Kirjahaku

The author recounts anecdotes of his parents, Vanessa and Clive Bell, his aunt, Virginia Woolf, E.M. Forster, Maynard Keynes, Anthony Blunt, and other British writers and artists.

Bell's extraordinary memoir of the influential Bloomsbury group, a circle of intellectual giants that gathered in London in the early part of this century.

As the nephew of Virginia Woolf, Quentin Bell enjoyed an initimacy with his subject granted to few biographers. Compelling, moving and entertaining, Quentin Bell's biography was awarded the James Tait Black Memorial Prize and the Duff Cooper Memorial Prize.

First published in 1963, The Schools of Design is a history of English Art Education. The story of the genesis of English art schools is one of the fierce conflicts in which private feuds mingle with questions of principle. It is a story of administrative chaos and open scandal in which some long-forgotten figures are involved; others – such as Haydon, Gladstone, Alfred Stevens, Dyce, Stafford Northcote, Etty and Henry Role – appear in a new role. In itself this forms an entertaining study full of incident and drama. Many of the problems that presented themselves in the 1840s are still with us today and no one who is interested in the place of art in our society can afford to neglect the lessons of the Schools of Design. This book will be of interest to students of art and history.

First published in 1963, The Schools of Design is a history of English Art Education. The story of the genesis of English art schools is one of the fierce conflicts in which private feuds mingle with questions of principle. It is a story of administrative chaos and open scandal in which some long-forgotten figures are involved; others – such as Haydon, Gladstone, Alfred Stevens, Dyce, Stafford Northcote, Etty and Henry Role – appear in a new role. In itself this forms an entertaining study full of incident and drama. Many of the problems that presented themselves in the 1840s are still with us today and no one who is interested in the place of art in our society can afford to neglect the lessons of the Schools of Design. This book will be of interest to students of art and history.

First published in 1967, Victorian Artists documents the painting of the Victorian period, that is, the period between the death of Constable and William IV in 1837, the first Post-Impressionist painting in 1910 and the end of an epoch in British painting. Professor Bell has given special attention to some of the pre-Raphaelite artists, and to Sickert and the Camden Town group. These most illuminating and diverting essays, which originated as Slade lectures at Oxford, combined with a large collection of illustrations, make this a unique discussion of a period whose aesthetic influence is still widely evident. This book will be of interest to students of art and history.

First published in 1967, Victorian Artists documents the painting of the Victorian period, that is, the period between the death of Constable and William IV in 1837, the first Post-Impressionist painting in 1910 and the end of an epoch in British painting. Professor Bell has given special attention to some of the pre-Raphaelite artists, and to Sickert and the Camden Town group. These most illuminating and diverting essays, which originated as Slade lectures at Oxford, combined with a large collection of illustrations, make this a unique discussion of a period whose aesthetic influence is still widely evident. This book will be of interest to students of art and history.