Kirjahaku

The story of a man’s obsession with whales, which takes him on a personal, historical and biographical journey – from his childhood to his fascination with Moby-Dick and his excursions whale-watching. All his life, Philip Hoare has been obsessed by whales, from the gigantic skeletons in London’s Natural History Museum to adult encounters with the wild animals themselves. Whales have a mythical quality – they seem to elide with dark fantasies of sea-serpents and antediluvian monsters that swim in our collective unconscious. In ‘Leviathan’, Philip Hoare seeks to locate and identify this obsession. What impelled Melville to write ‘Moby-Dick’? After his book in 1851, no one saw whales in quite the same way again. This book is an investigation into what we know little about – dark, shadowy creatures who swim below the depths, only to surface in a spray of spume. More than the story of the whale, it is also the story of our own obsessions.

A startling book, his most personal to date, from Philip Hoare, co-curator of the Moby-Dick Big Read and winner of the 2009 Samuel Johnson Prize for â??Leviathanâ??.

Rich and strange from the tip of its title to its deep-sunk bones� Robert Macfarlane From the author of Leviathan, or, The Whale, comes a composite portrait of the subtle, beautiful, inspired and demented ways in which we have come to terms with our watery planet.

A NEW STATESMAN BOOK OF THE YEAR AN OBSERVER BEST ART BOOK OF 2021 SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2022 ‘This is a wonderful book. A lyrical journey into the natural and unnatural world’ Patti Smith ‘Everything Philip Hoare writes is bewitching’ Olivia Laing An illuminating exploration of the intersection between life, art and the sea from the award-winning author of Leviathan. Albrecht Dürer changed the way we saw nature through art. From his prints in 1498 of the plague ridden Apocalypse – the first works mass produced by any artist – to his hyper-real images of animals and plants, his art was a revelation: it showed us who we are but it also foresaw our future. It is a vision that remains startlingly powerful and seductive, even now. In Albert & the Whale, Philip Hoare sets out to discover why Dürer's art endures. He encounters medieval alchemists and modernist poets, eccentric emperors and queer soul rebels, ambassadorial whales and enigmatic pop artists. He witnesses the miraculous birth of Dürer's fantastical rhinoceros and his hermaphroditic hare, and he traces the fate of the star-crossed leviathan that the artist pursued. And as the author swims from Europe to America and beyond, these prophetic artists and downed angels provoke awkward questions. What is natural or unnatural? Is art a fatal contract? Or does it in fact have the power to save us? With its wild and watery adventures, its witty accounts of amazing cultural lives and its delight in the fragile beauty of the natural world, Albert & the Whale offers glorious, inspiring insights into a great artist, and his unerring, sometimes disturbing gaze.

A NEW STATESMAN BOOK OF THE YEAR AN OBSERVER BEST ART BOOK OF 2021 SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2022 ‘This is a wonderful book. A lyrical journey into the natural and unnatural world’ Patti Smith ‘Everything Philip Hoare writes is bewitching’ Olivia Laing An illuminating exploration of the intersection between life, art and the sea from the award-winning author of Leviathan. Albrecht Dürer changed the way we saw nature through art. From his prints in 1498 of the plague ridden Apocalypse – the first works mass produced by any artist – to his hyper-real images of animals and plants, his art was a revelation: it showed us who we are but it also foresaw our future. It is a vision that remains startlingly powerful and seductive, even now. In Albert & the Whale, Philip Hoare sets out to discover why Dürer's art endures. He encounters medieval alchemists and modernist poets, eccentric emperors and queer soul rebels, ambassadorial whales and enigmatic pop artists. He witnesses the miraculous birth of Dürer's fantastical rhinoceros and his hermaphroditic hare, and he traces the fate of the star-crossed leviathan that the artist pursued. And as the author swims from Europe to America and beyond, these prophetic artists and downed angels provoke awkward questions. What is natural or unnatural? Is art a fatal contract? Or does it in fact have the power to save us?

Weaving between the historical, personal and cultural, award-winning author Philip Hoare reveals a web of creative minds and artistic iconoclasts fired with the revolutionary genius of William Blake.

