Kirjahaku

The second collection from the acclaimed author of Admission Requirements. This astonishing new collection of poems contemplates our obligations to live in a creative, generative, and revolutionary way amid a cascade of global contingencies. In a four-part meditation on what it means to live on occupied land and in colonial time, the subject of these poems has moved beyond arriving and departing and wakes each day to meet her commitments and to heal from complicities, exclusions, difficult truths and the pandemic of forgetting. It follows the figure of the female artist as a time-travelling woman, embodied by mother and daughter, through the gallery of memory. The poems enact brief encounters with objects, events, and works of art that hold us accountable. Finally, a set of shadow elegies mourn what the next generation has already lost, while searching for traces of the wild and for ceremonies that might mend us. Waking Occupations is an urgent, essential collection that considers what we carry from previous generations and our liabilities to the cyclical nature of the work that uplifts us.

A lingering, long-haul collection of writing about sailing for readers of Julietta Singh and Kyo Maclear.In Relative to Wind, Phoebe Wang delivers a poetic rendering of her decade-long journey of learning to sail and a deep dive into what it means to be a newcomer to an old tradition. From working along­side crewmates in tempestuous conditions to becoming an avid racer and organizer to drafting a wistful love letter to a Wayfarer dinghy—while examining the loose tether between sailing and a creative life—Wang delivers a book for sailors and would-be sailors that is thoughtful and surprising at every tack."A thoughtful, illuminating look at life away from land."—Kirkus

A Globe and Mail Best Book A debut collection from a startling new voice in Canadian poetry. The poems in Admission Requirements attempt to discover what is required of us when we cut across our material and psychic geographies. Simultaneously full and empty of its origins, the self is continually taxed of any certainties and ways of being. The speaker in these poems is engaged in a kind of fieldwork, surveying gardens, communities, and the haphazard cityscape, where the reader is presented with the paradoxes of subsumed histories. With understated irony and unsettling imagery, the poems address the internal conflicts inherent in contemporary living.