Kirjahaku

Richard Cork is one of the most serious, most influential, and best-informed art critics in Britain today. These four volumes contain a selection of his articles from the seventies, eighties, nineties, and the year 2000. The result is a fascinating chronicle and invaluable record of a turbulent period that gives an overview and survey of British art and its reception over the past thirty years which is wholly unprecedented in its scope.

Richard Cork is one of the most serious, most influential, and best-informed art critics in Britain today. These four volumes contain a selection of his articles from the seventies, eighties, nineties, and the year 2000. The result is a fascinating chronicle and invaluable record of a turbulent period that gives an overview and survey of British art and its reception over the past thirty years which is wholly unprecedented in its scope.

Written by an international team of artists, art historians and curators, this absorbing and beautiful book gives readers unparalleled insights into the world’s most iconic artworks. Art: The Whole Story traces the development of art period by period, with the illustrated text covering every genre, from painting and sculpture to conceptual art and performance art. Cultural timelines are there too, to help to the reader with historical context. Masterpieces that epitomize each period or movement are highlighted and analysed in detail. Everything from use of colour and visual metaphors to technical innovations is explained, enabling you to interpret the meanings of world-famous masterpieces – Mughal miniatures; Japanese prints in the 19th century; the colour theories behind Seurat’s remarkable La Grande Jatte; and why Picasso’s Les Demoiselles d’Avignon was so shocking in its day.

Reflecting on the vitality of the past, through the works of one of Britain’s most audacious 20th-century painters The British painter David Bomberg (1890–1957) was among the most precociously talented artists of his generation, and the influence of his legacy continues to be felt. This catalogue is the first to explore Bomberg’s early work in relation to the collection of London’s National Gallery, demonstrating the importance of painterly tradition for this deeply innovative artist. As a teenager Bomberg intensively copied old master paintings; Botticelli’s Portrait of a Young Man (c. 1480–85) was reportedly one of his favorites. But after joining the Slade School of Art, he embraced the idea of a new, increasingly abstract art that would reflect the drama of the world around him. By placing Bomberg’s rebellious, youthful works alongside those he most admired in the National Gallery, this book explores the true extent of the young artist’s engagement with history, and how it shaped his contribution to the language of early 20th-century modernist art.Published by National Gallery Company/Distributed by Yale University PressExhibition Schedule:National Gallery, London (November 27, 2019–March 1, 2020)

Ann Christopher RA is a non-figurative sculptor who works primarily in cast bronze, stainless steel, silver and fabricated Corten steel; her output comprises both large and small sculptures and site-specific commissions. Christopher's elegant and understated works reveal connections with a vast spectrum of sources from across the globe, such as rock formations in Israel, fossils from the Cretaceous chalks of Hertfordshire, prehistoric standing stones in Avebury and early Aegean figurines. The marks Christopher makes on her works are suggestive both of natural processes, such as weathering, and the forms and tools of mechanised industry. Christopher has been exhibiting sculpture for over 45 years. During that period she has won many awards and prizes, including the Silver Medal for Sculpture of Outstanding Merit by the Royal Society of British Sculptors and the Otto Beit Medal of Sculpture of Outstanding Merit. She is a fellow of the Royal Society of British Sculptors and was elected a Royal Academician in 1989. She lives and works near Bath.