how there hovered around images of the afterlife many classical and contemporary debate: free will and predestination, materialism and dualism, religion and science, Catholicism and Protestantism, religious and political radicalism, demonology and witchcraft and so on. The picture which emerges is both representative of the age as a whole and enables us to appreciate more fully contemporary understandings of the meaning of human life and death.

This is the first book to examine the British discovery of Buddhism during the Victorian period. It was only during the nineteenth century that Buddhism became, in the western mind, a religious tradition separate from Hinduism. As a result, Buddha emerge from a realm of myth and was addressed as a historical figure. Almond's exploration of British interpretations of Buddhism--of its founder, its doctrines, its ethics, its social practices, its truth and value--illuminates more than the various aspects of Buddhist culture: it sheds light on the Victorian society making these judgements.

This book examines life after death and changing concepts of heaven and hell in English thought from 1650 to 1750. It explores seventeenth- and eighteenth-century images of the journey of body and soul, from Platonist accounts of pre-existence, the final judgement and beyond into heaven or hell. It discloses a society in which frail and fleeting human life was lived out in the expectation of salvation or damnation, of eternal happiness or eternal torment, of heaven or hell and depicts a world radically different from our own. Drawing on the writings not only of the elite but also of the middling and lower classes, Almond shows how there hovered around images of the afterlife many classical and contemporary debate: free will and predestination, materialism and dualism, religion and science, Catholicism and Protestantism, religious and political radicalism, demonology and witchcraft and so on. The picture which emerges is both representative of the age as a whole and enables us to appreciate more fully contemporary understandings of the meaning of human life and death.

This book offers a fascinating account of the central myth of Western culture - the story of Adam and Eve in the Garden of Eden. Philip Almond examines the way in which the gaps, hints and illusions within this biblical story were filled out in seventeenth-century English thought. At this time, the Bible formed a fundamental basis for studies in all subjects, and influenced greatly the way that people understood the world. Drawing extensively on primary sources he covers subjects as diverse as theology, history, philosophy, botany, language, anthropology, geology, vegetarianism, and women. He demonstrates the way in which the story of Adam and Eve was the fulcrum around which moved lively discussions on topics such as the place and nature of Paradise, the date of creation, the nature of Adamic language, the origins of the American Indians, agrarian communism, and the necessity and meaning of love, labour and marriage.

This is the first book exclusively devoted to demonic possession and exorcism in early modern England. It offers, for the first time, modernised versions of the most significant early modern texts on nine cases of demonic possession from the period 1570 to 1650, the key period in English history for demonic possession. The nine stories were all written by eye-witnesses or were derived from eye-witness reports. They involve matters of life and death, sin and sanctity, guilt and innocence, of crimes which could not be committed and punishments which could not be deserved. The nine critical introductions which accompany the stories address the different strategic intentions of those who wrote them. The modernised texts and critical Introductions are placed within the context of a wide-ranging general Introduction to demonic possession in England across the period 1550 to 1700.

