Kirjahaku

As winter deepens in Pollard, Illinois, agoraphobe Francis Falbo is holed up in his attic apartment, recovering from a series of traumas: his mother's death, his wife's desertion, and his once-ascendant rock band's break-up. Francis hasn't shaved in months and hasn't changed out of his bathrobe for nine days. All he has left is his childhood home, whose remaining rooms he rents to a cast of eccentric tenants. Francis becomes increasingly entangled in their lives, with results that are disastrous, hysterical, and ultimately healing. KNOW YOUR BEHOLDER is an exploration of adulthood gone awry, a novel about what we do when our lives have crumbled and we must begin anew.

Fifteen years ago I killed my sister. So begins Adam Rapp's highly acclaimed play Nocturne, in which a 32-year-old former piano prodigy recounts the tragic events that tore his family apart. With a keen eye for human relationships and a deft ear for language, Rapp explores the aftershock of this unimaginable event. The father is so incapable of forgiveness he puts a gun in his son's mouth; the mother so shattered, she deserts the family and eventually takes leave of her sanity altogether; the son--only 17 years old at the time--sets out for New York City. There, he seeks an uneasy refuge in books and reinvents himself as a writer. Across the decade and a half that follows he tries to cope with the ramifications of his own anguish and estrangement while making a desperate search for redemption. A devastating, elegant, and gripping dissection of the American dream, Nocturne signals a brave new voice in American theater.

Recent plays from "one of the more daring young stylists working today" (David Cote, Time Out New York)Adam Rapp's plays have captivated audiences across the country with their unflinching explorations of the good, the bad, and the ugly in America's heartland and cities. Gathered here are three of his latest works: Faster, in which two young grifters try to strike a deal with the devil during the hottest summer on record; Finer Noble Gases, a lament for a band of arrested thirty-year-olds slouching toward adulthood amid East Village decay; and the Off-Broadway hit Stone Cold Dead Serious. An honest, strange, and humorous look at a blue-collar family struggling to survive in the face of disability and addiction, and the seemingly surreal lengths their teenage son will go to save them from themselves, the play prompted Bruce Weber to rave in The New York Times: "Rapp is very gifted, and, even rarer, he has something to say . . . Stone Cold Dead Serious [is] brave, compassionate, and . . . breathtakingly moving. It is the work of a playwright who is forging a real voice . . . Its rendering of the shared language of loved ones illustrates how families can remain intimate even when they are in shards. Its depiction of a working-class America that is unable to dream of anything beyond enduring is as sincerely sad a commentary on our culture as I've seen in recent memory. And its fear for young people is, unfortunately, deeply convincing."

In small-town America, a young adult novel about teen pregnancy is banned by the local school board, igniting a fierce and violent debate over abortion, religious beliefs, and modern feminism. Its directionless New York City author arrives in town to defend the book and finds that it has inspired a group of local teens to rebel in strange and unexpected ways. A timely and unforgettable drama about the failure of urban and heartland America to understand each other, "The Metal Children" explores what happens when fiction becomes a matter of life and death.

In "Essential Self-Defense", disgruntled misfit Yul Carroll takes a job as an attack dummy in a women's self-defence class and finds himself mysteriously drawn to Sadie, the repressed bookworm mercilessly honing her skills on him. Meanwhile, alls not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.