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2 kirjaa tekijältä Ralph Kirkpatrick

Interpreting Bach's Well-Tempered Clavier

Interpreting Bach's Well-Tempered Clavier

Ralph Kirkpatrick

Yale University Press
1987
pokkari
This book sets forth the provocative theories of a musician who has been called the outstanding harpsichordist of this century. The late Ralph Kirkpatrick reveals here his approach to a deeper comprehension of music, showing how his methods are applied to the preludes and fugues of the Well-Tempered Clavier of J.S. Bach.“This book is brilliant and important.”—Clavier“All keyboardists performing classical repertoire can greatly benefit from Kirkpatrick’s scholarship, dry wit, and stubborn dedication.”—Keyboard“That Mr. Kirkpatrick’s extraordinarily perceptive mind knew the subject matter thoroughly is beyond dispute. . . Valuable insights into the analysis, teaching and performance of all Western music, especially Bach’s monumental Well-Tempered Clavier.”—Arthur Lawrence, The American Organist“We are fortunate to have this book by Ralph Kirkpatrick. . . From it we gain insight into the musical mind of one of the outstanding performers of our century.”—The Music Review“The real matter of the book is good old-fashioned musicianship.”—Denis Arnold, London Review of Books
Domenico Scarlatti

Domenico Scarlatti

Ralph Kirkpatrick

Princeton University Press
1983
pokkari
Again available in paperback, this definitive work on the genius of Domenico Scarlatti (1685-1757) is the result of twelve years of devoted effort by America's foremost harpsichordist and one of the principal authorities on eighteenth-century harpsichord music. Mr. Kirkpatrick traveled extensively to collect material that has tripled the known facts about Scarlatti's life, providing the first adequate biography of one of the greatest harpsichord composers of the eighteenth century and one of the most original composers of all time. The second half of his book is an illuminating study of Scarlatti's 555 sonatas, concluding with a chapter on their performance. The book contains extensive appendixes, including discussions of ornamentation and Scarlatti's vocal music, and an updated section of addenda and corrigenda.