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44 kirjaa tekijältä Plautus

Plautus: Casina

Plautus: Casina

Plautus

Cambridge University Press
1976
pokkari
Plautus' Casina is a lively and well composed farce. The plot, which concerns the competition of a father and his son for the same girl and the various scurrilous tricks employed in the process, gives full scope to Plautus' inventiveness and richly comic language. The editors' aim is to establish the play as one of the liveliest of ancient comedies, and in their introduction and notes to make the reader continually aware of the conditions of an actual stage performance. They discuss the background and conventions of Roman comedy and by offering a complete metrical analysis they help the reader to appreciate the original musical structure of the play. The edition is intended primarily for use by students at school and university but will be of value to anyone interested in reading the play in the original.
Plautus: Menaechmi

Plautus: Menaechmi

Plautus

Cambridge University Press
1993
pokkari
Menaechmi is one of Plautus’ liveliest and most entertaining comedies, the main inspiration for Shakespeare’s The Comedy of Errors. Dr Gratwick’s edition brings new light to bear on the interpretation of the play and on Plautus’ place in the development of European comedy. Central to his treatment is the fact that Plautus was a dramatist who wrote to be heard rather than to be read. The various metres which he subtly and flexibly exploited for musical and dramatic effect are here explained in a way that challenges many received views but also offers the student practical assistance in grappling with the technical problems involved both on stage and in performance. The text has been newly constituted on the basis of a complete reappraisal of the manuscript tradition in the light of scholarship since the Renaissance.
Plautus: Amphitruo

Plautus: Amphitruo

Plautus

Cambridge University Press
2000
pokkari
Plautus’ Amphitruo is the sole specimen of mythological burlesque in ancient comedy to come down to us in nearly complete form. This sex farce delighted Roman audiences and readers for centuries and continues to inspire adaptations to this day. Dr Christenson utilizes recent work in performance criticism in conjunction with traditional philological analysis to provide new insights into the play in performance. The edition aims to recover the essence of Plautine spectacle from the most concrete details of staging to the complex performative dynamics played out among the actors themselves and the actors and the audience. Included in the Introduction is an account of the mythic and dramatic background to Plautus’ play as well as of its influence in post-classical drama. Plautus’ metres are explained in a manner students will find helpful and instructive. Dr Christenson presents a new text that includes stage directions in English.
Selections from Plautus

Selections from Plautus

Plautus

Cambridge University Press
2013
pokkari
Originally published in 1924 as part of the Pitt Press Series, and intended for pre-university students, this book contains the Latin text of extracts from the works of the Roman comic Plautus. The selections are prefaced with an introduction on the playwright's life, and are accompanied by notes on the text and an appendix on the poetic metres used in the extracts. This book will be of value to anyone with an interest in Plautus or the history of classical education.
The Storm Or, the Howler (After Plautus)
Descending from the heavenly sphere of the gods to the mortal world below, Arcturus raises a mighty storm. For Labrax, a 'procurer' of women, the storm brings shipwreck and ruin. For his two female captives it offers a chance of escape. Washed up on a rocky coastline the two women seek refuge in the shrine of Venus, but it seems that the goddess alone cannot protect them. They are forced to rely instead on the help of the elderly Daemones, who is already struggling to control his reluctant slaves: the impudent Sceparnio and the inept Gripus. Drawn from a lost Greek play, The Storm is the most popular of Plautus' Roman comedies. This version opened at Shakespeare's Globe Theatre in July 2005 as part of the 'World and Underworld' Season.
Four Comedies

Four Comedies

Plautus

Oxford University Press
2008
nidottu
Plautus was the single greatest influence on Western comedy. Shakespeare's Comedy of Errors and Molière's The Miser are two subsequent classics directly based on Plautine originals. Plautus himself borrowed from the Greeks, but his jokes, rapid dialogue, bawdy humour, and irreverent characterizations are the original work of an undisputed genius. The comedies printed here show him at his best, and professor Segal's translations keep their fast, rollicking pace intact, making these the most readable and actable versions available. His introduction considers Plautus' place in ancient comedy, examines his continuing influence, and celebrates his power to entertain. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Miles Gloriosus

