Kirjahaku

This book suggests that the Old English epic Beowulf was composed in the winter of 826-7 as a requiem for King Beornwulf of Mercia on behalf of Wiglaf, the ealdorman who succeeded him. The place of composition is given as the minster of Breedon on the Hill in Leicestershire (now Derbyshire) and the poet is named as the abbot, Eanmund. As well as pinpointing the poem's place and date of composition, Richard North raises some old questions relating to the poet's influences from Vergil and from living Danes. Norse analogues are discussed in order to identify how the poet changed his heroic sources while four episodes from Beowulf are shown to be reworked from passages in Vergil's Aeneid. One chapter assesses how the poem's Latin sources might correspond with what is known of Breedon's now-lost library while another seeks to explain Danish mythology in Beowulf by arguing that Breedon hosted a meeting with Danish Vikings in 809. This fascinating and challenging new study combines careful detective work with meticulous literary analysis to form a case that no future investigation will be able to ignore.

Heathen gods are hard to find in Old English literature. Most Anglo-Saxon writers had no interest in them, and scholars today prefer to concentrate on the Christian civilization for which the Anglo-Saxons were so famous. Richard North offers an interesting view of Anglo-Saxon and Scandinavian paganism and mythology in the pre-Viking and Viking age. He discusses the pre-Christian gods of Bede's history of the Anglo-Saxon conversion with reference to an orgiastic figure known as Ingui, whom Bede called 'god of this age'. Using expert knowledge of comparative literary material from Old Norse-Icelandic and other Old Germanic languages, North reconstructs the slender Old English evidence in a highly imaginative treatment of poems such as Deor and The Dream of the Rood. Other gods such as Woden are considered with reference to Odin and his family in Old Norse-Icelandic mythology. In conclusion, it is argued that the cult of Ingui was defeated only when the ideology of the god Woden was sponsored by the Anglo-Saxon church. The book will interest students interested in Old English, Old Norse-Icelandic and Germanic literatures, Anglo-Saxon history and archaeology.

Heathen Gods are hard to find in Old English literature. Most Anglo-Saxon writers had no interest in them, and scholars today prefer to concentrate on the Christian civilisation for which the Anglo-Saxons were so famous. Richard North offers a complete revision of our view of Anglo-Saxon and Scandinavian paganism and mythology in the pre-Viking and Viking age. He discusses the pre-Christian gods of Bede’s history of the Anglo-Saxon conversion with reference to an orgiastic figure known as Ingui, whom Bede called ‘god of this age’. Using expert knowledge of comparative literary material from Old Norse-Icelandic and other Old Germanic languages, Richard North reconstructs the slender Old English evidence in a highly imaginative and wholly original treatment of poems such as Deor and The Dream of the Rood. Other gods such as Woden are considered with reference to Odin and his family in Old Norse-Icelandic mythology, with the aid of the latest historical and archaeological research. In conclusion, it is argued that the cult of Ingui was defeated only when the ideology of the god Woden was sponsored by the Anglo-Saxon church. The book will interest a range of scholars in departments of Old English, Old Norse-Icelandic and Germanic literatures, Anglo-Saxon history and archaeology.

Though space may be dividing, And seas may roll between, Kind thoughts are still abiding, To keep fond memories green.So take this thought in greeting, With all its sweet goodwill, And may our next glad meeting, Find unchanged the old love still.This poem, titled To the Absent One, was written over a hundred years ago and reflects the thoughts of most servicemen's families who were separated during the First World War. Much has been written about the servicemen who did not return from the war and whose names are recalled each year on Remembrance Day. Far less is known about the lives of those who did return home having served their country.Following the publication of For Them's Sake in 2017, which told the stories of the servicemen named on the Northchurch War memorial in Hertfordshire, amateur historian Richard North now tells the stories of those who were sent off to war and returne

Though space may be dividing, And seas may roll between, Kind thoughts are still abiding, To keep fond memories green.So take this thought in greeting, With all its sweet goodwill, And may our next glad meeting, Find unchanged the old love still.This poem, titled To the Absent One, was written over a hundred years ago and reflects the thoughts of most servicemen's families who were separated during the First World War. Much has been written about the servicemen who did not return from the war and whose names are recalled each year on Remembrance Day. Far less is known about the lives of those who did return home having served their country.Following the publication of For Them's Sake in 2017, which told the stories of the servicemen named on the Northchurch War memorial in Hertfordshire, amateur historian Richard North now tells the stories of those who were sent off to war and returne

One of the earliest preserved Skaldic poems, which were based on highly complex rules of alliteration and metre, this 10th-century work praises the gift of a painted shield depicting mythological scenes. This is a bilingual edition of the poem.

Investigates the relationship between two texts separated by hundreds of years and nearly two thousand miles. In the saga, Grettir fights a giant who wields a hepti-sax; in the poem, Beowulf uses a hæft-mece on Grendel's mother. These two unique words for "hafted blade" appear to be related. Can the same be said for the works that surround them? This book says yes, arguing not that the weapons have a common origin, nor that their likeness is a coincidence, but that Grettis saga has borrowed from Beowulf. The case for a textual loan begins in the context of England's connection with Denmark in the reign of Cnut the Great (1016-35). This book argues that Cnut took an interest in Scyld and the Scyldings of Beowulf and that his skalds transformed these names into "Skjoldr" and the "Skjoldungar". The Beowulf manuscript is placed in Lichfield in 1017, with the suggestion that it was commissioned by Eadric Streona as a gift for Earl Thorkell of Skåne. It is proposed that in 1159 a copy of Beowulf was brought from Lincoln to Iceland to serve the interests of a family that claimed descent from Skjoldr, that in the 1180s the poem influenced Skjoldunga saga, and that in the 1190s Beowulf went north to Þingeyrar abbey, where Oddr the Monk, author of Grettis saga, used it to enhance Grettir's fights with Glámr and the trolls of Bárðardalr. This is a daring book that sheds new light on the circulation of Beowulf, on questions of dating and patronage, and on the authorship of Grettis saga.