"Although the Devil still 'lives' in modern popular culture, for the past 250 years he has become marginal to the dominant concerns of Western intellectual thought. That life could not be thought or imagined without him, that he was a part of the everyday, continually present in nature and history, and active at the depths of our selves, has been all but forgotten. It is the aim of this work to bring modern readers to a deeper appreciation of how, from the early centuries of the Christian period through to the recent beginnings of the modern world, the human story could not be told and human life could not be lived apart from the 'life' of the Devil. With that comes the deeper recognition that, for the better part of the last two thousand years, the battle between good and evil in the hearts and minds of men and women was but the reflection of a cosmic battle between God and Satan, the divine and the diabolic, that was at the heart of history itself."—from The DevilLucifer, Mephistopheles, Beelzebub; Ha-Satan or the Adversary; Iblis or Shaitan: no matter what name he travels under, the Devil has throughout the ages and across civilizations been a compelling and charismatic presence. In Christianity, Judaism, and Islam, the supposed reign of God has long been challenged by the fiery malice of his opponent, as contending forces of good and evil have between them weighed human souls in the balance.In The Devil, Philip C. Almond explores the figure of evil incarnate from the first centuries of the Christian era. Along the way, he describes the rise of demonology as an intellectual and theological pursuit, the persecution as witches of women believed to consort with the Devil and his minions, and the decline in the belief in Hell and in angels and demons as corporeal beings as a result of the Enlightenment. Almond shows that the Prince of Darkness remains an irresistible subject in history, religion, art, literature, and culture.Almond brilliantly locates the "life" of the Devil within the broader Christian story of which it is inextricably a part; the "demonic paradox" of the Devil as both God's enforcer and his enemy is at the heart of Christianity. Woven throughout the account of the Christian history of the Devil is another complex and complicated history: that of the idea of the Devil in Western thought. Sorcery, witchcraft, possession, even melancholy, have all been laid at the Devil's doorstep. Until the Enlightenment enforced a "disenchantment" with the old archetypes, even rational figures such as Thomas Aquinas were obsessed with the nature of the Devil and the specific characteristics of the orders of demons and angels. It was a significant moment both in the history of demonology and in theology when Benedict de Spinoza (1632–1677) denied the Devil's existence; almost four hundred years later, popular fascination with the idea of the Devil has not yet dimmed.

Mary Magdalene is a key figure in the history of Christianity. After Mary, the mother of Jesus, she remains the most important female saint in her guise both as primary witness to the resurrection and 'apostle of the apostles'. This volume, the first major work on the Magdalene in more than thirty years, focuses on her 'lives' as these have been imagined and reimagined within Christian tradition. Philip Almond expertly disentangles the numerous narratives that have shaped the story of Mary over the past two millennia. Exploring the 'idea' of the Magdalene – her cult, her relics, her legacy – the author deftly peels back complex layers of history and myth to reveal many different Maries, including penitent prostitute; demoniac; miracle worker; wife and lover of Jesus; symbol of the erotic; and New Age goddess. By challenging uniform or homogenised readings of the Magdalene, this absorbing new book brings fascinating insights to its subject.

Alongside Jesus and Muhammad, the Buddha is the most significant figure in the history of religion. Philip Almond's engaging new book is the first to combine a history of early traditions about Siddhartha Gautama's life with an authoritative account of how he and the tantalizing philosophy inspired by him came to the attention of the West. It takes the reader on a remarkable journey encompassing (among other topics) Alexander the Great, the courts of the Mongol Khans, Jesuit missions to China and Japan, and intrepid European travellers and scholars from the modern era. Melding Pali and Sanskrit sources with vivid reception, Almond presents the Buddha's story as multi-layered: one of transition from a world of angels and demons, water and tree spirits, to an altogether different context where Buddhism mixed with the cultural preoccupations of those who tentatively – sometimes following false trails – tried to make sense of its fascinating complexity.

The malign figure of the Antichrist endures in modern culture, whether religious or secular; and the spectral shadow he has cast over the ages continues to exert a strong and powerful fascination. Philip C. Almond tells the story of the son of Satan from his early beginnings to the present day, and explores this false Messiah in theology, literature and the history of ideas. Discussing the origins of the malevolent being who at different times was cursed as Belial, Nero or Damien, the author reveals how Christianity in both East and West has imagined this incarnation of absolute evil destined to appear at the end of time. For the better part of the last two thousand years, Almond suggests, the human battle between right and wrong has been envisaged as a mighty cosmic duel between good and its opposite, culminating in an epic final showdown between Christ and his deadly arch-nemesis.

The malign figure of the Antichrist endures in modern culture, whether religious or secular; and the spectral shadow he has cast over the ages continues to exert a strong and powerful fascination. Philip C. Almond tells the story of the son of Satan from his early beginnings to the present day, and explores this false Messiah in theology, literature and the history of ideas. Discussing the origins of the malevolent being who at different times was cursed as Belial, Nero or Damien, the author reveals how Christianity in both East and West has imagined this incarnation of absolute evil destined to appear at the end of time. For the better part of the last two thousand years, Almond suggests, the human battle between right and wrong has been envisaged as a mighty cosmic duel between good and its opposite, culminating in an epic final showdown between Christ and his deadly arch-nemesis.