Miles Gloriosus

Plautus

Harvard University Press
1997
nidottu
Miles Gloriosus or “Braggart Warrior” is one of the best-known and liveliest Roman comedies. It shows Plautus at his ablest in ingenious plot construction, vivid characterization, fast-moving action, and humorous dialogue.This edition of the Latin text is fully and very helpfully annotated. The substantial introduction considers the antecedents of Plautus’s drama in Greek New Comedy and in Italic farce, his mixture of Greek and Roman both in language and in the life portrayed, and his stagecraft, language, and meter.
Amphitryon. The Comedy of Asses. The Pot of Gold. The Two Bacchises. The Captives
Funny happenings.The rollicking comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences ca. 205–184 BC, are the earliest Latin works to survive complete and are cornerstones of the European theatrical tradition from Shakespeare and Molière to modern times. This first volume of a new Loeb edition of all twenty-one of Plautus’ extant comedies presents Amphitruo, Asinaria, Aulularia, Bacchides, and Captivi with freshly edited texts, lively modern translations, and ample explanatory notes. Accompanying the plays is a detailed introduction to Plautus’ œuvre as a whole, discussing his techniques of translation and adaptation, his use of Roman humor, stage conventions, language and meter, and his impact on the Greco-Roman comedic theater and beyond.
Casina. The Casket Comedy. Curculio. Epidicus. The Two Menaechmuses
Funny happenings.The rollicking comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences ca. 205–184 BC, are the earliest Latin works to survive complete and are cornerstones of the European theatrical tradition from Shakespeare and Molière to modern times. This second volume of a new Loeb edition of all twenty-one of Plautus’ extant comedies presents Casina, Cistellaria, Curculio, Epidicus, and Menaechmi with freshly edited texts, lively modern translations, introductions, and ample explanatory notes.
Stichus. Three-Dollar Day. Truculentus. The Tale of a Traveling-Bag. Fragments
Funny happenings.The rollicking comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences ca. 205–184 BC, are the earliest Latin works to survive complete and are cornerstones of the European theatrical tradition from Shakespeare and Molière to modern times. This fifth volume of a new Loeb edition of all twenty-one of Plautus’ extant comedies presents Stichus, Three-Dollar Day, Truculentus, The Tale of a Traveling-Bag, and fragments with freshly edited texts, lively modern translations, introductions, and ample explanatory notes.
The Merchant. The Braggart Soldier. The Ghost. The Persian
Funny happenings.The rollicking comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences ca. 205–184 BC, are the earliest Latin works to survive complete and are cornerstones of the European theatrical tradition from Shakespeare and Molière to modern times. This third volume of a new Loeb edition of all twenty-one of Plautus’ extant comedies presents The Merchant, The Braggart Soldier, The Ghost, and The Persian with freshly edited texts, lively modern translations, introductions, and ample explanatory notes.
The Little Carthaginian. Pseudolus. The Rope

The Little Carthaginian. Pseudolus. The Rope

Plautus

Loeb Classical Library
2012
sidottu
Funny happenings.The rollicking comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences ca. 205–184 BC, are the earliest Latin works to survive complete and are cornerstones of the European theatrical tradition from Shakespeare and Molière to modern times. This fourth volume of a new Loeb edition of all twenty-one of Plautus’ extant comedies presents The Little Carthaginian, Pseudolus, and The Rope with freshly edited texts, lively modern translations, introductions, and ample explanatory notes.
Three Comedies

Three Comedies

Plautus

Cornell University Press
1991
pokkari
A major comic artist in Republican Rome, Plautus left a legacy of twenty extremely inventive comedies. Ostensibly Latin versions of Greek plays staged in Athens several generations earlier, they display an exuberance and zany sense of humor that are distinctly Roman. Peter L. Smith here offers lively and colloquial English verse translations of three plays: Miles Gloriosus (The Braggart Warrior), Pseudolus (The Cheat), and Rudens (The Rope). In their quality and variety, the three plays represent an ideal sampling of Plautus' work, and the translations themselves are meant to be enjoyed as living theater. Miles Gloriosus is a comic assault on human vanity and self-importance, as manifested in the persona of an absurdly swaggering military officer. Pseudolus features a scheming slave of quick wit and fertile imagination, who assists his well-born but dim-witted young master in pursuing a seemingly hopeless love affair. Rudens is a romantic comedy set on the North African coast, in which a pathetic young woman (kidnapped in infancy) survives a shipwreck, escapes the clutches of a villainous pimp, and discovers her parents. Smith has written a substantial general introduction on the background of ancient Roman comedy, including various aspects of theater production, and brief critical essays introducing the plays. Notes and bibliographical information are also included. Although Plautus created popular entertainment for a general audience, he was a literary artist of remarkable dexterity. His plays have become classics of the Western tradition, and their direct influence has extended from Shakespeare and Moliere through Stephen Sondheim. These masterly new translations will be welcomed by anyone with an interest in the development of comedy and in classical drama and its performance.
Menaechmi

Menaechmi

Plautus

Cambridge University Press
2015
pokkari
Originally published in 1919 as part of the Pitt Press series, this book contains an edited edition of the Latin text of Plautus' comedy Menaechmi. Knight provides an introduction on the origin and legacy of the play, as well as remarks on Plautus' style and use of metre. Critical notes are also supplied at the end. This book will be of value to anyone with an interest in Roman comedy and the works of Plautus.