Kirjahaku

How Tennessee reformers reconciled Southern heritage with rising nationalism, weaving the Lost Cause into the fabric of American progress and identityThe Lost Cause and the Great War tells the stories of central Tennessee Progressive-era reformers to illustrate the fascinating broader issue of how Southerners steeped in Lost Cause Civil War mythologies simultaneously developed patriotic American fervor. Focusing on Luke Lea, a prominent politician and American army officer who attempted to capture Kaiser Wilhelm II during World War I, the book reveals the intricate interplay between three competing ideas: attachment to the memory of the Confederacy, intense American nationalism, and advocacy for progressive reforms. Hunt shows that Lea and his contemporaries sought either to harmonize these competing loyalties or to compartmentalize them to use when needed. Through insightful accounts of Tennessee’s 1928 presidential campaign, the American Legion’s response to cuts to veteran benefits in 1933, and the redefinition of America’s global role post–World War II, Hunt shows how these reformers achieved a balance that held until the Civil Rights movement disrupted this delicate consensus. Hunt’s rich account reveals how Lea and others like him wove national patriotism and Southern collective memory into a cohesive narrative that supported their broader Progressive goals. The book offers much to readers interested in Southern history, the Gilded Age, Prohibition, World War I, World War II, and the beginnings of the Civil Rights movement. It provides vivid examples of how collective memory and narratives shape social and political movements. General readers will discover how white Southerners who remained devoted to vindicating the Confederacy nonetheless became fervent supporters of America's growing nationalism in the early twentieth century.

Robert Hunt examines how Union veterans of the Army of the Cumberland employed the extinction of slavery in the transAppalachian South in their memory of the Civil War. Hunt argues that rather than ignoring or belittling emancipation, it became central to veterans’ retrospective understanding of what the war, and their service in it, was all about. The Army of the Cumberland is particularly useful as a subject for this examination because it invaded the South deeply, encountering numerous exslaves as fugitives, refugees, laborers on military projects, and new recruits. At the same time, the Cumberlanders were mostly Illinoisans, Ohioans, Indianans, and, significantly, Kentucky Unionists, all from areas suspicious of abolition before the war.Hunt argues that the collapse of slavery in the transAppalachian theatre of the Civil War can be usefully understood by exploring the postwar memories of this group of Union veterans. He contends that rather than remembering the war as a crusade against the evils of slavery, the veterans of the Army of the Cumberland saw the end of slavery as a byproduct of the necessary defeat of the planter aristocracy that had sundered the Union; a good and necessary outcome, but not necessarily an assertion of equality between the races.Some of the most provocative discussions about the Civil War in current scholarship are concerned with how memory of the war was used by both the North and the South in Reconstruction, redeemer politics, the imposition of segregation, and the SpanishAmerican War. This work demonstrates that both the collapse of slavery and the economic and social postWar experience convinced these veterans that they had participated in the construction of the United States as a world power, built on the victory won against corrupt Southern plutocrats who had impeded the rightful development of the country.

An illuminating examination of how a group Tennesseans blended early twentieth-century progressive ideas, Confederate Lost Cause nostalgia, and post-World War I patriotism into a potent narrative of American nationalism.

CIA operative Kurt Semples had organized and trained a militia in the Adirondacks to defend the town of Lake Placid against the invasion of the Russian Army. They called the militia the Emmon's Militia named after the man who named the mountain tops in the Adirondacks, Ebenezer Emmons.The militia was getting its revenge against its invaders by initiating a series of devastating ambushes using the terrain of the mountains to its advantage. The ultimate revenge would come when their leader, Kurt received a message from an old friend of Diana Popov -- the Russian general Kurt first met to discuss the possibility of assassinating the Gray Cardinal to force a regime change.Follow the story of Kurt and Marjorie Semples and their friends who help to extract the ultimate revenge of the Emmons' militia against their Russian invaders. This book brings the story to a surprising conclusion with unexpected twists and turns.

This is the third book in a collector's series on Randall Made Knives, by Robert Hunt. These publications reflect the author's interest in the historical role that knives have played and he has documented their use during the wars of the 20th Century. This volume introduces the rare, unique and experimental knives of W.D. Randall, many either made or designed by him. The initial section explores knives from the Randall Museum, where over 50 images reflect the commitment to design innovation, which was and is still today, a hallmark of Randall Made Knives. The second section contains knives from a private collection, which was uncovered by the author. Interestingly enough, the knives in this grouping have roots in some of the "museum" examples and various designs can be found in Randall early "experiments" displayed in the museum cases

Author Bob Hunt's first book, Randall Fighting Knives in Wartime, provided him the opportunity for further study on this subject. It was apparent before publication of the first book, that the subject matter could not be exhausted. In his second book, Hunt continues the process of identifying, describing and dating fighting knives produced in the dramatic early days of the Randall experience. This new volume provides a vast amount of material, carefully organized and presented to enable the reader to further his own research in the areas most interesting to him.

This is the third book in a collector's series on Randall Made Knives, by Robert Hunt. These publications reflect the author's interest in the historical role that knives have played and he has documented their use during the wars of the 20th Century. This volume introduces the rare, unique and experimental knives of W.D. Randall, many either made or designed by him. The initial section explores knives from the Randall Museum, where over 50 images reflect the commitment to design innovation, which was and is still today, a hallmark of Randall Made Knives. The second section contains knives from a private collection, which was uncovered by the author. Interestingly enough, the knives in this grouping have roots in some of the "museum" examples and various designs can be found in Randall early "experiments" displayed in the museum cases

Blind Terror is a science fiction novel about a biological terrorist attack on the U.S. by a North Korea. The attack mutates making the virus airborne and spreading terror across the country as everyone exposed to it becomes blind within a few weeks. Follow the story as the country seeks a vaccine and eventually a cure for this terrible virus.