Kirjahaku

Because Charles Wright occupies a large space in contemporary American poetry, it is only natural that his readers over the years have wanted to engage him in conversation and discover more about his career and inspirations. In this collection of richly detailed interviews conducted between 1979 and 2006, Wright eloquently discusses a range of topics, including the beginning of his poetic career in Italy, his experiences at the University of Iowa, the American and European influences on his work, contemporary poets he admires, his place in Southern literature, the art of translating poetry, and such formal matters as his lineation and rhythmic phrasing, his use of syllabics, and the development of his characteristic style. An extensive bibliography of writings by and about Wright supplements the interviews.

This companion covers Charles Wright's first two trilogies, Country Music (1982) and The World of the Ten Thousand Things (1990), providing biographical details, information on Wright's sources and influences, and historical notes. It pays special attention to the way that Wright's poems work together and the links that are formed between them. While each poem is given its own commentary, the author argues that they work together in a concentrated whole to document a man's spiritual journey.

Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.

Canadian literary theorist Northrop Frye reshaped literary studies with his 1957 book Anatomy of Criticism. During his long career, Frye earned widespread recognition and honors for his contributions to cultural and social critique. This biographical and bibliographic guide to Frye and his work includes a chronology of his life and writings, a catalog of primary and secondary materials, a list of conferences devoted to him, annotations in books in his personal library, his honorary degrees, dissertations under his direction, the application of his criticism in other disciplines, and his role in the Bodley Club as an Oxford student. Lists of books and journals dedicated to his work and of the volumes in his Collected Works complete this exhaustive compilation on one of the most influential literary critics of the 20th century.

Even the casual reader will notice a strong preoccupation with religion in the work of Northrop Frye. In his latest book, however, the esteemed Frye scholar Robert Denham shows that it played a far greater role than has been assumed - religion was in fact central to practically everything Frye wrote. Denham's focus shifts the emphasis from Anatomy of Criticism, Frye's most famous work, and places it on those works with which Frye began and ended his career - the early Fearful Symmetry and, fifty years later, his two studies of the Bible and The Double Vision. This reevaluation is based on a close examination of Frye's religiously charged language and aided by Denham's remarkable and unique access to Frye's notebooks. The notebooks' contents not only expand on ideas laid out in Frye's published works but also touch on subjects most readers would not associate with Frye, such as his wide reading in both Eastern religious texts and in esoteric traditions ranging from astrology to the Kabbalah. Denham does not attempt to distill a theology from Frye's work; rather, he seeks to trace the movement of Frye's thought, demonstrating the imaginative use to which he put his wide-ranging reading. The result is a pivotal work, redefining our understanding of one of the most important humanists of the twentieth century.

Eminent Northrop Frye scholar Robert D. Denham explores the connection between Frye and twelve writers who influenced his thinking but about whom he didn’t write anything expansive. Denham draws especially on Frye’s notebooks and other previously unpublished texts, now available in the Collected Works of Frye. Such varied thinkers as Aristotle, Lewis Carroll, Søren Kierkegaard, and Paul Tillich emerge as important figures in defining Frye’s cross-disciplinary interests. Eventually, the twelve “Others” of the title come to represent a space occupied by writers whose interests paralleled Frye’s and helped to establish his own critical universe.