Kirjahaku

This book examines the relationship between the writings of Henry James and the historical formation of mass culture. Throughout his career, James was concerned with such characteristically modern cultural forms as advertising, biography and the New Journalism, forms which together constituted the 'devouring publicity' of modern life. Richard Salmon's study situates James's fiction and criticism within the context of the contemporary debates surrounding these rival discursive practices. He explores both the nature of James's contribution to the critique of mass culture and the extent of his immersion within it. James's persistent and ambivalent negotiation of the boundaries between private and public experience ranged from a defence of the artist's right to privacy, to his own counter-practice of publicity.

This book examines the relationship between the writings of Henry James and the historical formation of mass culture. Throughout his career, James was concerned with such characteristically modern cultural forms as advertising, biography, and the new journalism, forms which together he termed the ‘devouring publicity’ of modern life. Richard Salmon’s study situates James’s fiction and criticism within the context of the contemporary debates surrounding these rival discursive practices. He explores both the nature of James’s contribution to the critique of mass culture and the extent of his immersion within it. James’s persistent and ambivalent negotiation of the boundaries between private and public experience ranged from a defence of the artist’s right to privacy, to his own counter-practice of self-publicity. By drawing upon contemporary critical theory, Salmon offers a reassessment of the politics of James’s cultural criticism.

Written by a Victorian literature and culture specialist, this study examines Thackeray's writings, including novels, shorter fiction, journalism and criticism, locating their generic diversity and persistent critical concerns within the specific material contexts of early mid-19th century literary culture.

Written by a Victorian literature and culture specialist, this study examines Thackeray's writings, including novels, shorter fiction, journalism and criticism, locating their generic diversity and persistent critical concerns within the specific material contexts of early mid-19th century literary culture.

Written by a Victorian literature and culture specialist, this study examines Thackeray's writings, including novels, shorter fiction, journalism and criticism, locating their generic diversity and persistent critical concerns within the specific material contexts of early mid-19th century literary culture.

Richard Salmon provides an original account of the formation of the literary profession during the late Romantic and early Victorian periods. Focusing on the representation of authors in narrative and iconographic texts, including novels, biographies, sketches and portrait galleries, Salmon traces the emergence of authorship as a new form of professional identity from the 1820s to the 1850s. Many first-generation Victorian writers, including Carlyle, Dickens, Thackeray, Martineau and Barrett-Browning, contributed to contemporary debates on the 'Dignity of Literature', professional heroism, and the cultural visibility of the 'man of letters'. This study combines a broad mapping of the early Victorian literary field with detailed readings of major texts. The book argues that the key model of professional development within this period is embodied in the narrative form of literary apprenticeship, which inspired such celebrated works as David Copperfield and Aurora Leigh, and that its formative process is the 'disenchantment of the author'.

Richard Salmon provides an original account of the formation of the literary profession during the late Romantic and early Victorian periods. Focusing on the representation of authors in narrative and iconographic texts, including novels, biographies, sketches and portrait galleries, Salmon traces the emergence of authorship as a new form of professional identity from the 1820s to the 1850s. Many first-generation Victorian writers, including Carlyle, Dickens, Thackeray, Martineau and Barrett-Browning, contributed to contemporary debates on the 'Dignity of Literature', professional heroism, and the cultural visibility of the 'man of letters'. This study combines a broad mapping of the early Victorian literary field with detailed readings of major texts. The book argues that the key model of professional development within this period is embodied in the narrative form of literary apprenticeship, which inspired such celebrated works as David Copperfield and Aurora Leigh, and that its formative process is the 'disenchantment of the author'.

The Mechanic’s Tale is the story as told by a man who was both a devoted fan and a loyal team member of British Racing Motors. He saw firsthand the repeated failures and humiliating times of the 1950_x0019_s, from the gradual progress of winning minor races, to Jo Bonnier winning the first World Championship Grand Prix in Holland in 1959. The team gained the ultimate honour in 1962, when, in East London, South Africa, Graham Hill drove the BRM to victory to win both the Drivers’ World Championship and the Constructors’ Championship for the BRM team, thereby making a considerable contribution to British motor racing history. Probably for the first time, criticism is levelled at both Louis Stanley and the introduction of the H16 engine as contributory factors to the failure of British Racing Motors – Louis Stanley for his freeloading extravagance, and the rather foolish decision by the management to specify such a complicated and bulky power unit. This book is a fascinating insight into the British motor racing industry of the ’50s and ’60s.