Kirjahaku

This book, first published in 1935, is an examination of Hume’s theories of causal inference and belief in substance and his analysis of the understanding.

This book, first published in 1935, is an examination of Hume’s theories of causal inference and belief in substance and his analysis of the understanding.

First published in 1931, A Study in the Philosophy of Malebranche examines the theories which constitute the philosophical system of Malebranche. From the entire gamut of Malebranche’s works, Church specifically culls out and analyses theories pertaining to Malebranche’s vision in god; knowledge; occasionalism; and imagination and sense. These theories are embedded within Malebranche’s lifelong engagement with the works of Descartes and to some extent, St. Augustine. A philosopher often overlooked, A Study in the Philosophy of Malebranche has enduring relevance for students of philosophy and theology.

First published in 1931, A Study in the Philosophy of Malebranche examines the theories which constitute the philosophical system of Malebranche. From the entire gamut of Malebranche’s works, Church specifically culls out and analyses theories pertaining to Malebranche’s vision in god; knowledge; occasionalism; and imagination and sense. These theories are embedded within Malebranche’s lifelong engagement with the works of Descartes and to some extent, St. Augustine. A philosopher often overlooked, A Study in the Philosophy of Malebranche has enduring relevance for students of philosophy and theology.

First published in 1942, Bradley’s Dialectic is a competent survey of Bradley’s leading philosophical principles, together with its difficulties. The primary objective is to bring out in somewhat simple terms the essential character of Bradley’s dialectic. Here ‘dialectic’ means a method of elucidation. Professor Church’s appraisal of the pertinence of Bradley’s dialectic is heightened by his critical discussion of several less elucidated metaphysical features. In this connection, he submits a penetrating criticism of misrepresentations of Bradley’s views, especially in the important subject of Relations and its place in the structure and development of Thought. Although brief, Professor Church’s analysis is a vital study of crucial themes in philosophy, which will appeal to students of Philosophy and Metaphysics.

First published in 1942, Bradley’s Dialectic is a competent survey of Bradley’s leading philosophical principles, together with its difficulties. The primary objective is to bring out in somewhat simple terms the essential character of Bradley’s dialectic. Here ‘dialectic’ means a method of elucidation. Professor Church’s appraisal of the pertinence of Bradley’s dialectic is heightened by his critical discussion of several less elucidated metaphysical features. In this connection, he submits a penetrating criticism of misrepresentations of Bradley’s views, especially in the important subject of Relations and its place in the structure and development of Thought. Although brief, Professor’s Church’s analysis is a vital study of crucial themes in philosophy, which will appeal to students of Philosophy and Metaphysics.

First published in 1938, An Essay on Critical Appreciation aims to provide a language suited for the explication on beauty. This explication is not based merely on emotion but is motivated by contemplation and discrimination. By virtue of being rendered in a discourse, an appreciation can claim to be critical or discriminating and ‘beauty’ can be said to have characteristics. The search of such a language takes the author through the contemplation on the meaning of ‘beauty’, entertaining contrary views, and reaching at an understanding of the aesthetic situation. This book will be of interest to students of English literature, philosophy and art.

First published in 1938, An Essay on Critical Appreciation aims to provide a language suited for the explication on beauty. This explication is not based merely on emotion but is motivated by contemplation and discrimination. By virtue of being rendered in a discourse, an appreciation can claim to be critical or discriminating and ‘beauty’ can be said to have characteristics. The search of such a language takes the author through the contemplation on the meaning of ‘beauty’, entertaining contrary views, and reaching at an understanding of the aesthetic situation. This book will be of interest to students of English literature, philosophy and art.