Kirjahaku

With the passing of a new state law, it becomes a felony to harbor an undocumented immigrant in Oklahoma. So when Robert John Brown, a churchgoing family man and respected community member, is caught hiding a barnful of migrant workers with no papers, he is arrested and sent to prison. Meanwhile, his ten-year-old grandson Dustin tries to help the sole escapee of the raid reunite with his family, and his granddaughter, Misty, is struggling to raise her daughter alone after her husband, an undocumented immigrant himself, has been deported. Then there's Brown's daughter Sweet, who finds her life unraveling: her father is refusing to speak in court to defend himself, her nephew is missing, her niece is in need of shelter, and the stress of it all is destroying her marriage.Rilla Askew's brilliant, hilarious, and heartfelt novel follows a handful of complicated lawmakers and lawbreakers as workers are exiled, friends turn informers, and families are torn apart in a statewide exodus of Hispanics. In the end, Kind of Kin reveals how an ad hoc family, and an entire town, will unite to do anything necessary to protect its own.

A FINALIST FOR THE PEN/FAULKNER AWARD An epic story that takes place on the dusty, remorseless Oklahoma frontier, where two brothers are deadlocked in a furious rivalry Fayette is an enterprising schemer hoping to cash in on his brother's talents as a gunsmith. John, determined not to repeat the crime that forced both families to flee their Kentucky homes, doggedly follows his tenacious brother west, while he watches his own family disintegrate. Wondrously told through the wary eyes of John's ten-year-old daughter, Mattie, whose gift of premonition proves to be both a blessing and a curse, The Mercy Seat resounds with the rhythms of the Old Testament even as it explores the mysteries of the Native American spirit world. Sharing Faulkner's understanding of the inescapable pull of family and history, and Cormac McCarthy's appreciation of the stark beauty of the American wilderness, Rilla Askew imbues this momentous work with her tremendous energy and emotional range. It is an extraordinary novel from a prodigious talent.

“A haunting, engrossing portrait of two families – one white, one black – whose lives are woven together and then shattered” (The Washington Post) by the 1921 Tulsa Race MassacreOil-boom opulence, fear, hate, and lynchings are the backdrop for this riveting novel, originally published in 2001. Althea Whiteside, an oil-wildcatter’s high-strung white wife, and her enigmatic black maid, Graceful, share a complex connection during the tense days of the Oklahoma oil rush. Their juxtaposing stories – and those of others close to them – unfold as tensions mount to a violent climax in the Tulsa Race Massacre of 1921, during which whites burned the city’s prosperous black neighborhood to the ground. The massacre becomes the crucible that melds and tests each of the character in this masterful exploration of the American race story and the ties that bind us irrevocably to one another.

A love story about Dust Bowl heroes who didn't leave for CaliforniaHarlan Singer, a harmonica-playing troubadour, shows up in the Thompson family's yard one morning. He steals their hearts with his music, and their daughter with his charm. Soon he and his fourteen-year-old bride, Sharon, are on the road, two more hobos of the Great Depression, hitchhiking and hopping freights across the Great Plains in search of an old man and the settlement of Harlan's long-standing debt.Finding shelter in hobo jungles and Hoovervilles, the newlyweds careen across the 1930s landscape in a giant figure eight with Oklahoma in the middle. Sharon's growing doubts about her husband's quest set in motion events that turn Harlan Singer into a hero while blinding her to the dark secret of his journey. A love story infused with history and folk tradition, Harpsong shows what happened to the friends and neighbors Steinbeck's Joads left behind.In this moving, redemptive tale inspired by Oklahoma folk heroes, Rilla Askew continues her exploration of the American story. Harpsong is a novel of love and loss, of adventure and renewal, and of a wayfaring orphan's search for home - all set to the sounds of Harlan's harmonica. It shows us the strength and resilience of a people who, in the face of unending despair, maintain their faith in the land.

The strangeness of life and death play out in a fictional American small townLyla Mae Muncy meets her first love at Falls Creek Baptist Assembly Summer Bible Church Camp - and regrets it on their awkward first date. After years of being nagged about lumpy gravy, abused wife Lois pulls out a shotgun to wrap up breakfast her way. In a tender moment, an old man speaks from beyond the grave about his wife's final goodbye at his funeral. Experience, memory, and town-consciousness bind this collection of ten stories spanning twenty-five years in fictitious Cedar, Oklahoma. From the fears and discoveries of childhood, through the revelations of adolescence, into the troubled years of adulthood and decline into old age and death, Rilla Askew uncannily makes each of her characters' experiences our own.

Lincolnshire, 1537. Amid England’s religious turmoil, fifteen-year-old Anne Askew is forced to take her dead sister’s place in an arranged marriage. The witty, well-educated gentleman’s daughter is determined to free herself from her abusive husband, harsh in-laws, and the cruel strictures of her married life. But this is the England of Henry VIII, where religion and politics are dangerously entangled. A young woman of Anne’s fierce independence, Reformist faith, uncanny command of plainspoken scripture, and—not least—connections to Queen Katheryn Parr’s court cannot long escape official notice, or censure. In a deft blend of history and imagination, award-winning novelist Rilla Askew brings to life a young woman who defied the conventions of her time, ultimately braving torture and the fire of martyrdom for her convictions. A rich evocation of Reformation England, from the fenlands of Lincolnshire to the teeming religious underground of London to the court of Henry VIII, this gripping tale of defiance is as pertinent today as it was in the sixteenth century. While skillfully portraying a significant historical figure—one of the first female writers known to have composed in the English language—Prize for the Fire renders the inner life of Anne Askew with a depth and immediacy that transcend time.