"A love letter to the 'largest, loudest, oldest' mammal ever to have existed...exhilarating." -People MagazineWinner of the BBC Samuel Johnson Prize for Nonfiction, From his childhood fascination with the gigantic Natural History Museum model of a blue whale, to his abiding love of Moby-Dick, to his adult encounters with the living animals in the Atlantic Ocean, the acclaimed writer Philip Hoare has been obsessed with whales. The Whale is his unforgettable and moving attempt to explain why these strange and beautiful animals exert such a powerful hold on our imagination.An enthralling and eye-opening literary leviathan swimming in similar bestselling waters as Cod and The Secret Life of Lobsters. The Whale is a lively travelogue through the history, literature, and lore of the king of the sea--the remarkable mammals that we human beings have long been fascinated with, from Moby Dick to Free Willy. Bestselling author and naturalist Bernd Heinrich calls it, "a moving and extraordinary book," and Hoare's sparkling account of swimming with these incredible behemoths will delight whale and wildlife aficionados, lovers of the sea and sea stories, as well as the socially and environmentally conscious reader.

To several generations, actor, playwright, songwriter, and filmmaker, No l Coward (1899-1973) was the very personification of wit, glamour, and elegance. His biographer, Philip Hoare, given unprecedented access to the private papers and correspondence of Coward family members, compatriots, and numerous lovers, has produced the definitive biography of one of the twentieth century's most celebrated and controversial figures. "Philip Hoare's careful research and lucid presentation in his No l Coward: A Biography adds depth to the picture."-New York Times Book Review "A fascinating, in-depth biography."-Library Journal "Hoare has profiled vividly and in-depth a complex legend who had a talent for creating and recreating both himself and his works."-Publishers Weekly "In the thicket of books about the life and work of Coward, Philip Hoare's stands out as the most well-documented and objective."-Los Angeles Times " Hoare's] book, like its subject, strives for effortless sophistication, and succeeds."-Newsday "Hoare's retelling of Coward's story is] the most vivid, insightful, and fascinating so far."-John Lahr, The New Yorker

"Every day is an anxiety in my ways of getting to the water. . . . I've become so attuned to it, so scared of it, so in love with it that sometimes I can only think by the sea. It is the only place I feel at home." Many of us visit the sea. Admire it. Even profess to love it. But very few of us live it. Philip Hoare does. He swims in the sea every day, either off the coast of his native Southampton or his adopted Cape Cod. He watches its daily and seasonal changes. He collects and communes with the wrack--both dead and never living--that it throws up on the shingle. He thinks with, at, through the sea. All of which should prepare readers: RISINGTIDEFALLINGSTAR is no ordinary book. It mounts no straight-ahead argument. It hews to no single genre. Instead, like the sea itself, it moves, flows, absorbs, transforms. In its pages we find passages of beautiful nature and travel writing, lyrical memoir, seams of American and English history and much more. We find Thoreau and Melville, Bowie and Byron, John Waters and Virginia Woolf, all linked through a certain refusal to be contained, to be strictly defined--an openness to discovery and change. Running throughout is an air of elegy, a reminder that the sea is an ending, a repository of lost ships, lost people, lost ways of being. It is where we came from; for Hoare, it is where he is going. "Every swim is a little death," Hoare writes, "but it is also a reminder that you are alive." Few books have ever made that knife's edge so palpable. Read RISINGTIDEFALLINGSTAR. Let it settle into the seabed of your soul. You'll never forget it.

'A shocking tale of heroes and villains.’ Sir Ian McKellen In 1918, the Imperialist newspaper made a startling claim. The German Secret Service had the names of 47,000 members of the British establishment who were sexual deviants and Britain was losing the war because Germany was blackmailing them. In the sensational libel trial that followed, the main target was Maud Allan, the Salome dancer with high society connections and a dark secret. Meanwhile, Oscar Wilde’s closest friends were drawn into the affair in a bitter battle for his reputation. It was the greatest scandal of the early twentieth century. This is a story of judges and prejudice, of aesthetes and admirals, of MPs and dancing girls, of sex and conspiracy; ingredients for a modern tabloid, yet in a decade that still seems a Victorian legacy. Philip Hoare has produced a revolutionary new portrait of British society, as nineteenth century morality and Edwardian opulence met the modern age. Wilde’s Last Stand tells of transvestites in the trenches, of drug clubs in London, and of the man who sought to be Britain’s first fascist leader. Both revealing and chilling, this is a vital story about the birth of a troubled century. Philip Hoare is an acclaimed author whose works include biographies of Stephen Tennant and Noël Coward, Spike Island and England’s Lost Eden. His book, Leviathan: or, The Whale won the BBC Samuel Johnson Prize for Non-fiction. 'Documented with dazzling brilliance.’ The Sunday Times ‘A valuable addition to the alternative history of our century.’ Peter Parker, Observer ‘A thrashing good read.’ Independent on Sunday

