Kirjahaku

Robert Morgan's welcome Collected Early Poems presents in one volume the contents of his first four full-length books, which appeared in steady succession over the course of a decade. His remarkable debut, Zirconia Poems, was published by Lillabulero Press in 1969, when he was only twenty-four. A limited edition chapbook titled The Voice in the Crosshairs was brought out by the Angelfish Press in 1971; nearly all those poems (joined with many more) soon saw wider distribution as part of Red Owl, released by W. W. Norton in 1972. In 1976, LSU Press published Land Diving, which gathered the first poems Morgan wrote after starting what would become a fifty-year career teaching at Cornell University. L'Epervier Press issued Trunk & Thicket in 1978; its author was still only thirty-three, an age by which Walt Whitman, Robert Frost, and Wallace Stevens had yet to produce their first volumes. (from Introduction by Robert W West)

The first full-length collection in more than a decade from the award-winning poet and author of the bestselling novel Gap Creek. Robert Morgan has won acclaim for sonorous poems rooted in his native Blue Ridge Mountains that feature taut, forceful, often haunting imagery and carefully chiseled phrases. The poems in Terroir build on his earlier work but reach out in several new directions, exploring memory, family narratives, the natural world of trees and forest animals, and the poetry of work. Readers of Morgan's fiction will recognize many places, themes, and voices, while fans of his poetry will see a fresh energy in poems drawing on science and folklore, Native American history, and music. These elegantly written poems celebrate everything from the bonds of friendship and community to the fleeting sparkle of a drop of rain, discovering wonder in the local and familiar, the sacred in the everyday.

Morgan provides a comprehensive, consistent, and unified analysis of Madison's political philosophy using Madison's views on the Constitution and the Bill of Rights as the focus. Morgan looks at all that Madison wrote on these topics before, during, and after the adoption of the Constitution. He argues that Madison's constitutional philosophy was shaped by his view that there was an inherent conflict between limited government and accountability on the one hand, and the tendency of all to exercise autonomous, unrestricted power. . . . His second thesis is that Madison was propelled to become a constitutional reformer not by any desire to curb democracy but by the need to preserve both the union and republican government. Morgan emphasizes the impact of the American experience in shaping Madison's thought as well as its eclectic character. ChoiceJames Madison stands out among the founding fathers of the U.S. government because of his analytical and creative political insight into the framing and explaining of the Constitution and the Bill of Rights. Madison became a constitutional reformer in order to preserve a republican government strong enough to fulfill what he felt was the destiny of the United States. This volume casts further light on Madison's beliefs through a comprehensive examination of his writing.This is not a simple task: there are substantial difficulties involved in developing a comprehensive consistent, and unified analysis of Madison's political thought. Madison's writings were extensive, and must be carefully perused in order to separate the rhetoric of his public exposition from the essence of his private thought. Furthermore, Madison never denied his aim of justifying and explaining the Constitution by sacrificing pure theory to the requirements of the prevailing political situation. Nonetheless, author Morgan has used the simplest possible interpretations of Madison's writings to reveal a clear and overriding thesis that gives unity and focus to his thought. This focus relates to the continuing tensions between the democratic idea of accountability and the tendency of all governments to seek autonomy, especially in the conduct of foreign relations.

Robert Morgan's classic work on the nature of New Testament Theology, including his translations of William Wrede's 'The Task and Method of "New Testament Theology"' and Adolf Schlatter's 'The Theology of the New Testament and Dogmatics'.

Robert Henery, a racehorse trainer, is forced by unfortunate circumstances in England to accept a position in Hungary, training the horses for a Count who has a beautiful and self-willed daughter. The chaotic events following the First World War and the Russian revolution soon envelope his life and that of the lovely Elizabet, and their destinies are entwined in the dramatic events that follow, ending eventually in a remarkable denouement in Britain. This is a love story, filled to the brim with adventure, tenderness and dramatic tension, and will hold the reader spellbound.

From the bestselling author of "Gap Creek, " comes a breathtaking collection of stories about the lives and history of the settlers of the Blue Ridge Mountains. Struggling to survive in an ancient mountain landscape that alternately thwarts their efforts and infuses them with joy and vitality, the strong-limbed and strong-willed people of the Blue Ridge Mountains undergo the transition from ploughshares to bulldozers -- from the Indian skirmishes of the post-Revoluationary War era to the trailer parks of the present day. In these eleven first-person narratives, Morgan visits the themes that matter to all people in all places: birth and death, love and loss, joy and sorrow, the necessity for remembrance and the inevitability of forgetting. This is a moving tribute to that which is universal and eternal -- the majestic immutability of the earth and the heroic human struggle to live, love, and create new life.