Your Grandpa is a felon and a Christian. He says he's a felon because he's a Christian. So says Aunt Sweet to her nephew Dustin, when her father, who has been raising Dustin, is arrested for hiding migrant workers. The law that makes harbouring 'illegals' an offence is the brainchild of the ferociously ambitious Oklahoma politician Monica Moorehouse. Aunt Sweet takes Dustin in, but Dustin is bullied by her son, and so goes on the run, aided by an illegal the sheriffs didn't find. Meanwhile, Sweet is asked by Dustin's married sister to hide her husband, a Mexican without papers. As Grandpa Brown holds fast to his beliefs and Dustin remains missing, Aunt Sweet fights to hold the family together, and to do what seems right. In a gripping and compelling narrative, Kind of Kin lays bare the consequences of a law that exiles workers, turns friends into informers, and tears apart families. It also shows how some - and ultimately a whole town - will unite to protect their own.

From the author of The Mercy Seat and Fire in Beulah comes a new collection of six stories troubled by ghosts that linger in our present moment. Set primarily in eastern Oklahoma during the 1970s, The Hungry and the Haunted is Rilla Askew’s testament to young women and other outsiders navigating relationships, social change, and the power of place during increasingly precarious times. Some haunted by ancient wrongs, others yearning to escape or reckoning with primal griefs, each character wrestles with the bonds that wound them and the places that keep them tethered to their roots. This collection is not to be missed by anyone interested in questions of what becomes of our stories as we struggle to write them ourselves.Known for her award-winning historical fiction, Askew evokes with resonant period detail the lives of earlier generations in these stories that speak to our current era of fragility and change.

2018 PEN America Literary Award Finalist! In her first nonfiction collection, award-winning novelist Rilla Askew casts an unflinching eye on American history, both past and present. As she traverses a line between memoir and social commentary, Askew places herself - and indeed all Americans - in the role of witness to uncomfortable truths about who we are. Through nine linked essays, Most American: Notes from a Wounded Place evokes a vivid impression of the United States: police violence and gun culture, ethnic cleansing and denied history, spellbinding landscapes and brutal weather. To render these conditions in the particulars of place, Askew spotlights the complex history of her home state. From the Trail of Tears to the Tulsa Race Riot to the Murrah Federal Building bombing, Oklahoma appears as a microcosm of our national saga. Yet no matter our location, Askew argues, we must own our contradictory selves - our violence and prejudices, as well as our hard work and generosity - so the wounds of division in our society can heal. In these writings, Askew traces a personal journey that begins with her early years as an idealistic teenager mired in what she calls ""the presumption of whiteness."" Later she emerges as a writer humble enough to see her own story as part of a larger historical and cultural narrative. With grace and authority she speaks honestly about the failures of the dominant culture in which she grew up, even as she expresses a sense of love for its people. In the wake of increasing gun violence and heightened national debate about race relations and social inequality, Askew's reflections could not be more relevant. With a novelist's gift for storytelling, she paints a compelling portrait of a place and its people: resilient and ruthless, decent but self-deceiving, generous yet filled with prejudice - both the best and the worst of what it means to be American.

For many people who have never spent time in the state, Oklahoma conjures up a series of stereotypes: rugged cowboys, tipi-dwelling American Indians, uneducated farmers. When women are pictured at all, they seem frozen in time: as the bonneted pioneer woman stoically enduring hardship or the bedraggled, gaunt-faced mother familiar from Dust Bowl photographs. In Red Dirt Women, Susan Kates challenges these one-dimensional characterizations by exploring - and celebrating - the lives of contemporary Oklahoma women whose experiences are anything but predictable.In essays both intensely personal and universal, Red Dirt Women reveals the author's own heartaches and joys in becoming a parent through adoption, her love of regional treasures found in ""junk"" stores, and her deep appreciation of Miss Dorrie, her son's unconventional preschool teacher. Through lively profiles, interviews, and sketches, we come to know pioneer queens from the Panhandle, rodeo riders, casino gamblers, roller-derby skaters, and the ""Lady of Jade"" - a former ""boat person"" from Vietnam who now owns a successful business in Oklahoma City.As she illuminates the lives of these memorable Oklahoma women, Kates traces her own journey to Oklahoma with clarity and insight. Born and raised in Ohio, she confesses an initial apprehension about her adopted home, admitting that she felt ""vulnerable on the open lands."" Yet her original unease develops into a deep affection for the landscape, history, culture, and people of Oklahoma.The women we meet in Red Dirt Women are not politicians, governors' wives, or celebrities - they are women of all ages and backgrounds who surround us every day and who are as diverse as Oklahoma itself.