In the febrile religious and political climate of late sixteenth-century England, when the grip of the Reformation was as yet fragile and insecure, and underground papism still perceived to be rife, Lancashire was felt by the Protestant authorities to be a sinister corner of superstition, lawlessness and popery. And it was around Pendle Hill, a sombre ridge that looms over the intersecting pastures, meadows and moorland of the Ribble Valley, that their suspicions took infamous shape. The arraignment of the Lancashire witches in the assizes of Lancaster during 1612 is England's most notorious witch-trial. The women who lived in the vicinity of Pendle, who were accused alongside the so-called Samlesbury Witches, then convicted and hanged, were more than just wicked sorcerers whose malign incantations caused others harm. They were reputed to be part of a dense network of devilry and mischief that revealed itself as much in hidden celebration of the Mass as in malevolent magic. They had to be eliminated to set an example to others.In this remarkable and authoritative treatment, published to coincide with the 400th anniversary of the case of the Lancashire witches, Philip C Almond evokes all the fear, drama and paranoia of those volatile times: the bleak story of the storm over Pendle

It is often said that the devil has all the best tunes. He also has as many names as he has guises. Lucifer, Mephistopheles, Beelzebub (in Christian thought), Ha-Satan or the Adversary (in Jewish scripture) and Iblis or Shaitan (in Islamic tradition) has throughout the ages and across civilizations been a compelling and charismatic presence. For two thousand years the supposed reign of God has been challenged by the fiery malice of his opponent, as contending forces of good and evil have between them weighed human souls in the balance. In this rich and multi-textured biography, Philip C Almond explores the figure of the devil from the first centuries of the Christian era through the rise of classical demonology and witchcraft persecutions to the modern post-Enlightenment 'decline' of Hell. The author shows that the Prince of Darkness, in all his incarnations, remains an irresistible subject in history, religion, art, literature and culture.

This book is concerned with Western images of Muhammad and Islam, and examines changing attitudes to the Prophet and Islam in 19th-century England: It analyzes the shifts in images of the Prophet from that of the profligate, heretical, lustful, ambitious imposter of the late medieval and early modern period to the much more sympathetic portrayal of Muhammad in the 19th century as a noble Arab, sincere, heroic, pious and courageous. It argues that such changing images were the result of increasing knowledge about the origins of Islam and of various social, intellectual and political changes in the West. It demonstrates that the meaning of Islam for the West was created in the complex relations between the "fact" of Islam and the Western "myth" about it.

No detailed description available for "Mystical Experience and Religious Doctrine".

On a foggy November day in 1589, when one of the five daughters of Robert and Elizabeth Throckmorton suddenly fell sick, no one in the small English village of Warboys could have predicted the terrifying events that would follow. Or envisaged that four years later, in April 1593, the Throckmortons' neighbours Alice, Agnes and John Samuel, would be dragged before a country court on charges of sorcery, enchantment and murder. There is no more dramatic story in the annals of English witchcraft than that of the witches of Warboys. Yet, despite a rich and colourful cast of characters, and a potent mixture of tension and pathos to match anything in the later Salem witch trials, it has never before been told in full. At one level, the story of Warboys features a conflict about honour and truth between two families in a close-knit Elizabethan village. At another level, the tale concerns a wider struggle between local gentry and yeomanry. But at the heart of the narrative coils a dark account of possession by demons, of malevolent spirits, of trust broken and of children accursed. What really happened in Warboys in the late sixteenth century, to drive this unremarkable rural community into such frenzy? Philip Almond leads us into a half-forgotten world of horror and crime, of victims and victimisers, of spectres, sex with the devil and 'scratching' the witch: a macabre and dangerous world where nothing is as it seems, where evil begets evil, and where innocence is betrayed.