Robert Morgan, a native of the North Carolina mountains and a widely published poet, has been writing essays about his craft for more than twenty years. This book brings together some of his most thought-provoking pieces, reflections upon poetry from the dual perspective of poet and critic.Morgan begins by examining in succinct and challenging essays the elements of poetry and poetry writing in general, emphasising the poet's responsibility to provide, as the title suggest, ""good measure."" Good measure, Morgan cautions, means neither facile spontaneity nor the sort of politicization that most often, he says, forces poets into poses of stylized enlightenment and response.Morgan goes on to discuss specific poets with a craftsman's calm authority. His reflections upon the American tradition in poetry include a tribute to William Cullen Bryant, an illuminating piece on Robinson Jeffers, and studies of the contemporary poets A.R. Ammons, Russell Edson, and Fred Chappell. His look at individual poets also includes dazzling close readings of piece by the French poet Jean Follain.In ""The Transfigured Body"" and ""Mica,"" Morgan presents excerpts form his own notebooks, meditations jotted down during the process of composing poems These notes made in passing provide intriguing insights into the work of poetry.Finally, there are interviews with Morgan by other poets: lively discussion of southern writing, the experience of being a poet in America today, and the influence of Morgan's Appalachian background on his own vocation and career as a poet.Good Measure sparkles with honesty, deep intelligence, and most of all Morgan's conviction that a passionate striving for a unattainable perfection is its own reward. The indifference of the public, the success of the third-rate, the scorn of critical theorists for whom literary quality is irrelevant, none of these is an excuse ""for not saying the truth with wit, and for not making poems that will shine long after we have ceased our worry and hope.""Poets, scholars, and casual readers alike will find Good Measure a rich source of inspiration and wisdom.

Robert Morgan's newest collection of poetry is a treasury of snapshots in time, celebrating the past and present in Morgan's native region of western North Carolina and the Green River Valley. Topsoil Road features two parts: the first flowing smoothly from Cherokee history to the arrival of the poet's Welsh forebears; the second eloquently depicting the intricacies of nature and how they are subjected to the world of man. Whether describing the Cherokee chief Attakullakulla in London or the way a zebra spider glides across the sky, Morgan casts each poem with elegance and a rare sense of wonder, turning minute observations of the commonplace into portraits of delicate and significant beauty.

The unfading poetic brilliance of Robert Morgan shines through these ninety-three pieces spanning thirty-five years. Celebrated for his recent fiction, Morgan makes obvious in this volume he was first, and remains foremost, a wordsmith of poetic sensibilities- a craftsman of taut, forceful imagery, alert with wonder to the mystery of what lies in plain sight.Like Robert Frost, Morgan takes the natural world as a metaphorical base for human projection. Much of his work is a love song to the Appalachian Mountain terrain and a way of life all but gone: his father speaking in tongues; his mother canning peaches; carpentry, farming, the seasons in slow motion, family history, and wind-borne strains of music. He captures the aura around such common objects as resin, cellars, hog-wire fence, the whippoorwill, and crickets. Infusing his poetry with mountain idiom, even when pondering the cosmos beyond, Morgan creates lyrics with a rhythm like rain- ""to be rocked to sleep by mountains / equals the rest of heroes."" Fourteen new poems open the volume, and selections from nine previous collections follow. Robert Morgan's The Strange Attractor grants readers a generous overview of an important American poet's work.

Over 170 years after his death, Edgar Allan Poe remains a figure of enduring fascination and speculation for readers, scholars, and devotees of the weird and macabre. In Fallen Angel, acclaimed novelist and poet Robert Morgan offers a new biography of this gifted, complicated author.Focusing on Poe's personal relationships, Morgan chronicles how several women influenced his life and art. Eliza Poe, his mother, died before he turned three, but she haunted him ever after. The loss of Elmira Royster Shelton, his first and last love, devastated him and inspired much of his poetry. Morgan shows that Poe, known for his gothic and supernatural writing, was also a poet of the natural world who helped invent the detective story, science fiction, analytical criticism, and symbolist aesthetics. Though he died at age forty, Poe left behind works of great originality and vision that Fallen Angel explores with depth and feeling.

The art that I make takes place about one step away from the normal stir of human activity. -Richard Artschwager This book documents Richard Artschwager's last series of work, shown posthumously at Gagosian Gallery, New York, in 2014. For five decades, Richard Artschwager has forged a maverick path by confounding the generic limits of art while making the visual comprehension of space and the everyday objects that occupy it strangely unfamiliar. For his last series of work, Artschwager returned to an image, the isolated Running Man, that fascinated and inspired him for twenty years. About the works, Robert Morgan notes in his essay They are remarkableas a metaphor in reference to existence and mortality.

First published in 1956, World Sea Fisheries gives a general survey of the sea fisheries of the world. It assesses their relative importance at a time when the growing world population placed an increasing strain on food supplies. It examines the forces which mould the character of sea fisheries in any region. As the book attempts to explain the basic reasons for their varying characters, its regional section is preceded by sections dealing with the physical factors affecting fisheries, and with fishing techniques and craft. The author gives chief attention to certain essential features of an area by giving the reader a more accessible source of important figures and isolating most significant features and trends from the mass of detailed and complex statistics provided by many countries. The volume also contains several maps. It will be a fascinating read for students and researchers of economic geography and general readers interested in the topic as it gives a rare glimpse into the fishing industry that existed almost seventy years ago.

First published in 1956, World Sea Fisheries gives a general survey of the sea fisheries of the world. It assesses their relative importance at a time when the growing world population placed an increasing strain on food supplies. It examines the forces which mould the character of sea fisheries in any region. As the book attempts to explain the basic reasons for their varying characters, its regional section is preceded by sections dealing with the physical factors affecting fisheries, and with fishing techniques and craft. The author gives chief attention to certain essential features of an area by giving the reader a more accessible source of important figures and isolating most significant features and trends from the mass of detailed and complex statistics provided by many countries. The volume also contains several maps. It will be a fascinating read for students and researchers of economic geography and general readers interested in the topic as it gives a rare glimpse into the fishing industry that existed almost seventy years ago.