A revelatory and joyous exploration of how one visionary inspired two-hundred years of art, poetry and protest by the acclaimed author of Albert and the Whale Weaving between the historical, cultural, and personal, award-winning author Philip Hoare reveals a web of creative minds and artistic iconoclasts fired by the wild and revolutionary genius of William Blake. Blake is one of the greatest artists in western history. His art envelops us. He invented a way to put words and images on a page to express his poetry and art in a manner that has never been truly equaled. Even in his own time, his fans and followers were left speechless. Blake's heavenly bodies are our real selves, soaring beyond time and space. His art is a time machine. We can climb aboard and be taken to the stars. Blake accepted no limits to the human spirit. Throughout his life he worked as one-artist, two-people with his partner, Kate. Together they created their visions of what the world could be, filled with majestic menageries of tygers burning bright and angels in trees, of leviathans and demons and human fleas and a devil who burns with revolutionary ecstasy. In William Blake and the Sea Monsters of Love, with Philip Hoare as our inimitable guide, Blake rises as a new hope for our own era.

An illuminating exploration of the intersection between life, art and the sea from the award-winning author of The Whale. In 1520, Albrecht D rer, the most celebrated artist in Northern Europe, sailed to Zeeland to see a whale. A central figure of the Renaissance, no one had painted or drawn the world like him. D rer drew hares and rhinoceroses in the way he painted saints and madonnas. The wing of a bird or the wing of an angel; a spider crab or a bursting star like the augury of a black hole, in D rer's art, they were part of a connected world. Everything had meaning. But now he was in crisis. He had lost his patron, the Holy Roman Emperor. He was moorless and filled with wanderlust. In the shape of the whale, he saw his final ambition. D rer was the first artist to truly employ the power of reproduction. He reinvented the way people looked at, and understood, art. He painted signs and wonders; comets, devils, horses, nudes, dogs, and blades of grass so accurately that even today they seem hyper-real, utterly modern images. Most startling and most modern of all, he painted himself, at every stage of his life. But his art captured more than the physical world, he also captured states of mind. Albert and the Whale explores the work of this remarkable man through a personal lens. Drawing on Philip's experience of the natural world, and of the elements that shape our contemporary lives, from suburbia to the wide open sea, Philip will enter D rer's time machine. Seeking his own Leviathan, Hoare help us better understand the interplay between art and our world in this sublimely seductive book.

The story of Netley in Southampton â?? its hospital, its people and the secret history of the 20th-century. Now with a new afterword uncovering astonishing evidence of Netley's links with Porton Downexperiments with LSD in the 1950s.

Look Again is a new series of short books from Tate Publishing, opening up the conversation about British art over the last 500 years, and exploring what art has to tell us about our lives today. Written by leading voices from the worlds of literature, art and culture, each book sheds new light on some of the most well-known, best-loved and thought-provoking artworks in the national collection, and asks us to look again. Author Philip Hoare takes us on an exploration of the sea and the way it has provided a deep source of inspiration for artists featured in the Tate collection, from William Blake to Maggi Hambling. Artists have always seen the sea as a mirror of their anxieties and desires; an endless resource for their creativity and their dreams. Under our human sway, the sea has shifted in meaning, from creation myth to economic wealth, from mystic wonder to modern exploitation. Look Again: The Sea dives into the breadth of historical and contemporary works in Britain's national collection of art, as well as the beloved literature they have inspired. By reframing them within a social and political perspective rather than a chronological or art-historical one, prize-winning author Philip Hoare shows how art has continually borne witness to the power and allure of the sea.