Kirjahaku

Marilyn Monroe has been gone for over sixty years, and yet people are still talking about her. What, exactly, is the spell she casts on so many? Stunning, exciting to watch, incredibly famous, Monroe lived a very public life and died young, with a sad suddenness. All of this is true, and yet there is so much more to her story. On Marilyn Monroe: An Opinionated Guide looks past the sensation to the real legacy -her richly varied body of work. Both during her life and following her death, Monroe was dismissed as more of a phenomenon than an actor, often an object of ridicule instead of a performer whose work could be taken seriously. Even when films such as The Seven Year Itch and Some Like It Hot saw immense success, Monroe seldom got her due as the inventive and accomplished performer she was. The truth that lay behind the dazzling surface was that she was one of the hardest working of actors. Rigorously applying both skillful technique and an inherent charisma, she was able to create truly unforgettable performances. In this lively guide, Richard Barrios looks beyond the ballyhoo and legend at Monroe's best-known films, and some that even today remain obscure. Besides her films, it also addresses the work she did on television and the stage, as well as her underrated abilities as a vocalist. Both an informative study and a perceptive critical assessment, On Marilyn Monroe: An Opinionated Guide gives this brilliant performer the attention she desired-that of an artist whose work deserves both examination and celebration.

Rapacious dykes, self-loathing closet cases, hustlers, ambiguous sophisticates, and sadomasochistic rich kids: most of what America thought it knew about gay people it learned at the movies. A fresh and revelatory look at sexuality in the Great Age of movie making, Screened Out shows how much gay and lesbian lives have shaped the Big Screen. Spanning popular American cinema from the 1900s until today, distinguished film historian Richard Barrios presents a rich, compulsively readable analysis of how Hollywood has used and depicted gays and the mixed signals it has given us: Marlene in a top hat, Cary Grant in a negligee, a pansy cowboy in The Dude Wrangler. Such iconoclastic images, Barrios argues, send powerful messages about tragedy and obsession, but also about freedom and compassion, even empowerment.Mining studio records, scripts, drafts (including cut scenes), censor notes, reviews, and recollections of viewers, Barrios paints our fullest picture yet of how gays and lesbians were portrayed by the dream factory, warning that we shouldn't congratulate ourselves quite so much on the progress movies - and the real world -- have made since Stonewall.Captivating, myth-breaking, and funny, Screened Out is for all film aficionados and for anyone who has sat in a dark movie theater and drawn strength and a sense of identity from what they saw on screen, no matter how fleeting or coded.

Rapacious dykes, self-loathing closet cases, hustlers, ambiguous sophisticates, and sadomasochistic rich kids: most of what America thought it knew about gay people it learned at the movies. A fresh and revelatory look at sexuality in the Great Age of movie making, Screened Out shows how much gay and lesbian lives have shaped the Big Screen. Spanning popular American cinema from the 1900s until today, distinguished film historian Richard Barrios presents a rich, compulsively readable analysis of how Hollywood has used and depicted gays and the mixed signals it has given us: Marlene in a top hat, Cary Grant in a negligee, a pansy cowboy in The Dude Wrangler. Such iconoclastic images, Barrios argues, send powerful messages about tragedy and obsession, but also about freedom and compassion, even empowerment.Mining studio records, scripts, drafts (including cut scenes), censor notes, reviews, and recollections of viewers, Barrios paints our fullest picture yet of how gays and lesbians were portrayed by the dream factory, warning that we shouldn't congratulate ourselves quite so much on the progress movies - and the real world -- have made since Stonewall.Captivating, myth-breaking, and funny, Screened Out is for all film aficionados and for anyone who has sat in a dark movie theater and drawn strength and a sense of identity from what they saw on screen, no matter how fleeting or coded.

Spanning nine decades and showcasing the most memorable songs, dazzling dancing, and brightest stars ever to grace the silver screen, Must-See Musicals is the guide to the greatest musicals of all time from the most trusted authority on film-Turner Classic Movies. Movie musicals have been a part of pop culture since films began to talk nine decades ago with the premiere of The Jazz Singer in the fall of 1927. Since then, musicals have sung and danced over a vast amount of territory. In their uniquely entertaining way, they can even transport us to A Hard Day's Night with the Beatles; The Sound of Music has become a religious experience for many; and eager throngs will still throw rice as they watch The Rocky Horror Picture Show. A great musical film is a timeless joy. Covering 50 of the best spanning the dawn of sound to the high-def present, Turner Classic Movies Must-See Musicals will be lushly illustrated and brightly written with reviews and "backstage" stories.

A captivating full account of a vital, exciting, and turbulent cultural moment: the making of ground-breaking classic West Side Story (1961).A major hit on Broadway, on film West Side Story became immortal. Unforgettable songs, an urgent love story, audacious choreography in real New York locations: West Side Story was a movie different from anything that had come before, but this cinematic victory came at a price.The film's enormous budget and complicated logistics made it a difficult production, and massive overruns in both cost and schedule led to tension between co-directors Robert Wise and Jerome Robbins. The result was Robbins being fired midway through the filming, a termination devastating to the film's star, Natalie Wood, who was also shattered upon discovering that she would not be permitted to do her own singing.Over nearly six decades, West Side Story has endured, past its off-screen dramas, as a classic. What other film makes such intrinsically powerful and brilliant use of dance? How many have been so emotionally meaningful, as set to Leonard Bernstein's music and Stephen Sondheim's lyrics? Plus, given its Shakespearean roots (Romeo and Juliet), how often is any film -- let alone a musical -- so simultaneously timeless and current? Small wonder that the film continues to be a favorite.The production and impact of this classic have been recounted, so far, only in vestiges. As written by film historian Richard Barrios, this book is a captivating account of a crucial and exciting cultural moment. West Side Story was a triumph that appeared to be very much of its time; over the years, and especially in this text, it has shown itself to be eternal.