Kirjahaku

The Sexual Imperative in the Novels of Sir Henry Rider Haggard is a detailed study of the development of the theme of the sexual imperative primarily through the prism of ten of Haggard’s novels, a largely unexplored area of his fiction, and also through some of his contemporary romances. Filling an important gap in Haggard scholarship, which has traditionally tended to focus on his early romances and their political and psychological resonances, the book contributes to wider current debates on Victorian and turn-of-the-century literature. This volume explores the relationship between Haggard’s fictional rendition of the sexual imperative and aspects of his personal history, proposing that his preoccupation with the subject constitutes, in significant part, an outworking of deeply personal sexual and emotional issues. Relating Haggard’s fiction to the literary and social context in which he wrote, Richard Reeve contends that although Haggard’s treatment of this theme is not nearly as adventurous as that of some of his literary contemporaries, his repeated consideration of what he regarded as the most important human driver lends his fiction a strength and integrity which has not been fully recognized.

The Sexual Imperative in the Novels of Sir Henry Rider Haggard is a detailed study of the development of the theme of the sexual imperative primarily through the prism of ten of Haggard’s novels, a largely unexplored area of his fiction, and also through some of his contemporary romances. Filling an important gap in Haggard scholarship, which has traditionally tended to focus on his early romances and their political and psychological resonances, the book contributes to wider current debates on Victorian and turn-of-the-century literature. This volume explores the relationship between Haggard’s fictional rendition of the sexual imperative and aspects of his personal history, proposing that his preoccupation with the subject constitutes, in significant part, an outworking of deeply personal sexual and emotional issues. Relating Haggard’s fiction to the literary and social context in which he wrote, Richard Reeve contends that although Haggard’s treatment of this theme is not nearly as adventurous as that of some of his literary contemporaries, his repeated consideration of what he regarded as the most important human driver lends his fiction a strength and integrity which has not been fully recognized.

Much sought after by oil companies, ‘generation kitchens’ are sites where geological forces have combined to create conditions for oil production. By turns brooding and wittily observant, Richard Reeve’s fifth book of poetry meditates on the intrigues of fossil fuel companies and ecological despoliation, but also on personal rites of passage – on relationships, deaths, the turn of the seasons. Oracular and bardic, Reeve’s work is also paradoxically down to earth and gritty. He knows that, beyond the geopolitical framework, beyond the anthropocene moment, the landscape endures.