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Definitive modern edition of Stevenson's intriguing account of his emigration from Scotland to California'The Amateur Emigrant', an autobiographical account of Stevenson's voyage from Scotland to California in 1879, is a rich and provocative work of late-Victorian travel writing and cultural criticism. It describes vividly how Stevenson mixed with 'steerage' passengers aboard an Atlantic steamship and experienced the indignities of a transcontinental emigrant train. 'The Amateur Emigrant' engages critically with Victorian ideas about class, race, and gender, and makes an important contribution to the literature of emigration. Stevenson's middle-class family and friends found the work so transgressive that it was withdrawn from publication at proof stage. It was published in bowdlerized form in 1895 and since then has rarely been available in the form in which Stevenson composed it.Key FeaturesUses the original manuscript as copy text, making available the work as Stevenson originally composed itScholarly introduction situates The Amateur Emigrant in relation to important biographical, critical, historical, social, and generic contexts, and offers a summary of key critical responsesProvides full textual apparatus including variant readings from hitherto unavailable 1880 proofs, textual essay, explanatory notes, and chronologyExciting new visual material including scans of the manuscript and proofs and a map of Stevenson's journey

Stevenson's unfinished masterpiece, Weir of Hermiston, has been entirely re- edited from his final manuscript, revealing a rather different novel from the bowdlerised version produced posthumously by his friends. Stevenson revisits the conflicted Scotland of James Hogg and Sir Walter Scott as well as that of his own youth, but also responds to recently published novels. A substantial essay explores the complex early publication history of the novel on both sides of the Atlantic, and exceptionally full explanatory notes and other background information are provided.

As Stevenson's most complete exercise in the art of the essay and the last of the 3 volumes of essays whose collection, arrangement and revision he planned and executed in his lifetime, this volume shows the brilliance of his mature style.

At last -- a complete new edition of the poetry of Robert Louis Stevenson. During his lifetime Stevenson published A Child's Garden of Verses (1885), Penny Whistles, Underwoods (1887) and Ballads (1890). There were also various private press adventures in poetry with his stepson Lloyd Osbourne, and the posthumous Songs of Travel (1895), and New Poems (1918). This new edition contains these collections and also some of Stevenson's printed and manuscript poems that have never been published in any collection. The edition also identifies and restores various poems assembled by Stevenson in his Notebooks, many of which were mutilated by members of The Boston Bibliophile Society. The editor, Roger Lewis, has carefully studied Stevenson's manuscripts and letters, identifying many variants in individual poems and in orders of his collections, as well as in the editorial procedures of a succession of RLS's literary associates who claimed to be fulfilling his intentions or acting on his authority. The ordering of this edition will follow Stevenson's own final arrangement over unauthorised editorial rearrangments or strict considerations of chronology. Complete and accurate dates of composition and publication of individual poems and of collections are given wherever possible. Appendices include bibliographical description and location for manuscript and printed sources of all poems in the edition; 'poems in process' - how Stevenson sketched and revised during composition; notebooks - bibliographical history and significance; chronology and ordonnance of poetic units. There are also explanatory and textual notes. Scots poems are glossed and annotated using The Concise Scots Dictionary and web resources of the SNDA. A substantial introduction covers the publishing histories of individual volumes and literary influences, placing emphasis on Stevenson as a Scottish poet and arguing for his best verse to be considered as good as his best fiction. Key Features: * The only available edition of RLS's complete poems * Includes poems never previously published * Restores poems from RLS's notebooks mutilated by The Boston Bibliophile Society * Offers fully-edited critical texts with scholarly apparatus * Includes A Child's Garden of Verses, Penny Whistles, Underwoods, Songs of Travel, Pieces in Lallan and Poems Written in America

A compelling story of father-son confrontation, Stevenson was working on this novel the day he died. This new edition is based on careful research of Stevenson's notes and drafts to continue the story beyond the published novel.

A new definitive edition of Stevenson's famous exploration of evil and greed. One of literature's most famous island stories, Treasure Island has inspired sequels, adaptations, illustrated editions and motion pictures. This edition offers a clean and corrected text and scholarly annotations where required, all wrapped up in a beautifully produced collector's volume. Key Features * Critical introduction * First edition (1883) of Treasure Island used as copy-text * Thorough explanatory notes * Textual Notes including a collation of the 1883 edition with the serial version of Treasure Island in Young Folks magazine

The first scholarly edition of Stevenson's essays, involving a full and comparative examination of manuscripts, magazine and volume publicationsThese essays, written from 1874 to 1880, established 'R.L.S.' as one of the prominent young writers of his time, a provocative and philosophically inclined bohemian playfully offering advice to his post-Darwinian generation about how to find contentment in a society of rigid bourgeois demands. In this first ever scholarly edition, the 1881 text is followed by extensive explanatory notes and the story of the composition and reception of each essay. The volume opens with a full listing of all Stevenson's essays followed by a substantial introductory discussion of Stevenson's career as essayist, the characteristics and literary contexts of his essays, and the critical and popular reception of his essays from the 1870s to the present day. The volume Introduction proper then presents the publication history of Virginibus Puerisque, the reception of the book and notable characteristics of the collection taken as a whole: its style and shape, and the aesthetic and ethical vision it presents. Key Features:Introductory overview of Stevenson as essayistComposition and publication history of each essayPublication history of the volume of collected essaysNotes identifying literary references, Stevenson's idiosyncratic diction, social and historical allusions and cross references to Stevenson's other works

Prins Otto av Grünewald är illa omtyckt av sina undersåtar. Hans unga hustru Amalia, som har ett hemligt förhållande med den onde baron Gondremark, regerar i hans ställe. En dag förklär han sig och besöker bonden Killian och hans familj. Där avslöjas hustrus otrohet och hans egen impopularitet bland folket för honom. Förtvivlad bestämmer han sig för att göra något. En revolution gryr bland folket, och Otto vill stoppa den till varje pris. När det kommer fram att Amalia och Gondremark planerar ett krig mot grannlandet blir saker allt mer komplicerade för Otto. Ändå kan han inte överge sin kärlek till Amalia. I originalöversättning av Harald Jernström Robert Louis Stevenson (1850-1894) var en skotsk romanförfattare, poet och reseskildrare. Han räknas till en av de mest kända författarna genom tiderna, och skrev klassiker som Skattkammarön och Dr Jekyll och Mr Hyde. "This was a story full of romance, chivalry, kindness, politeness and forgivness. The whole tale represented the kind of aspects you don't meet very often nowadays. Nobody loves as devotedly as Otto. But as a lovestory, it was beautiful and inspiring." - Användaren Eloise Stone på goodreads.com -

Treasure Island by R. Stevenson. Worldwide literature classic, among top 100 literary novels of all time. A must read for everybody.In the 1980s, Italo Calvino (the most-translated contemporary Italian writer at the time of his death) said in his essay "Why Read the Classics?" that "a classic is a book that has never finished saying what it has to say," without any doubt this book can be considered a Classic This book is also a Bestseller because as Steinberg defined: "a bestseller as a book for which demand, within a short time of that book's initial publication, vastly exceeds what is then considered to be big sales."