Kirjahaku

Virtuosic in his use of literary forms, nurtured and unbounded by his identities as a Black man, a gay man, an intellectual, and a Southerner, Randall Kenan was known for his groundbreaking fiction. Less visible were his extraordinary nonfiction essays, published as introductions to anthologies and in small journals, revealing countless facets of Kenan's life and work.Flying under the radar, these writings were his most personal and autobiographical: memories of the three women who raised him--a grandmother, a schoolteacher great-aunt, and the great-aunt's best friend; recollections of his boyhood fear of snakes and his rapturous discoveries in books; sensual evocations of the land, seasons, and crops--the labor of tobacco picking and hog killing--of the eastern North Carolina lowlands where he grew up; and the food (oh the deliriously delectable Southern foods ) that sustained him. Here too is his intellectual coming of age; his passionate appreciations of kindred spirits as far-flung as Eartha Kitt, Gordon Parks, Ingmar Bergman, and James Baldwin. This powerful collection is a testament to a great mind, a great soul, and a great writer from whom readers will always wish to have more to read.

Virtuosic in his use of literary forms, nurtured and unbounded by his identities as a Black man, a gay man, an intellectual, and a Southerner, Randall Kenan was known for his groundbreaking fiction. Less visible were his extraordinary nonfiction essays, published as introductions to anthologies and in small journals, revealing countless facets of Kenan's life and work.Flying under the radar, these writings were his most personal and autobiographical: memories of the three women who raised him--a grandmother, a schoolteacher great-aunt, and the great-aunt's best friend; recollections of his boyhood fear of snakes and his rapturous discoveries in books; sensual evocations of the land, seasons, and crops--the labor of tobacco picking and hog killing--of the eastern North Carolina lowlands where he grew up; and the food (oh the deliriously delectable Southern foods ) that sustained him. Here too is his intellectual coming of age; his passionate appreciations of kindred spirits as far-flung as Eartha Kitt, Gordon Parks, Ingmar Bergman, and James Baldwin. This powerful collection is a testament to a great mind, a great soul, and a great writer from whom readers will always wish to have more to read.

"Nothing short of a wonder-book."--New York Times Book Review The story collection that hailed the arrival of an essential voice in southern literature--a sharp, rich exploration of what it means to poor, Black, and gay in the United States.A three-year-old boy begins to deliver messages from dead relatives. A zombie uprising is led by an evil preacher. A woman is haunted by a child her husband may have drowned. A pig talks. The stories in Let the Dead Bury Their Dead embody the type of fiction that defined Randall Kenan's career: set in the thinly veiled fictional Carolina town of Tims Creek, they follow a diverse cast of Southern folkways, and stare into a long shadow of history. A stunning mix of magic, myth, and folktales, Kenan masterfully portrays a world of varied voices, and in wondrous prose, brings to life the ghosts of our past and present.

In Kenan's fictional territory of Tims Creek, North Carolina, an old man rages in his nursing home, a parson beats up an adulterer, a rich man is haunted by a hog, and an elderly woman turns unwitting miracle worker. A retired plumber travels to Manhattan, where Billy Idol sweeps him into his entourage. An architect who lost his famous lover to AIDS reconnects with a high-school fling. Howard Hughes seeks out the woman who once cooked him butter beans.Shot through with humor and seasoned by inventiveness and maturity, Kenan riffs on appetites of all kinds, on the eerie persistence of history, and on unstoppable lovers and unexpected salvations. If I Had Two Wings is a rich chorus of voices and visions, dreams and prophecies, marked by physicality and spirit. Kenan's prose is nothing short of wondrous.

In Kenan's fictional territory of Tims Creek, North Carolina, an old man rages in his nursing home, a parson beats up an adulterer, a rich man is haunted by a hog, and an elderly woman turns unwitting miracle worker. A retired plumber travels to Manhattan, where Billy Idol sweeps him into his entourage. An architect who lost his famous lover to AIDS reconnects with a high-school fling. Howard Hughes seeks out the woman who once cooked him butter beans.Shot through with humor and seasoned by inventiveness and maturity, Kenan riffs on appetites of all kinds, on the eerie persistence of history, and on unstoppable lovers and unexpected salvations. If I Had Two Wings is a rich chorus of voices and visions, dreams and prophecies, marked by physicality and spirit. Kenan's prose is nothing short of wondrous.

A Visitation of Spirits, is the powerful story of Horace Cross, a popular and highachieving sixteen-year-old boy, who wrestles with the guilt of discovering who he is, a young man attracted to other men and yearning to escape the narrow confines of Tims Creek. Raised on stories of prophets, revelations, and dreams, his internal struggles take shape in his mind as demons and angels battling for his soul, culminating in one night of horrible and tragic transformation. Horace seeks help from his cousin, Reverend James "Jimmy" Greene, but he finds himself ill-prepared to help the boy, plagued by demons of his own. And as Horace spirals out of control, Jimmy must ask himself what it says about him and his community that they cannot reconcile the spirits of the past with those of the future. Weaving the mythos and the hard realities of rural Black life and easily gliding between past and present, A Visitation of Spirits is a classic novel of growing up from a literary giant. Outsider Classics is Dead Ink's resurrection ground for the strange, the silenced, and the outcasts. This series exhumes lost literary voices that were ahead of their time to restore them to the cult status they always deserved. From forgotten masterpieces to once-censored provocations, each title is a reaction against the canon curated for readers who want to stray into the margins and away from the mainstream.