Kirjahaku

Famed for his charming illustrations of elves, fairies, and gnomes, the prominent Victorian artist Richard Doyle (1824-1883) produced a host of these delightful characters for The Princess Nobody: A Tale of Fairyland, a book he created with British author Andrew Lang in 1884.Illustrator Marty Noble has skillfully adapted 29 of the English artist's most delightful watercolors from that enchanting book. Brimming with a multitude of nature s tiniest creatures of the air, field, and stream, the collection also features pixies, imps, and a petite princess and an equally diminutive prince. These captivating figures can be brought to life by colorists and fairyland devotees as they apply their own hues to enchanting scenes of mischievous sprites at play. Captions accompany each illustration."

Before he joined the staff of Punch and designed its iconic front cover, illustrator Richard "Dicky" Doyle was a young man whose father (political caricaturist John Doyle) charged him with sending a weekly letter, even though they lived under the same roof. This volume collects the fifty-three illustrated missives in their entirety for the first time and provides an uncommon peek into the intimate but expansive observations of a precocious social commentator and artist. In a series of vivid manuscript canvases, Doyle observes Victorian customs and society. He visits operas, plays, and parades. He watches the queen visiting the House of Commons and witnesses the state funeral of the Duke of Sussex. He is caught up in the Chartist riots of August 1842 and is robbed during one of the melees. And he provides countless illustrations of ordinary people strolling in the streets and swarming the parks and picture galleries of the metropolis. The sketches offer a fresh perspective on major social and cultural events of London during the early 1840s by a keen observer not yet twenty years old. Doyle's epistles anticipate the modern comic strip and the graphic novel, especially in their experimentation with sequential narrative and their ingenious use of space. The letters are accompanied by a full biographical and critical introduction with new material about Doyle's life.

Take a journey of discovery through the visual and literary works of artist and poet Richard Doyle. Whether it be the soft tones of a watercolor painting, or the soft words of an inspirational poem, there is something for everyone in this diverse display of artistic and literary talent. All works are unique to the author and include original paintings, photography, poems, quotes, and haiku's.

What do biologists study when they study "life" today? Drawing on tools from rhetoric and poststructuralist theory, the author argues that the ascent of molecular biology, with its emphasis on molecules such as DNA rather than organisms, was enabled by crucial rhetorical "softwares." Metaphors such as the genetic "code" made possible a transformation of the very concept of life, a transformation that often casts organisms as information systems. With careful readings of key texts from the history of molecular biology—such as those of Erwin Schrödinger, George Gamow, Jacques Monod, and François Jacob—the author maps out the complex relations between the practices of rhetoric and the technoscientific triumphs they accompanied, triumphs that bolstered a "postvital" biology that increasingly elides and questions the boundary between organisms and machines. There have been many popular books, and a few academic ones, on the Human Genome Initiatives. On Beyond Living is a genealogy of these initiatives, a map of how we have come to equate human beings with "information." Melding contemporary theory with scientific discourse, it is certain to provoke discussion (and controversy) in the fields of cultural studies, theory, and science with its penetrating inquiries into the relations between rhetoric and technoscience.

The mind of the machine, the body suspended in time, organs exchanged, thought computed, genes manipulated, DNA samples abducted by aliens: the terrain between science and speculation, fraught with the possibility of technological and perhaps even evolutionary transformations, is the territory Richard Doyle explores in Wetwares. In a manner at once sober and playful, Doyle maps potentials for human transformation by new ecologies of information in the early twenty-first century. Wetwares ranges over recent research in artificial life, cloning, cryonics, computer science, organ transplantation, and alien abduction. Moving between actual technical practices, serious speculative technology, and science fiction, Doyle shows us emerging scientific paradigms where "life" becomes more a matter of information than of inner vitality--in short, becomes "wetwares" for DNA and computer networks. Viewing technologies of immortality--from cryonics to artificial life--as disciplines for welcoming a thoroughly other future, a future of neither capital, god, human, nor organism, the book offers tools for an evolutionary, transhuman mutation in the utterly unpredictable decades to come.

A dizzying tour of the ways technologies, both real and imagined, can transform humanityThe mind of the machine, the body suspended in time, organs exchanged, thought computed, genes manipulated, DNA samples abducted by aliens: the terrain between science and speculation, fraught with the possibility of technological and perhaps even evolutionary transformations, is the territory Richard Doyle explores in Wetwares. In a manner at once sober and playful, Doyle maps potentials for human transformation by new ecologies of information in the early twenty-first century.Wetwares ranges over recent research in artificial life, cloning, cryonics, computer science, organ transplantation, and alien abduction. Moving between actual technical practices, serious speculative technology, and science fiction, Doyle shows us emerging scientific paradigms where “life” becomes more a matter of information than of inner vitality-in short, becomes “wetwares” for DNA and computer networks. Viewing technologies of immortality-from cryonics to artificial life-as disciplines for welcoming a thoroughly other future, a future of neither capital, god, human, nor organism, the book offers tools for an evolutionary, transhuman mutation in the utterly unpredictable decades to come.

"An Old Fairy Tale - The Sleeping Beauty" is a 1865 poem by J. R. Planch and illustrated by The Brothers Dalziel. Based on the classic fairytale, it involves a beautiful princess, a sleeping enchantment, and a handsome prince. James Robinson Planch (1796 - 1880) was a British antiquary, dramatist, and officer of arms. Over a sixty-year period he produced, collaborated on, or adapted 176 plays over a variety of genres farce, extravaganza, comedy, burletta, opera, and melodrama. The Brothers Dalziel were a prolific firm of Victorian engravers founded by Edward Dalziel and his brother George Dalziel in 1839. Their other two brothers, John Dalziel and Thomas Dalziel also joined the firm later; all four were the sons of Alexander Dalziel of Wooler. Together, they produced a large amount of illustrations with a variety of significant Victorian artists, including Arthur Boyd Houghton, John Gilbert, John Everett Millais, and john Tenniel. Some notable works they contributed to include Edward Lear's "Book of Nonsense" (1862) and Lewis Carroll's "Alice in Wonderland" and "Through the Looking-Glass". Pook Press celebrates the great 'Golden Age of Illustration' in children's literature - a period of unparalleled excellence in book illustration from the 1880s to the 1930s. The collection showcases classic fairy tales, children's stories, and the work of some of the most celebrated artists, illustrators and authors.

The story of Jack, the intrepid little boy whose courage and ingenuity defeated a host of many-headed giants several times his size, is an English folk-tale that must have been told often in the Victorian nursery of the Doyle family.

ondon faces the worst disaster in its history… It was to be the day the American President drove in state through the streets of the UK’s capital city. But the lethal combination of a gigantic freak storm and an unusually high tide launch a devastating thirty-foot surge of water up the Thames. By the middle of the morning London’s streets are already under several feet of water – and the level is still rising. What follows is a catastrophe on an unimaginable scale. Homes are swept away by an unprecedented wave of destruction. A power station explodes like a bomb. Parts of the city are flooded to a depth of twenty feet. Countless lives are lost. And there is yet more water to come. Told with chilling and rigorous detail, Deluge is a terrifyingly convincing imagining of London’s ultimate nightmare scenario. Read it if you dare! ____________ ‘A classic of the disaster genre’ ALISTAIR YOUNG ‘Cataclysmic’ SUNDAY TELEGRAPH ‘Another TOWERING INFERNO’ DAILY TELEGRAPH

The Foreign Tour Of Messrs. Brown, Jones, And Robinson: Being The History Of What They Saw And Did In Belgium, Germany, Switzerland & Italy has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.